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2018³â µÎ»ê¾ÆÆ®·¦ ¼±Á¤ÀÛ <±èÈñ¿µÀÇ ¹æ¿ï¸ñÇÁ·ÎÁ§Æ®>, µ¶Ã¢È¸ <ÇǾî¿À¸£³ª´Ï>, ¼­¿ï¹®È­Àç´Ü ¿¹¼úÀÛÇ°Áö¿ø ¼±Á¤ÀÛ <µðµõ-ÀØÈ÷°í ½ÍÁö ¾ÊÀº ¼Ò¸®µé>À» ÅëÇØ ÀüÅëÀÇ Á¤¼­¸¦ ´ãÀº ¼Ò¸®·Î ±¸¼ºÇÑ °ø¿¬ È°µ¿À» ÆîÄ¡´Â µ¿½Ã¿¡, ¾Æ¸§´Ù¿î ½Ã(ãÌ)·Î À½¾ÇÀ» ¸¸µå´Â À½¾Ç±×·ì ¡®½Ã·Î¡¯ÀÇ µ¿ÀÎÀ¸·Î¼­ ¿ì¸®À½¾ÇÀÇ µ¿½Ã´ë¼ºÀ» Ãß±¸ÇÏ´Â ±¹¸³±ØÀå ¡®¿©¿ì¶ô Æ佺Ƽ¹ú¡¯ µî¿¡¼­ âÀÛÀ½¾ÇÀÛ¾÷À» ¼±º¸ÀÌ°í ÀÖ´Ù.

 

Heeyoung Kim

¡®Prodigy-Virtuoso Vocalist¡¯ Heeyoung Kim, who rapidly built a reputation from a young age as an outstanding and versatile vocalist, has mastered Jeongga at Gugak National Middle & High School and Seoul National University. Kim also has gained reputation by performing the full cycle of Gyeonggi 12-Japga and Whimori Japga and receiving numerous awards from a number of prestigious competitions. She was selected as a ¡®Leading Artist of Next Generation¡¯ from a monthly music journal AUDITORIUM in 2016 and achieved an exceptional position as a Jeongga singer by performing the full cycle of Female Gagok at National Gugak Center in 2018.

Recently, Kim has not only been practicing traditional music and expressing her own voice but actively exploring various ways to present them. She always has been researching and seeking for fresh perspectives and attempts while keeping the fundamentals of traditional vocal music as an authentic singer of Korean music.

As a soloist, Kim has actively performed at various stages such as Doosan Art LAB¡¯s choice , Solo Recital , Seoul Foundations for Arts and Culture¡¯s choice and as a member of Project Shiro, Kim has been presenting new projects at contemporary Gugak stages such as Yeowoorak Festival, etc.

      

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ÇöÀçÀÇ ÀüÅë¼Ò¸®´Â ´Ù½Ã °¢ À帣º°·Î ±¸ºÐµÇ°í Àü¹®È­µÇ¾î Áö±Ý±îÁö À̾îÁö°í ÀÖ°í, ±×·Î ÀÎÇØ Á¤°¡¿Í ¹Î¿ä µÎ À帣¸¦ ¸ðµÎ ¼ÒÈ­ÇÏ´Â ¼Ò¸®²ÛÀº ã¾Æº¸±â ¾î·Æ±â µÇ¾ú´Ù. Á¤°¡¿Í ¹Î¿ä µÎ À帣¸¦ ¸ðµÎ ¿¬¸¶ÇÑ °¡°´ ±èÈñ¿µÀÌ ÀÚ½ÅÀÇ ¸ñ¼Ò¸®¸¦ ´ãÀº ¾Ù¹ü ¡®±â·Ï¡¯Àº ÇϳªÀÇ ¾Ù¹ü¿¡ µÎ À帣¸¦ ¸ðµÎ º¸¿©Áִ Ư»ö ÀÖ´Â À½¹ÝÀÌ´Ù. ƯÈ÷ À̹ø À½¹Ý¿¡ ¼ö·ÏµÈ ¡®¼ö¾ç»ê°¡¡¯¿Í ½Ãâ ¡®½ÊÀ̳­°£¡¯, ¡®°ü»êÀ¶¸¶¡¯¿¡¼­´Â Á¤°¡¿Í ¹Î¿ä¸¦ °â°øÇØ¿Â ±â·®, ±×¸®°í µ¶Æ¯ÇÑ À§Ä¡¿¡¼­ ÀڽŸ¸ÀÇ À½»öÀ¸·Î üȭÇÑ ¼Ò¸®¸¦ ¿À·ÔÀÌ ´ã¾Æº¸·Á ³ë·ÂÇÏ¿´´Ù. ³ª¾Æ°¡ ±×°£ÀÇ °æÇè, Áö±Ý ÀÌ ¼ø°£ÀÇ ±èÈñ¿µÀÇ ¸ñ¼Ò¸®¸¦ ¡®±â·Ï¡¯À¸·Î ¿«À½À¸·Î½á ÀüÅë¼Ò¸®ÀÇ ´Ù¾ç¼º°ú °¡Ä¡¸¦ ÀçÁ¶¸íÇÏ°íÀÚ ÇÏ¿´´Ù.

 

RECORDS

In the past, a type of music one could enjoy was decided according to one¡¯s social status. For example, Gagok, a type of pungryu music, was music of intellectual scholars of Joseon dynasty, folk song(Minyo) was a song of general people, and Japga and Pansori were sung among the professional vocalists. After the solid classification of social class has disappeared, Jeongga was included in the genre of ¡®traditional vocal music¡¯ with Minyo and Pansori. Therefore, singers who were active in the 1930s mastered a versatile repertoire of all genres of vocal music. Various forms of singing were present at that time, which had been hard to exist in the very past.

Recently, however, traditional vocal music has separated and specialized into specific genres again, so there are few singers who play both Jeongga and Minyo. Therefore, ¡®RECORDS¡¯ by Heeyoung Kim, who mastered both Jeongga and Minyo, is a unique album which shows both genres in a single disc. Especially throughout the Suyangsanga, Sipyeenangan, and Gwansanyungma, Kim has tried to reflect her full energy and spirit of Jeongga and Minyo practice. Moreover, by compiling and archiving wide-range repertoire under a theme of ¡®RECORDS,¡¯ she wanted to shed light on the musical diversity and value of traditional voice.

 

 

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2001 Á¦ 2ȸ ¼þ¹Î Àü±¹¼Ò³â¼Ò³à ¸íâ´ëȸ ´ë»ó

2006 Á¦ 5ȸ Àü±¹Á¤°¡°æâ´ëȸ ÇлýºÎ ±Ý»ó

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2011 Á¦ 9ȸ Àü±¹Á¤°¡°æâ´ëȸ ÀϹݺΠÁ¾ÇÕ´ë»ó

 

ÁÖ¿ä°æ·Â 2000 °æ±â 12Àâ°¡ ¿Ïâ¹ßǥȸ ¹× À½¹Ý¹ß¸Å

2001 û¿Í´ë ÃÊû°ø¿¬ ¡®´ëÅë·É°ú ÇÔ²²ÇÏ´Â ³¯¾Æ¶ó ÇϴóôÀÌ¡¯

2001 ±¹¾Ç½Å¹® Â÷¼¼´ë ¾î¸°ÀÌ ¸íÀθíâ ¼±Á¤

2002 À¯´Ï¼¼ÇÁ ÁÖ°ü ¿ùµåÄÅ ±â³ä ¡®¼¼°èÆòÈ­¾Æµ¿ÃàÁ¦¡¯ Çѱ¹´ëÇ¥

2003 ¹Ì±¹ UCLA ´ëÇÐ ÃÊû°ø¿¬ ¡®Korean Music Symposium¡¯

2004 ÈÖ¸ôÀÌÀâ°¡ ¿Ïâ¹ßǥȸ ¡®ÃµÀç¸íâ ±èÈñ¿µÀÇ ÈÖ¸ôÀÌÀâ°¡¡¯ ¹× À½¹Ý¹ß¸Å

2013 ±èÈñ¿µ µ¶Ã¢È¸ ¡®ÇÇ¾î ¿À¸£³ª´Ï¡¯

2015 ½ÅÁø±¹¾Ç½ÇÇ蹫´ë ¡®º°³­¼Ò¸®ÆÇ ¹æ¿ï¸ñ ÇÁ·ÎÁ§Æ®-±è¿Á½É µÇ´Ù'

2016 ÇÁ¶û½º Æĸ® (¹Ú¹Ú ÄÄÆÛ´Ï)

2016 µ¶ÀÏ Çϳë¹ö (¹Ú¹Ú ÄÄÆÛ´Ï)

2016 ¿©¿ì¶ô Æ佺Ƽ¹ú ¡®ÇǾ¡¯

2017 ±íÀº»ç¶û ¡®ÃµÀç¼Ò³àXõÀç¼Ò³â¡¯

2018 µÎ»ê¾ÆÆ®·¦ ¡®±èÈñ¿µÀÇ ¹æ¿ï¸ñÇÁ·ÎÁ§Æ®¡¯

2018 ±¹¸³±¹¾Ç¿ø ¸ñ¿ädz·ù ¡®±èÈñ¿µÀÇ ¿©Ã¢°¡°î Àüâ¹ßǥȸ¡¯

2018 ¼­¿ï¹®È­Àç´Ü ¿¹¼úÀÛÇ°Áö¿ø ¼±Á¤ÀÛ ¡®±èÈñ¿µ µðµõ - ÀØÈ÷°í ½ÍÁö ¾ÊÀº ¼Ò¸®µé¡¯

 

 

Heeyoung Kim

 

Graduated from Gugak National Middle and High School

M.M. Candidate & B.M. in Korean Music, College of Music, Seoul National University

Member of Project ¡®Shiro¡¯

2016 AUDITORIUM¡¯s CHOICE ¡®Leading Artist of Next Generation¡¯

 

Awards

1998 Grand Prize at Jeju KBS Korean Music Competition, Junior Division 2001 Grand Prize at the 2nd Seungmin National Junior Vocal Music Competition

2006 Gold Prize at the 5th National Jeongga Competition, Student Division

2007 Gold Prize at Dong-A Korean Music Competition, Student Division

2008 First Prize at the 19th National Students¡¯ Korean Music Competition, Sijo Division

2008 Grand Prize at the 4th Sejong Music Concours, Student Division

2011 First Prize at the 2nd Wolha Jeongga Competition, Master Division

2011 Grand Prize at the 9th National Jeongga Competition, General Division

 

Selected Performances

2000 Full Cycle Performance & Album Release of Gyeonggi 12-Japga

2001 Blue House Invitation Performance

2001 Gugak Newspaper¡¯s CHOICE ¡®Junior Diva of Next Generation¡¯

2002 Representative of Korea, World Peace Children Festival, Hosted by UNICEF

2003 Korean Music Symposium, Hosted by UCLA

2004 Full Cycle Performance & Album Release of Virtuoso Heeyoung Kim¡¯s Whimori Japga

2013 Solo Recital Rising From...

2015 Bangwoolmok Project-Becoming Kim Oksim, New Gugak Experimental Stage, Hosted by Korean Traditional Performing Arts Foundation

2016 Internationales de Seine-Saint-Denis Festival, Parkpark Company, Paris, France

2016 Festival Theater Formen, Parkpark Company, Hannover, Germany

2016 Risen, Yeowoorak Festival, Hosted by National Theater of Korea

2017 Virtuoso X Virtuosa, Hosted by Fathomless Sarang

2018 Heeyoung Kim¡¯s Bangwoolmok Project, Doosan Art LAB, Hosted by Doosan Art Center

2018 Heeyoung Kim¡¯s Full Cycle Performance of Gagok, Thursday Pungryu Series, Hosted by National Gugak Center

2018 Heeyoung Kim¡¯s Didim-Voice That Must Not Be Forgotten, Supported by Seoul Foundation for Arts and Culture


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