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Á¤È¸Ãµ °¡¾ß±Ý/ÃÖ¿Á»êÁ¦ÇÔµ¿Á¤¿ù·ù»êÁ¶. ºÀÀåÃë TOPCD-177
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 ¤ý À½¹Ý¹øÈ£: TOPCD-177
 ¤ý ¹ß¸ÅÀÏ: •Manufactured by Seoul Media. 2018.12. Seoul, Korea
 ¤ý ³ìÀ½: 1987.11.24. ¹®¿¹È¸°ü ´ë±ØÀå Recorded on Nov. 24, 1987 at ARKO Art Center
 ¤ý µð·ºÅÍ: •Director : ¾çÁ¤È¯ TOP ARTS (À½Á¦1442È£) / P&C Yang Jeong-hwan www.gugakcd.com
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TOPCD-177

Sanjo and Bongjangchwi

 

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Jeong Hoecheon¡¯s Gayageum Sanjo and Bongjangchw

  

01 »çȸ - ÃÖÁ¾¹Î ±³¼ö MC : Choe Jongmin 06:39

 

*ÃÖ¿Á»êÁ¦ ÇÔµ¿Á¤¿ù·ù - °¡¾ß±Ý»êÁ¶

 

Gayageumsanjo, Choe Oksan style by Ham Dongjeongwol school

 

02 ´Ù½º¸§ Daseureum 02:41

 

03 Áø¾çÁ¶ Jinyangjo 18:33

 

04 Á߸Ӹ® Jungmori 07:01

 

05 ÁßÁ߸Ӹ® Jungjungmori 01:52

 

06 ´ÊÀºÀÚÁø¸Ó¸® Neujeunjajinmori 07:46

 

07 ÀÚÁø¸Ó¸® Jajinmori 05:40

 

08 ÈÖ¸Ó¸® Hwimori 03:20

 

*ºÀÀåÃë - ÁïÈïÇÕÁÖ

 

Bongjangchwi - Improvisational ensemble

 

09 Áø¾çÁ¶ - Á߸Ӹ® Jinyangjo-Jungmori 09:56

 

10 ÁßÁ߸Ӹ® - ÀÚÁø¸Ó¸® - ¾ù¸Ó¸® Jungjungmori-Jajinmori-Onmori 07:52

 

       

°¡¾ß±Ý/Á¤È¸Ãµ Gayageum: Jeong Hoecheon ¡¤ ºÏ/±è¸íȯ Buk: Kim Myeonghwan

 

´ë±Ý/ÀÌ»ý°­ Daegeum: Yi Saenggang ¡¤ ¾ÆÀï/À±À±¼® Ajaeng: Yun Yunseok

 

ÇرÝ/ÀüÅ¿ë Haegeum: Jeon Taeyong ¡¤ ¡/¹® ÀÏ Jing: Munil ¡¤ À屸/À̼ºÁø Janggu: Yi Seongjin

 

³ìÀ½/1987.11.24. ¹®¿¹È¸°ü ´ë±ØÀå Recorded on Nov. 24, 1987 at ARKO Art Center

 

Director : ¾çÁ¤È¯ TOP ARTS (À½Á¦1442È£) / P&C Yang Jeong-hwan www.gugakcd.com

 

¿µ¹®¹ø¿ª : ±èÀ¯¼® Jacket Design : MUSONG TOPCD-177 Manufactured by Seoul Media. 2018.12. Seoul, Korea

 

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2018³â 12¿ù ¿¬ÁÖÀÚ Á¤ ȸ õ

    

Gayageumsanjo and Bongjangchwi in Choe Oksan style by Ham Dongjeongwol schoo 

Gayageumsanjo, especially in Choe Oksan style, was completed by gayageum master Choe Oksan(õËè¬ß£, or autonym of Ce Oksam õËè¬ß², 1905-1956). The main body of the workpiece was inherited by his student Ham Dongjeongwol(ùàÔ×ïÔêÅ, an autonym of Ham Geumdeok, 1917-1994), who was designated as the National Intangible Cultural Asset in Nov. 17, 1980.

Ham was born in Gangjin town, where there was a fortress, and she was a descendant of musician family succeeded down through Ham Chaeryong, and Ham Ilgwon. Therefore, Ham had been under strong influence of Southwestern music ensembles from her age of 11. She embarked to be a musician where she firstly learned repertoires of sijo, yanggeum, gayageum, seungmu, and geommu in the city of Gwangju. Even after her come back to hometown, continuously learned many genres such as gagok under Gim Boksul school, pansori under Yin Gonggyo and Oh Suam, gayageum under Choe Oksan. Ham won the grand prize at the competition hosted by Japan¡¯s Columbia company in 1936 at her age of 19. She had chances to go to Japan and left 12 recordings in 50 days. They were her debut albums in Korea such as Chunhyangga, Simcheongga, and Yukjabaegi, Heungtaryeong, Gayageum sanjo, and Gayageum Byeongchang. Due to family matters, her activities in Daejeon and Seoul were not so much productive.

1970, Ham moved her house from Itaewon to Seokkwandong where is near to Seoul Korean music highschool introduced by close relationships with Jeong Gwonjin and Gim Myeonghwan. After she moved, she began to train herself of gayageum and pansori in earnest. Since Gim Myeonghwan helped her tighten the gayageum¡¯s strings everyday, Ham¡¯s left arm was thicker than the other side. The Gayageum with tightened strings was even hard also for the male players to play. There was an episode that the geomungo master Sin Kwedong mentioned in surprise: ¡°How anyone can play gayageum with such tightened strings?¡± No matter how many times she practiced everyday, and how many broken parts were cast away in her front yard, I still remember the her image in inner wears on hot summer days. An unexpected accident of her son, and a parting with Gim Myeonghwan, and a car accident of herself in 1979 led her sad latter years. She passed away behind colleague¡¯s grief such as Bak Nokju, Bak Gwihui, Gim Sohui, and students at the age of 77 in Myeonmok-dong, Seoul on October 12, 1994.  

It is well-known fact that sanjo introduced its musical grammar from pansori genre. Ham trained herself for a life time from her early age, especially lessoned from famous masters as Gim Boksul, Yim Gonggyo, Oh Suam, Na Seongyeop, Gim Chohyang, Bak Chowol, and Gim Myeonghwan. Her styled gayageum sanjo has its characteristics on its Nonghyeon technique, and amusements of melody. She was so much passionate than any other artists, and her singing is to be told as just ¡°Southwestern.¡± Gayageum sanjo, especially succeeded down by Ham Dongjeongwol, was a re-arranged version of Choe Oksan¡¯s sanjo melody in accordance with perfect grammar of pansori.

The 1987¡¯s recital in ARKO art center was a research-project-concert with a lot of masters as Jeong Daryeong, Han Nongseon, Seong Changsun, Oh Jeongsuk, Jo Tongdal, and An Sukseon. It was held right after Jeong Hoecheon¡¯s pansori drum concert. The melody was composed of gayageum sanjo in Choe Oksan style by Ham Dongjeongwol school with improvisational play of Bongjangchwi. The Bongjangchwi was supposed to play with the National Gugak center¡¯s folk music group as its plan, but the players had been altered to Yi Saenggang(Daegeum), Yun Yunseok(Ajaeng), Jeon Taeyong(Haegeum), Yi Seongjin(Janggo), Mun Il(Jing), and myself. I specially would like to appreciate my teachers¡ªHam Dongjeongwol and Gim Myeonghwan, and all other masters who participated in the performance, also Yi Bohyeong and Choe Jongmin who took charge of commentary and MC of the performance.

2018. 12  

Jeong Hoecheon

  


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±× Çϳª´Â ¼ø¼öÇÑ À½¾ÇÀ¸·Î ¿¬ÁÖÇÏ´Â ±â¾Ç°îÀ¸·Î Áø¾çÁ¶, Á߸Ӹ®, ÁßÁ߸Ӹ®, ÀÚÁø¸Ó¸® µîÀÇ Àå´Ü¿¡ À°ÀÚ¹éÀÌ Å丮·Î ¿¬ÁÖÇÏ´Â °ÍÀÌ°í ´Ù¸¥ Çϳª´Â °í´Ï ÇÑ ½ÖÀÌ ³¯¾Æ ¿Ô´Ù°¡ ¼ý °í´Ï°¡ Æ÷¼ö¿¡°Ô Á×°Ô µÇ´Ï ¹µ »õµéÀÌ ³¯¾Æ¿Í °®°¡Áö ¼Ò¸®·Î Á¶¹®ÇÑ´Ù´Â À̾߱â·Î ¿«Àº °í´ÏŸ·ÉÀ» ¸»ÇÑ´Ù. ºÀÀåÃë´Â ¿À´Ã³¯ »êÁ¶¿¡ °¡¸®¾î ÀÚÃ븦 °¨Ãß°í ¸»¾ÒÁö¸¸ ½Ã³ªÀ§¿Í »êÁ¶ÀÇ Áß°£ ¼º°ÝÀ» ¶ç¿ì°í ÀÖ¾î ¹Î¼ÓÀ½¾Ç¿¬±¸¿¡ ±ÍÁßÇÑ ÀÚ·á·Î ÁÖ¸ñµÇ°í ÀÖ´Ù. 1987.11.24.

    

Rebirth of Bongjangchwi melody by an excellent gayageum player

Yi Bohyeong(Board Member of Cultural Asset Research)

Jeong Heocheon, since he worked in KBS as a producer, many people know that he is only a PD, but he also has a long period of learning gayegeum and is an excellent player as well. When I was in master Jeong Gwonjin¡¯s studio, I eye-witness a middle school student Jeong Hoecheon got a gayageum lesson from Ham Dongjeongwol. One day in a place where there were many masters gathered, Jeong Hoecheon demonstrated his gayageum play, and he was praised as to be a very promising candidate of gayageum player in the future.

He held a recital as a full version of Ham Dongjeongwol style gayageum sanjo in 1978 when he was attending Hanyang University. Also he got a favorable comment in many kinds of stages including the invitational performance by German culture center in 1979. He also participated as a member of Minsogakhoe Sinawi, and finally took the first prize at the Gugak competition in 1980. Under the National Intangible Cultural Asset holder Gim Myeonghwan, he learned pansori drumming. He had a glorious moment in 1982 to win the grand prize of pansori drummer competition, not to mention of a pansori drum recital in September 30th as the second time in history of pansori drum concert.

Today, I am very much excited to see his performance of gayageum sanjo of Ham Dongjeongwol style, as well as Bongjangchwi. The gayageum sanjo of Ham Dongjeongwol style(often it is called gayageum sanjo of Choe Oksan style) was inherited by Choe Oksan-Ham Dongjeongwol, and its quality of melody is very much well-balanced, and needs high-ended techniques. 

The improvisational ensemble ¡°Bongjangchwi¡± is somewhat different from the ordinary repertoires which will be drum accompanied by Gim Myeonghwan. The idiom Bongjangchwi was found in the article of ¡°Byeongangsoega,¡± a pansori text written by Sin Jaehyo. Therefore, it looks like a common word in the traditional society, although it is rarely seen nowadays. Bongjangchwi has two types. The first one is played as an instruments ensemble from Jinyangjo-Jungmori-Jungjungmori-Jajinmori. The second one points out a musical story, called ¡°Goni Taryeong¡± of which story is as follows. One day, a couple of swan came to a lake. Of the couple, the male swan got a gunshot by a hunter. A lot of swans flew over to his funeral in grief, afterwards. Bongjangchwi took many interests among folk music studies in that its historical importance in between Sinawi and sanjo. Nov. 24, 1987

 

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°¡¾ß±Ý»êÁ¶ÀÇ Çü½ÄÀ» º»°ÝÀûÀ¸·Î Á¤¸³ÇÑ »ç¶÷Àº Àü³² ¿µ¾ÏÀÇ ±èâÁ¶(ÑÑóãðÓ:1865-1919)¿Í Çس², È­¼øÀÇ ÇѼ÷±¸(ùÛâ×Ï­:1850-1925) ±×¸®°í ÃæûµµÀÇ ¹ÚÆÈÄè, ½Éâ·¡ µîÀÇ ¸íÀεé·Î ¾Ë·ÁÁ® ÀÖ´Ù. ÇÔµ¿Á¤¿ù·ù °¡¾ß±Ý»êÁ¶´Â ±èâÁ¶¿¡°Ô »ç»çÇÑ °ÍÀ¸·Î ¿©°ÜÁö´Â ÃÖ¿Á»ê ¸íÀο¡ ÀÌ¾î ±×ÀÇ ¼öÁ¦ÀÚÀÎ ÇÔµ¿Á¤¿ù·Î Àü½ÂµÈ °îÀ¸·Î ´Ù½º¸§, Áø¾çÁ¶, Á߸Ӹ®, ÁßÁ߸Ӹ®, ´ÊÀºÀÚÁø¸Ó¸®, ÀÚÁø¸Ó¸®, ÈÖ¸Ó¸® Àå´ÜÀ¸·Î ±¸¼ºµÇ¾î ÀÖ´Ù.  

Áø¾çÁ¶¿¡´Â ¿ìÁ¶, ÆòÁ¶, °è¸éÁ¶ ¿Ü¿¡ ´Ù¸¥ À¯ÆÄÀÇ °¡¾ß±Ý»êÁ¶¿¡¼­ º¸±â Èûµç ºÀȲÁ¶(ÜóüÅðà) Áï ºÀȲ»õÀÇ ÀÚŸ¦ ¹¦»çÇÑ °¡¶ôÀÌ ³ª¿À¸ç, Æò°è¸é º¯°è¸é, »ý»ïû µîÀÇ °¡¶ôÀÌ Æ¯ÀÌÇÏ´Ù. Á߸Ӹ®ÀÇ °æµå¸§(ÌÈðà) °¡¶ô°ú ¿ìÁ¶(éâðà)·Î¸¸ ±¸¼ºµÈ ÁßÁ߸Ӹ® °¡¶ôÀÌ ÀÌä·Ó´Ù

ÀÌ »êÁ¶ °¡¶ôÀÇ Æ¯ÀåÀ» °¡Àå Àß Ç¥ÃâÇÏ°í ÀÖ´Â ´ÊÀºÀÚÁø¸Ó¸®´Â ÁßÁ߸Ӹ® Àå´Ü¿¡¼­ ÀÚÁø¸Ó¸® Àå´ÜÀ¸·Î ¹Ù²î´Â ¿¬°áÀå´ÜÀÇ º¹ÇÕ±¸Á¶À̸ç, ƯÈ÷ ¿ÏÀü4µµ ¾Æ·¡·Î Á¶¹Ù²ÞµÈ º¯À½°¡¶ô°ú ±× °¡¶ôµéÀ» ÀÕ°í ¸Î¾îÁÖ´Â ºÏ ¹ÝÁÖ °¡¶ô°úÀÇ ´Ùä·Î¿î ÁøÇàÀÌ µ¸º¸ÀδÙ. ÀÚÁø¸Ó¸®ÀÇ ¡°ºñ¿À´Â °¡¶ô¡±, ¡°µµ¼·°¡¶ô¡±, ¡°¸» ¶Ù´Â °¡¶ô¡± µîÀÌ Æ¯ÀÌÇϸç, Á¤Á¦µÈ °¡¶ô°ú ±íÀº ³óÇö¿¡ ÀÇÇÑ ¼ºÀ½³îÀ½ÀÌ Æ¯ÀåÀ̶ó ÇÏ°Ú´Ù.

      

Gayageumsanjo, Choe Oksan style by Ham Dongjeongwol school

Gim Changjo(ÑÑóãðÓ, 1865-1919), Han Sukku(ùÛâ×Ï­, 1850-1925), Bak Palgwe, and Sim Changnae: They are well-known masters of gayageum play. Gim Changjo, especially, was considered as the one who set typical format of sanjo in the earliest days. Choe Oksan is assumed to inherit his music from Gim Changjo, and to hand down to Ham Dongjeongwol. This style¡¯s sanjo consists of Daseuruem-Jinyangjo-Jungmori-Jungjungmori-Neujin Jajinmori-Jajinmori-Hwimori chapters.

Jinyangjo consists of Ujo, Pyeongjo, Gyemyeonjo modes including Bonghwangjo. Bonghwangjo depicts a beauty of phoenix, which is rarely seen in another sanjo¡¯s style. The unique melody groups so called ¡°Pyeonggyemyeon,¡± ¡°Byeongyemyeon,¡± ¡°Saengsamcheong¡± are found as well in the piece. The uncommon melody such as Gyeongdeureum in Jungmori chapter, and Ujo in Jungjungmori are also found  

Neujin Jajinmori, which well-expresses very uniqueness of this particular sanjo style. It was constructed under the shift of jangdan(rhythmic cycle) from Jungjungmori to Jajinmori. Especially, the melodic contour in between transposed melodies and drum accompaniments. Unique melody groups such as ¡°raining melody,¡± ¡°Doseop,¡± ¡°Horse running melody¡± are appeared in the piece.

 

ºÀÀåÃë ÁïÈïÇÕÁÖ

ºÀÀåÃë(Üóíâö£ ¶Ç´Â ÜóíÍö£)´Â ¼øÁ¶¶§ÀÇ ÆǼҸ® ÁßÈïÀÚ ½ÅÀçÈ¿(ãéî¤üø:1812-1884)°¡ ÁöÀº º¯±¤¼èŸ·É Áß¿¡ À¯¶û¾Ç»çµéÀ» ºÒ·¯ ºÀÀåÃ븦 ¿¬ÁÖÇÏ°Ô Çß´Ù´Â »ç¼³ ³»¿ëÀÌ ÀÖ´Â °ÍÀ¸·Î º¸¾Æ ½Ã³ªÀ§³ª »êÁ¶ÇÕÁÖ°¡ ¿¬ÁֵDZâ ÀÌÀü¿¡ µîÀåÇÑ ¹Î¼ÓÇÕÁÖ°îÀ¸·Î ¿©°ÜÁø´Ù. Á¶»çµÈ ¹Ù¿¡ ÀÇÇÏ¸é °í´Ï ÇÑ ½ÖÀÇ ¾ÖƶÇÑ »ç¶û À̾߱⸦ À½¾Ç°ú ÇÔ²² ¿«¾úÀ¸³ª, Á¡Â÷ ±â¾Ç°îÈ­ µÇ¾ú°í ÇöÇà ¿¬Áֵǰí ÀÖ´Â ½Ã³ªÀ§³ª ´ë±Ý»êÁ¶¿¡ µîÀåÇÏ´Â »õ ¿ïÀ½°¡¶ôÀº ºÀÀåÃëÀÇ ¿µÇâÀÎ °ÍÀ¸·Î º¸ÀδÙ.  

½Ã³ªÀ§³ª »êÁ¶ÇÕÁÖ°î ÀÌÀü¿¡ ¿¬ÁÖµÈ ºÀÀåÃëÀÇ À½¿øÀÚ·á·Î´Â Åü¼ÒÀÇ ¸íÀÎ À¯µ¿ÃÊ(׳ÔÔôø) ¸íÀÎÀÌ ¿¬ÁÖÇÑ ºÀÀåÃë¿Í Áö¿µÈñ, ¼º±Ý¿¬ ¸íÀÎÀÌ °¢°¢ Çرݰú ¾ÆÀïÀ¸·Î ÇÕÁÖÇÑ ºÀÀåÃë(Å·½ºÅ¸·¹ÄÚµå KMS1105)°¡ ÀüÇØÁö°í ÀÖ´Ù

ºÀÀåÃë ÁïÈïÇÕÁÖ´Â ´ë±Ý¸íÀÎ ÀÌ»ý°­ ¼±»ý°ú ¾ÆÀïÀÇ À±À±¼® ¸íÀÎ, ÇرÝÀÇ ÀüÅÂ¿ë ¸íÀÎ, Àå°íÀÇ À̼ºÁø ¸íÀÎ, ¹®ÀÏ ¼±»ýÀÇ Â¡, ¹ßÇ¥ÀÚ Á¤È¸ÃµÀÇ °¡¾ß±ÝÀÇ ÁïÈïÇÕÁÖ°îÀ¸·Î ¿¾ ¸íÀε鿡 ÀÇÇØ ¿¬ÁֵǴø ºÀÀåÃ븦 ¹«´ë¸¦ ÅëÇØ ÀçÇöÇÑ °ø¿¬½ÇȲ À½¿øÀ¸·Î ¸Å¿ì ±ÍÁßÇÑ ±¹¾ÇÀ½¿ø ÀÚ·áÀÌ´Ù.

    

Bongjangchwi Improvisational Ensemble

 

Bongjangchwi(Üóíâö£ or ÜóíÍö£) has a pansori text ¡°Byeongangsoe Taryeong¡± written by Sin Jaehyo(ãéî¤üø, 1812-1884), a pansori theorist of Joseon dynasty. So it is considered that Bongjangchwi was one of the ensemble genre played before Sinawi or sanjo ensembles. According to research, there used to be a love story with music about a swan¡¯s couple, but later, it became instrumental music afterwards. The birds singing melody out of Sinawi or daegeum sanjo seems like they were rooted from the influence of Bongjangchwi.

There are two recordings about Bongjangchwi before the emerge of Sinawi or sanjo ensemble. They are of by Yu Dongcho, a famous tungso master, and Kingstar¡¯s record(KMS 1105) by Ji Younghui and Seong Geumnyeon.

This track is very important for its scarcity as a stage version. The music was played by each instruments¡¯ master players: Yi Saenggang(Daegeum), Yun Yunseok(Ajaeng), Jeon Taeyong(Haegeum), Yi Seongjin(Janggo), Jing(Mun Il), and myself.

 

 

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Daegeum/ Yi Saenggang

National Intangible Cultural Asset Holder of Daegeum sanjo

 He is also a master of wind instruments as piri, dangjeok, sogeum, taepyeongso

       

¾ÆÀï / À±À±¼® ¸íÀÎ

¾ÆÀï»êÁ¶ÀÇ µ¶º¸ÀûÀÎ ¿¬ÁÖÀÚ·Î ¿À·§µ¿¾È ¹Î¼Ó¾Ç ¹«´ë¸¦ ÁöŲ ¸íÀÎ

Ajaeng/ Yun Yunseok

A matchless ajaeng player who ruled the stage for decades

    

ÇØ±Ý / ÀüÅÂ¿ë ¸íÀÎ

°æ±âÇرݰ¡¶ô°ú °æ±â¼Ò¸® °¡Ã¢, °æ±â¹«¾Ç µîÀÇ °æÁ¦ À½¾Ç¾î¹ý¿¡ ´ÉÅëÇÑ ±â¾Ç¸íÀÎ

Haegeum/ Jeon Taeyong

A master in Gyeonggido area¡¯s vocal and instrumental music

    

Àå°í / À̼ºÁø ¸íÀÎ

¼³Àå°í¿Í ±â¾ÇÀå´Ü¿¡ ¸ðµÎ ´ÉÅëÇÏ¿© ¿À·§µ¿¾È ÀÌ»ý°­ ¸íÀÎÀÇ Àü¼Ó ¹ÝÁÖÀÚ·Î µ¿ÇàÇß´ø Ÿ¾Ç¸íÀÎ

Janggo/ Yi Seongjin

Who is in proficient at seoljanggo, and janggo accompaniments

Exclusive accompaniment master of Yi Saenggang

    

¡ / ¹® ÀÏ ¸íÀÎ

Àü¶óºÏµµ Á¤À¾Ãâ½ÅÀ¸·Î ÆǼҸ®·Î ÀÔ¹®ÇÏ¿© ºÏ, Àå°í µîÀÇ Àå´Ü¿¡ ´ÉÇÑ ¸íÀÎ

Jing/ Mun Il

Who is in proficient at buk and janggo

Born in Jeongeup, Jeollabukdo province, debuted as a pansori singer

 

    

°¡¾ß±Ý / Á¤È¸Ãµ ±³¼ö

Á¤Àç±Ù-Á¤ÀÀ¹Î-Á¤±ÇÁøÀ¸·Î À̾îÁø º¸¼º¼Ò¸®°¡ÀÇ ÈļÕÀ¸·Î °¡¾ß±Ý°ú ÆǼҸ®°í¹ý, °Å¹®°í ¿¬ÁÖÀÚ

Jeong/ Hoecheon

Gayageum, geomungo, pansori drum player

A descendant of pansori family in generations: Jeong Jaegeun-Jeong Eungmin-Jeong Gwonjin

 

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Á¤È¸Ãµ ÆǼҸ®°í¹ý¹ßǥȸ °³ÃÖ(1987³â/±¹¸³±ØÀå ¼Ò±ØÀå)

 

Á¤È¸Ãµ °¡¾ß±Ý¹ßǥȸ °³ÃÖ(1987³â/¹®¿¹È¸°ü ´ë±ØÀå)

 

°¡¾ß±Ý»êÁ¶ ¿©¼¸¹ÙÅÁÀü µ¶ÁÖ(1989³â/¿¹À½È¦)

 

¹Úµ¿Áø ¸íâ°ú ÇÔ²²ÇÏ´Â ÆǼҸ®¹«´ë(1991³â/ÀüÁÖKBS°ø°³È¦)

 

¼ºÃ¢¼ø ¸í⠱輼Á¾Á¦ ÃáÇâ°¡¿Í ÆǼҸ®°í¹ý(1992³â/ÀüÁÖKBS°ø°³È¦)

 

Á¤È¸Ãµ ÆǼҸ®°í¹ý¹ßǥȸ(2005³â/±¹¸³±¹¾Ç¿ø ¿ì¸é´ç)

      

¹«ÁÖÀüÁÖµ¿°èÀ¯´Ï¹ö½Ã¾Æµå´ëȸ ±âȹÀ§¿ø(1994-97)

 

·¯½Ã¾Æ, ¹Ì±¹, ÀϺ», ½ºÆäÀÎ, üÄÚ, Çʸ®ÇÉ ÇØ¿Ü°ø¿¬ À½¾Ç°¨µ¶

 

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º¸¼º¼Ò¸®ÃàÁ¦, °í·É °¡¾æ°í À½¾ÇÁ¦ ±âȹ¿¬Ãâ, ¿¹¼úÃÑ°¨µ¶

 

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ÀüÁÖ¼Ò¸®¹®È­°ü ¿î¿µÀ§¿øÀå, Àü¶óºÏµµ ¾î¸°ÀÌ¿¹¼ú´Ü ¿î¿µÀ§¿øÀå

 

 

KBS Çѱ¹¹æ¼Û ÇÁ·Îµà¼­(1981-89)

 

Á¦9´ë Áß¾Ó±¹¸³±ØÀå ±¹¸³Ã¢±Ø´ÜÀå(2002-03)

 

´ëÅë·É °ø·Îǥâ ¼ö»ó(2003)

 

±¹¸³ÀüÅ뿹¼úÁß°íµîÇб³ ±³Àå(2012-14)

 

±¹°¡¹«Çü¹®È­Àç ÆǼҸ®°í¹ý Àü½ÂÀÚ(1978-ÇöÀç)

 

´ëÇѹα¹ ¸íâ¸í°í ¿¹¼úÃÑ°¨µ¶

 

´ëÇѹα¹ ÆǼҸ®ÃàÁ¦ ÃÑ°¨µ¶

 

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ÀüÁÖ´ë»ç½ÀÀü±¹´ëȸ Á¶Á÷À§¿øȸ ºÎÀ§¿øÀå

 

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ÀüºÏ´ëÇб³ ¿¹¼ú´ëÇÐ Çѱ¹À½¾ÇÇаú ±³¼ö

 

   

[Profile]

    

Jeong Hoecheon

 

Completed gayageum¡¯s course under National Intangible Cultural Asset Holder: Ham Dongjeongwol

 

Completed pansori drum¡¯s course under National Intangible Cultural Asset Holder: Gim Myeonghwan

 

Completed geomungo¡¯s course under National Intangible Cultural Asset Holder: Sin Kwedong

 

Completed pansori¡¯s course under National Intangible Cultural Asset Holder: Jeong Gwonjin

 

 

Korean traditional music highschool graduate

 

BA, MA in Hanyang Univ.

 

Gayageum recital(1978)

 

A member of Minsogakhoe Sinawi

 

Grand prize at the nation-wide Gugak competition

 

Grand prize at the nation-wide pansori drum competition

 

Pansori drum recital(1987)

 

Gayageum recital(1987)

 

A solo, 6 styles of gayageum sanjo(1989)

 

A pansori stage with the master Bak Dongjin(1991)

 

A pansori drumming: Gim Sejong style Chunhyangga by Seong Changsun(1992)

 

Pansori drum recital(2005)

 

 

A planning board member of Muju-Jeonju Winter Universiad(1994-97)

 

Music director in overseas performances: Russia, USA, Japan, Spain, Czech, the Philippines

 

A conductor & head of Jeongeupsa Gugakdan company(1993-98)

 

A founder of Internet Gugak broadcast, Indigenous arts research center

 

Art director and producer of Boseong sori festival, Goryeong Gayago festival

 

A board member of Cultural Asset Research in Jeollabukdo province

 

A committee member of Jeonju sori festival

 

A board member of Cultural Asset Research in Jeollabukdo province

 

A head committee member in Jeonju sori culture center

 

A head committee member in Jeollabukdo children¡¯s art company

 

 

A former KBS producer(1981-89)

 

The 9th director of the National Changgeuk company(2002-03)

 

Won a presidential citation(2003)

 

Principal of the National Highschool of traditional Korean arts(2012-14)

 

A successor of National Intangible Cultural Asset: pansori drum(1978- )

 

Art director, ¡°The masters of pansori and drum, Korea¡±

 

Director of pansori festival

 

 

A board member of Gugak educational foundation

 

A board of vice-director, Dongni cultural enterprise corporation

 

A vice-head committee member of Jeonju daesaseup competition

 

A president of Gugak house, Boseong sori family

 

A Professor of Jeonbuk National Univ., College of art

 


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