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[ÀÌÀü] ³í»êµÎ·¹Ç³¹° TOPCD-175  ºñ¸ÅÇ°    [´ÙÀ½] À±È­Áß °Å¹®°í/ÇÑ°©µæ·ù»êÁ¶, âÀÛ°î   TOPCD-173

¹ÚÇö¼÷ °¡¾ß±Ý»êÁ¶/Á¤³²ÈñÁ¦ Ȳº´±â·ù TOPCD-174
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ÀÌÁ¦ ¹ÌÈíÇϳª¸¶ ¼±»ý´Ô²²¼­ µé¾îÁ̴ּø À½¾ÇÀ¸·Î À½¹ÝÀ» ³»·Á°í ÇÕ´Ï´Ù.

°è¼Ó ¿¬¸¶Çؼ­ ´ÙÀ½¿¡´Â ´õ ÁÁÀº À½¹ÝÀ» ³»°Ú½À´Ï´Ù. ¼±»ý´Ô²²¼­ °¡Àå »ç¶ûÇϽôø Á¤³²ÈñÁ¦ Ȳº´±â·ù °¡¾ß±Ý»êÁ¶¸¦ ¸¹ÀÌ ¿¬ÁÖÇÏ°Ú½À´Ï´Ù. ±×·¡¼­ ¸ðµç »ç¶÷µéÀÌ ÁÁ¾ÆÇÏ´Â »êÁ¶°¡ µÇµµ·Ï ³ë·ÂÇÏ°Ú½À´Ï´Ù. ºÎµð ÁöÄѺÁ Áֽðí Çϴóª¶ó¿¡¼­ Æò¾ÈÈ÷ °è½Ã¿É¼Ò¼­.

Á¦ÀÚ ¹Ú Çö ¼÷ ¿Ã¸²

 

Dear Mr. Hwang Byeonggi,

I've been playing Gayageum for 53 years, and one of the best thing I've done in my musical life is that I learned Hwang Byeonggi style Gayageum sanjo under Jeong Namhui school. Every moments I get lessons from you were so precious, and I really appreciate it.

Whenever you give me a kind lesson, I still remember you always emphasized practicing, saying: "No plays of Gayageum for 3 days, your hands will know, and yourself will, and the others will." Also you mentioned: "what you know means that you can bravely say what you don't know". You helped me feel happy together whenever I figure out something I didn't know.

After 70 minutes' play, I said "it's hard". You smiled at me and said: "it's fun because it's hard, right? Easy ones will make you easily bored. Sanjo is a life-long job." I can't believe living without you.

Now, I regret that I couldn't play well enough when you're alive, just in front of you.

And I still remember the time you came by the recording studio and listened to my play. It took another time for a while for me to release it as an album, and I will promise to make a better one by next time. You know what I mean: the thing you loved most - Hwang Byeonggi style Gayageum sanjo under Jeong Namhui school. Sooner or later, I will try my best to make it every one's favorite.

I believe you're always together in my heart, and may you stay in peace.

Your student, Sincerely

Park Hyun sook

 

 

¹Ú Çö ¼÷ / ÚÓ úç â× / Park hyun sook

 

úÞ, ¼­¿ø´ëÇб³(¿¾ ûÁÖ»ç¹ü´ë) »ç¹ü´ëÇÐ À½¾Ç±³À°°ú ±³¼ö

±¹°¡¹«Çü¹®È­Àç Á¦23È£ °¡¾ß±Ý»êÁ¶ À̼öÀÚ

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¼­¿ï´ëÇб³ À½¾Ç´ëÇÐ ±¹¾Ç°ú ¹× µ¿´ëÇпø Á¹¾÷

ÇѾç´ëÇб³ À½¾ÇÇÐ ¹Ú»ç°úÁ¤ ¼ö·á

±¹¸³±¹¾Ç¿ø ¿¬ÁÖ¿ø ¿ªÀÓ

¼­¿ï ½Ã¸³ ±¹¾Ç°üÇö¾Ç´Ü ´Ü¿ø ¿ªÀÓ

±¹³» 40ȸ ÀÌ»ó µ¶ÁÖȸ¿Í ÇÁ¶û½º, ¿À½ºÆ®¸®¾Æ, µ¶ÀÏ µî¿¡¼­ µ¶ÁÖȸ °³ÃÖ

KBS±¹¾Ç°üÇö¾Ç´Ü ¹× ¼­¿ï½Ã¸³±¹¾Ç°üÇö¾Ç´Ü, ¼­¿ï ½ÉÆ÷´Ï¿ÀÄɽºÆ®¶ó,

ûÁֽø³±¹¾Ç°üÇö¾Ç´Ü µî Çù¿¬ ´Ù¼ö

2005 KBS ±¹¾Ç´ë»ó ¼ö»ó (Çö¾ÇºÎ¹®)

 

- À½¹Ý -

1992 ±¹¾Ç Á¦15Áý-¼­¿ï»õ¿ï°¡¾ß±Ý»ïÁßÁÖ´ÜSKC

1994 21¼¼±â KBS FM½Ã¸®Áî10 Çѱ¹ÀÇ ÀüÅëÀ½¾Ç <»êÁ¶10> - ±èÁ×ÆÄ·ù ªÀº»êÁ¶Çص¿¹°»ê

2001 ¹ÚÇö¼÷ °¡¾ß±Ý»êÁ¶-±èÁ×ÆÄ·ù ½Å³ª¶ó¹ÂÁ÷

2004 ¹Ú¹üÈÆÀÇ À½¾Ç¼¼°è µ¶ÁÖ°î, ÁßÁÖ°îÀ» À§ÇÑ ¼Ò¸®2(ÇǸ®, 3ÁßÁÖ, Ãã)½Å³ª¶ó¹ÂÁ÷

2005 ¿ì¸®¼Ò¸®Å±³¥± °øÁÖ¸¦ Å°¿î ¿ì¸®À½¾Ç ¼­¿ïÀ½¹Ý

2006 ¿ì¸®ÀÇ ÀüÅë¾Ç±â·Î ¸¸³ª´Â <Å©·Î½º¿À¹öÀÇ ¼¼°è> - Àü¼øÈñÀÛÇ°ÁýMUZOO Records

2010 ±¹¾Ç¹æ¼Û Ưº°±âȹ <¹ÚÇö¼÷ °¡¾ß±Ý»êÁ¶> µ¶ÁýÀ½¹Ý ¹ß¸Å

2012 by Park Hyun-sook INEDIT(FRANCE)

¹ÚÇö¼÷ÀÇ ±èÁ×ÆÄ·ù°¡¾ß±Ý»êÁ¶ À½¹Ý [°¡¾ß±Ý_¹ÚÇö¼÷, À屸_ÀÌŹé]

ÇÁ¶û½º ¸¶¸£¼¼À¯ ¿ùµå¹ÂÁ÷ ¹Ú¶÷ȸ »þ¸¦ Å©·Î ¾ÆÄ«µ¥¹Ì ¿ùµå¹ÂÁ÷»ó ¼ö»ó

 

Á¤È­¿µ / ï÷ûúç¶

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°æÁÖ ½Å¶ó¹®È­Á¦ ±¹¾Ç°æ¿¬´ëȸ ´ëÅë·É»ó ¼ö»ó

 

¹ÚÇö¼÷ °¡¾ß±Ý»êÁ¶

- Á¤³²ÈñÁ¦ Ȳº´±â·ù -

 

1.´Ù½º¸§ 03:26

2.Áø¾çÁ¶ 23:51

3.Á߸𸮠14:29

4.ÁßÁ߸𸮠04:55

5.¾ù¸ð¸® 03:19

6.ÀÚÁø¸ð¸® 07:39

7.Èָ𸮠03:17

8.´Ü¸ð¸® 05:51 66:52

 

°¡¾ß±Ý/¹ÚÇö¼÷

Àå ±¸/Á¤È­¿µ

 

- STAFF -

Recording Studio / ±¹¾Ç¹æ¼Û 991Studio

Recording Date / 2017.6.27.

Recording & Mix & Master / ÀåÇü´ö, ±èÀçÁØ

ÁøÇà / ±èÀºÇý

_ ÀÌ À½¹ÝÀÇ À½¿øÀº ¹æ¼ÛÅë½ÅÀ§¿øȸ ¹æ¼ÛÅë½Å¹ßÀü±â±ÝÀ» Áö¿ø¹Þ¾Æ Á¦À۵Ǿú½À´Ï´Ù.

 

 

¹ÚÇö¼÷/ÚÓúçâ×/Park Hyun sook

 

Professor of Seowon University, Dept. of Music Education

Successor of National Intangible Cultural Asset No. 23: Gayageum sanjo

Board member of Asia Zither Musicians¡¯ Association

Board member of Gayageum Musicians¡¯ Association

 

 

B.A. & M.A. at Seoul National University

Doctorial Course in Hanyang University

Former member of National Gugak Center

Former member of Seoul Metropolitan Traditional Orchestra

Solo recitals over 40 times in France, Austria, Germany, and Korea

Concerto with KBS Traditional Music Orchestra, Seoul Metropolitan Traditional Orchestra, Seoul Symphony Orchestra, Cheongju Korean Music Orchestra, and etc.

Winner of 2005 KBS Korean Traditional Music Awards in String instrument section

 

 

1992 Gugak. Vol. 15: Seoul Saeul Gayageum Trio by SKC

1994 21c KBS-FM Series, No. 10: Korean Traditional Music : Gim Jukpa style sanjo by Haedongmulsan

2001 Park Hyun sook¡¯s Gayageum sanjo in Gim Jukpa style by Sinnara Music

2004 Bak Beomhun¡¯s Music World: for solo and trio by Sinnara Music

2005 prenatal education ¥±: by Seoul Music

2006 , Jeon Sunhui¡¯s composition work by Muzoo Records

2010 Solo album by Gugak FM

2012 by Park Hyun-sook INEDIT(FRANCE)

Won the World Music Prize, Awarded by Marseille World music expo in France

Jeong Hwayeong

A holder of Seoul¡¯s Intangible Cultural Asset No. 25: pansori drum

Former Doyen instructor of National Gugak Center

Presidential Award winner at the Silla Culture Festival in Gyeongju

 

 

Park Hyun sook¡¯s Gayageum sanjo

Hwang Byeonggi style, under Jeong Namhui school

 

1. Daseureum 03:26

2. Jinyangjo 23:51

3. Jungmori 14:29

4. Jungjungmori 04:55

5. Eonmori 03:19

6. Jajinmori 07:39

7. Hwimori 03:17

8. Danmori 05:51

Total 66:52

 

Gayageum played by Park Hyun sook

Janggu played by Jeong Hwayeong

 

 

- STAFF -

Recording Studio: 991Studio of Gugak FM

Recording Date: June 27, 2017

Recording & Mix & Master: Jang Hyeongdeok, Gim Jaejun

Manager: Gim Eunhye

 

Recordings in this album were sponsored and funded by Korea Communications Commission.

 

 

-Çؼ³-

¡®Á¤³²ÈñÁ¦ Ȳº´±â·ù °¡¾ß±Ý»êÁ¶¡¯´Â Ȳº´±â¿¡ ÀÇÇØ Á¤³²Èñ(ïËÑõýñ, 1905~1984³â) »êÁ¶°¡¶ôÀ» ¼öÁý, Á¤¸®ÇÏ°í ¿©±â¿¡ »õ·ÎÀÌ °¡¶ôÀ» Â¥ ³Ö¾î ´Ù½º¸§-Áø¾çÁ¶-Á߸ð¸®-ÁßÁ߸ð¸®-¾ù¸ð¸®-ÀÚÁø¸ð¸®-ÈÖ¸ð¸®-´Ü¸ð¸®ÀÇ ÃÑ 8¾ÇÀåÀ¸·Î ¿Ï¼ºµÇ¾ú´Ù. ¿¬Áֽð£Àº 70¿©ºÐ¿¡ À̸£·¯ ÇöÀç ¿¬Áֵǰí ÀÖ´Â °¡¾ß±Ý»êÁ¶ Áß °¡Àå ±ä ±Ô¸ð·Î Â¥¿©Á³´Ù.

Á¤³²Èñ´Â 19¼¼±â ¸»¿± ÇѼ÷±¸, ±èâÁ¶ µî°ú µ¿½Ã´ë °¡¾ß±Ý ¸íÀÎÀ̾ú´ø ÇÑ´ö¸¸(ùÛÓìØ¿, 1867~1934³â)¿¡°Ô ¿©´ü »ì ¶§ºÎÅÍ °¡¾ß±ÝÀ» »ç»çÇÑ µÚ, 16¼¼¿¡ ÀüºÏ Çù·ü»ç¿¡¼­ È°µ¿Çϱ⠽ÃÀÛÇß°í, 29¼¼(1934³â)¿¡ ÇÔÈï ±Ç¹ø¿¡¼­ »ç¹üÀ¸·Î ÀÖÀ» ¶§ ÀϺ» ÄÝ·Òºñ¾Æ ÃàÀ½±â ÁÖ½Äȸ»ç¿¡¼­ ù °¡¾ß±Ý»êÁ¶ SPÀ½¹Ý(C199:Áø¾çÁ¶, C263Á߸Ӹ®, ÁßÁ߸Ӹ®, ÀܸӸ®)À» ¹ßÇ¥ÇÏ¿´´Ù.

±×´Â 6.25 ÀüÀï ¶§ ¿ùºÏÇÏ¿© °øÈƹè¿ì¿Í Àιιè¿ìÀÇ ÄªÈ£¸¦ ¹Þ¾Ò°í Æò¾çÀ½¾Ç´ëÇÐ ±³¼ö¸¦ Áö³Â´Ù.

Ȳº´±â´Â ±×ÀÇ °¡¾ß±Ý»êÁ¶(¾à47ºÐ)¸¦ ±èÀ±´ö(ÐÝëÃÓì, 1918~1978³â)¿¡°Ô »ç»ç ¹Þ¾Ò°í(1952³â), ±× ÈÄ 30¿© ³â°£ °¡¶ôÀ» ´Ùµë°í, ´Ù½º¸§À» ºñ·ÔÇÑ ºÎºÐÀûÀÎ °¡¶ôµéÀ» ÷°¡ÇÏ¿© <Á¤³²ÈñÁ¦ Ȳº´±â·ù °¡¾ß±Ý»êÁ¶>¸¦ ¸¸µé¾î³Â´Ù.

ÀÌ »êÁ¶´Â Àå½ÄÀ½, ÀÜ°¡¶ô, ³óÇö µîÀ» ÀýÁ¦Çϸ鼭, °¡¶ôÀÇ ³í¸®ÀûÀÎ Àü°³, ÁË°í Ǫ´Â ±¸¼º¹Ì¸¦ Áß¿ä½ÃÇÏ´Â »êÁ¶ÀÌ´Ù. ¸»ÇÏÀÚ¸é, ¾Æ±âÀÚ±âÇÑ Àç¹Ìº¸´Ù´Â °í°íÇÑ À½¾ÇÀû Èñ¿­À» Ãß±¸ÇÏ´Â °ÝÁ¶ ³ôÀº »êÁ¶ÀÎ °ÍÀÌ´Ù. Ȳº´±â´Â ¡®²Éó·³ È­»çÇÏÁö ¾Ê°í ÀÙ»ç±Íº¸´Ù´Â °¡Áö, °¡Áöº¸´Ù´Â ÁÙ±â, Áٱ⺸´Ù´Â »Ñ¸®°¡ ½ÇÇÑ »êÁ¶¡¯¶ó°í Çß´Ù.

 

Hwang Byeonggi re-organized original melody succeeded down from the master Jeong Namhui. Hwang's new set contains 8 chapters, such as Daseureum-Jinyangjo-Jungjungmori-Eonmori-Jajinmori-Hwimori-Danmori. Total duration reaches upto 70 minutes, which is the longest version of all other sanjo pieces.

Jeong Namhui began learning Gayageum at his age of 8 by Han Deokman's lesson. Han Deokman(1867~1934) was one of the famous Gayageum master during the late 19th century along with Han Sukku and Gim Changjo. Jeong Namhui began musical activities in Jeonbuk Hyeomnyulsa at his age of 16, and he released his first Gayageum sanjo in SP album at his age of 29(1934) published by Nippono Phone company(Serial Number C199-Jinyangjo; Serial Number C263-Jungmori, Jungjungmori, Damori). It was the time when Jung worked as a teacher in Hamheung Gwonbeon. After Jung exiled to North Korea, he received an honored entertainer's position, and also became a professor of Pyeongyang College of music as well.

Hwang Byeonggi learned Gagyageum from Gim Yundeok(ÐÝëÃÓì, 1918~1978) until 1952. It took more than 30 years for Hwang to finish the re-organizing job of sanjo. Later, Hwang added some more details with Daseurum chapter's insertion to the original version. That's what we call the "Hwang Byeonggi style Gayageum sanjo, under Jeong Namhui school."

This version of sanjo particularly moderates ornaments, grace notes, or vibratos. Unlike the others, it would more emphasize on unfolding musical logics, and the expressions about aesthetics of relax and tension. To brief, its satisfaction comes from the classy delight rather than small joys. Hwang Byeonggi mentioned about his sanjo: "It's not so much colorful like a flower. But its branch is stronger than leaves, and the stem is stronger than its branch, and the root is stronger than its stem."


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