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TOPCD-134
 
ÇѼ­¿µ ÇØ±Ý µ¶ÁÖ°îÁý
Han Seoyoung Haegum Solo

á°úá The Whistling of the Wind
±è¿µÀç·ù ÇرݻêÁ¶
Kimyoungjae Ryu Haegum Sanjo
±ä»êÁ¶ long version
1. Áø¾çÁ¶ Jinyangjo   11:37
2. Á߸𸮠Jungmori 06:43
3. ÁßÁ߸𸮠Jungjungmori 02:39
4. ¾ù¸ð¸® Eonmori 02:22
5. ÀÚÁø¸ð¸® Jajinmori 04:19
6. ´Ü¸ð¸® Danmori 03:29
ªÀº»êÁ¶ short version
7. Áø¾çÁ¶ Jinyangjo   03:29
8. Á߸𸮠Jungmori  02:06
9. ÁßÁ߸𸮠Jungjungmori 00:38
10. ¾ù¸ð¸® Eonmori   01:05
11. ÀÚÁø¸ð¸® Jajinmori   02:27
12. ´Ü¸ð¸® Danmori   03:18
À屸 : ±èû¸¸ Janggu: Kim Cheong Man
Áö¿µÈñ·ù ÇرݻêÁ¶
Jiyounghee Ryu Haegum Sanjo
±ä»êÁ¶ long version
13. Áø¾çÁ¶  Jinyangjo   08:20
14. Á߸𸮠 Jungmori   07:32
15. ÁßÁ߸𸮠 Jungjungmori 04:52
16. ±Â°Å¸®  Gutgeori   02:24
17. ÀÚÁø¸ð¸®  Jajinmori   03:10
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Áö¿µÈñ·ù ÇرݻêÁ¶
Áö¿µÈñ·ù ÇرݻêÁ¶´Â Çѹü¼ö·ù ÇرݻêÁ¶¿Í ´õºÒ¾î °¡Àå ¿À·¡µÈ ÇرݻêÁ¶ÀÌ´Ù. Áö¿µÈñ·ù ±ä»êÁ¶´Â °æ±âÀ½¾ÇÀÇ ¸íÀÎÀ̾ú´ø Áö¿µÈñ ¼±»ý²²¼­ ¸¸µç ªÀº»êÁ¶¸¦ ¹ÙÅÁÀ¸·Î ÇÏ¿© ¼±»ý²²¼­ ³²±ä °¡¶ô°ú ¼±À²À» °¡´Ùµë°í º¸¿ÏÇÏ¿© ¿Ï¼ºÇÑ °îÀ¸·Î¼­ ÀÌ À½¹Ý¿¡ ½Ç¸° °îÀº ÃÖÅÂÇö ¼±»ýÀÇ ¾Çº¸¸¦ ¹ÙÅÁÀ¸·Î ÇÏ¿´´Ù. Áö¿µÈñ·ù ÇرݻêÁ¶´Â °æ±â ¹«¼ÓÀÇ °¡º±°í ¹ß¶öÇÑ °¡¶ô°ú ´Ù¾çÇÑ Á¶¼ºÀ¸·Î ¹à°í °æÄèÇϸç ƯÈ÷ ÁßÁß¸ð¸®¿Í ÀÚÁø¸ð¸® »çÀÌ¿¡ ±Â°Å¸®Àå´ÜÀÌ µé¾î°¡ ÀÖ´Â °ÍÀÌ Æ¯Â¡ÀÌ´Ù.
ÇѼ­¿µ (ùÛßúû© Han Seoyoung)
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ÀÌÈ­¿©ÀÚ´ëÇб³ ´ëÇпø À½¾ÇÇаú Á¹¾÷
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ÀÌÈ­¿©ÀÚ´ëÇб³ ´ëÇпø À½¾ÇÇаú ¹Ú»ç (Çرݿ¬ÁÖÀü°ø)
Á¦1ȸ ÇØ±Ý µ¶ÁÖȸ (±¹¸³±¹¾Ç¿ø ÁÖÃÖ Á¦369ȸ È­¿ä»ó¼³, 2002³â)
Á¦2ȸ ÇØ±Ý µ¶ÁÖȸ (»ó¼³¹«´ë ¿ì¸®¼Ò¸®, 2008³â)
Á¦3ȸ ÇØ±Ý µ¶ÁÖȸ (±¹¸³±¹¾Ç¿ø ¿ì¸é´ç, 2008³â)
Á¦4ȸ Çرݵ¶ÁÖȸ(Á¦28ȸ Çѱ¹Á¤¾Ç¿ø Á¤±â¿¬ÁÖȸ ÃÊû °ø¿¬, ¼­¿ï³²»ê±¹¾Ç´ç 2009³â)
KBS ±¹¾ÇÇѸ¶´ç Á¦767ȸ ÇرÝÀÌÁßÁÖ Ã⿬ (2008³â)
(»ç)Çѱ¹»êÁ¶ÇÐȸ ÁÖÃÖ Á¦8ȸ »êÁ¶ÃàÁ¦ ¹× Çмú´ëȸ ÇØ±Ý µ¶ÁÖ (2008³â)
(»ç)Çѱ¹±¹¾ÇÇùȸ ÁÖÃÖ Á¦7ȸ Àü±¹±¹¾Ç´ëÀü °ü¾ÇºÎ¹® ¿ì¼ö»ó (2008³â)
KBS ±¹¾Ç°üÇö¾Ç´Ü Çù¿¬ - ¡®´ëdz·ù °¡¶ô¿¡ ÀÇÇÑ ÇرÝÇùÁְ À§ÃË ÃÊ¿¬ (2009³â)
 
À屸 / ±èû¸¸
Á߿乫Çü¹®È­Àç Á¦5È£ ÆǼҸ® °í¹ý º¸À¯ÀÚ Èĺ¸
±¹¸³±¹¾Ç¿ø ¹Î¼Ó¿¬ÁÖ´Ü ¿¹¼ú°¨µ¶ ¿ªÀÓ
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Çѱ¹¿¹¼úÁ¾ÇÕÇб³, ´Ü±¹´ëÇб³ Ãâ°­
»ç´Ü¹ýÀÎ »õ¿ïÀüÅ럾ÇÁøÈïȸ ÀÌ»çÀå
While performing the instrument of Haegum, the sound that I have come to favor the most and desire to resemble is the sound of nature. The sounds of the insects heard from the autumn forest on the bright moon, the sounds of flowing water by the brook and the wave sounds of the ocean place a smile upon the people hearing the sounds and assimilate within the sounds to become one with the nature.
Our musical sounds and melody hold similarities with the sounds of nature. Since the majority of the instruments are using the materials of nature, listening to the sounds brings the feeling of comfort. Our jangdan is also similar with the nature for the performer to place great importance on the natural harmony and refrain from the artificial and mechanical unfolding of music.
Sanjo is similar to those sounds of nature. When listening to the Sanjo sounds of the masters, an hour flies by without knowing where the time had went. It is the same for performing. When performing in accordance with the melody and jangdan, one gets caught up into the depth of that sound.
Although I have worked to resemble the sounds of nature, my sound is only an imitation of the nature sounds. Much shame is left within myself. However, I desired to leave the passion of my younger days.
I would like to thank Professor Kim Youngjae once more, who introduced me to the world of Sanjo. Moreover, I would also like to bow down to Great Master Kim Cheongman that took part in the two recitals and the preparations for this album during the past year. I feel hesitation in front of the great efforts and the genius that had dipped into all the genre of our music for the long period of time. Also, I would like to express my appreciation to Professor Cho Unjo that had instructed me by the providing me with the help to systematically and theoretically organize on the fingering methods of Sanjo.
In the Early Fall of 2009   Han Seoyoung
Kimyoungjae Ryu Haegum Sanjo 
Within the currently performed Haegum Sanjo, there exists the Ryus (means version or style) of Ji Younghee, Han Beomsoo, Kim Youngjae and Suh Yongsuk. The Kim Youngjae Ryu Haegum Sanjo is the sanjo that has the relatively short history as it was started to be performed from the year 1989. It contains the Eonmori and Danmori Jangdans that are difficult to see within the other Haegum Sanjos and there are various changes of the Jo for each of the Jangdans with characteristics of the unique rhythm division and much appearances of the odd rhythm. The various fingering quickly moving up and down from the low to the high notes and the nonghyun and expression according to each Jo demand the great elaboration of the performer. It is the brilliant Haegum Sanjo that has done well in increasing the characteristics and charm of the haegum in comparison to the Sanjo of the other Korean instruments.

Jiyounghee Ryu Haegum Sanjo
The Jiyounghee Ryu Haegum Sanjo is the oldest Haegum Sanjo in addition to the Hanbumsoo Ryu Haegum Sanjo. As the music that was completed by supplementing and adjusting the rhythm and melody that was left by Jee Younghee (1909~1979), the long Jiyounghee Ryu Sanjo is based on the short Sanjo written by Ji Younghee who had been the master of Gyeonggi music. The music placed in this record was based on the musical score of Professor Choi Taehyun. With the various Jo and the light and bright rhythm of the Gyeonggi gut (shamanist ritual practiced in the Gyeonggi areas), the distinguished features of the Jiyounghee Ryu Haegum Sanjo includes the Gutgeori Jangdan in between the Jungjungmori and the Jajinmori Jangdan.
Profile of Performer
Haegum / Han Seoyoung
Graduate of Gukak National High School
B.S. in Korean Classical Music from Seoul National University
M.S. in Music from the Graduate School of Ewha Woman's University
Various Posts as Instructor at the Chugye University for the Arts and Ewha Woman's University
Permanent Member of the Gyeonggi Provincial Traditional Music Orchestra
Member of the Inguhjilsori
Ph.D. from the Graduate School of Music of Ewha Women's University (Major in Haegum Performance)
-1st Haegum Recital (Sponsored by The National Center for Korean Traditional Performing Arts, 369th Tuesday Stage, 2002)
-2nd Haegum Recital (Urisori, 2008)
-3rd Haegum Recital (Umyeondang, The National Center for Korean Traditional Performing Arts, 2008)
-4th Haegum Recital (invited as the 28th regular concert of the Korean Traditional Music Institute, Seoul Namsan Gugakdang, 2009)
-Haegum Duet on the 767th KBS Gugakhanmadang (2008)
-Haegum Recital at the 8th Sanjo Festival and Conference sponsored by the Sanjo Society of Korea (2008)
-Award of Excellency in the Wind Instrument portion at the 7th National Traditional Music Contest sponsored by the Korean Traditional Music Association (2008)
-Performance with the KBS Traditional Music Orchestra of the 'Haegum Concerto by the Daepoongryu melody' (2009)
Janggu / Kim Cheongman
Candidate for the 5th Intangible Cultural Treasure as the Pansori Gobeob Holder
Former Art Director for the Traditional Performing Group of The National Center for Korean Traditional Performing Arts
Lecturing Professor for the Department of Korean Music at the Mokwon University
Visiting Professor at the Seoul Institute of the Arts
Lecturer at the Korea National University of Arts, Dankook University
President of the Saeul Traditional Percussion Advancement Center
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