TOPCD-129
Á×Çå ±è±â¼ö ÀÛÇ°¼¼°è ͯʰãæðà °í°¡½ÅÁ¶
õðù¾õÕÔÏ ÃáÇÏÃßµ¿ III
Gogasinjo ¡°Chun-Ha-Chu-Dong 3¡±
01. °í°¡½ÅÁ¶ ¡°ºÀȲ°î Bonghwanggog¡±/ ÀüüÇÕâ mixed chorus / 02:38
02. °í°¡½ÅÁ¶ ¡°ÁöÀú±Í´Â Àú°¡¸¶±Í Jijeogwineun jeo gamagwi¡±/ ÀüüÇÕâ mixed chorus / 01:24
03. °í°¡½ÅÁ¶ ¡°¾îºÎ»ç½Ã»ç Áß º½ The Spring¡± of ¡°Eobusasisa ¡± / ÀÌÀ±Áø Yi Yun-jin / 01:45
04. °í°¡½ÅÁ¶ ¡°ÀûÅ丶 »ìÁö°Ô ¸Ô¿© Jeoktoma Saljige Meogyeo ¡± / ÀÌÈñÀç Yi Hui-jae / 01:39
05. °í°¡½ÅÁ¶ ¡°³²»ê¸Þ ¾îµå¸Þ¸¸ Namsanme Eodeumeman¡± / À̾Ƹ§ Yi A-rum / 01:03
06. °í°¡½ÅÁ¶ ¡°ÁÖÀÎÀÌ ¼úºÎÀ¸´Ï Juini Sul Bueuni¡± / ±è¿µ±Ù Kim Yeong-geun / 01:19
07. °í°¡½ÅÁ¶ ¡°¾îºÎ»ç½Ã»ç Áß ¿©¸§ The Summer¡± of ¡°Eobusasisa¡± / ¿©¼ºÀüü female chorus / 01:47
08. °í°¡½ÅÁ¶ ¡°¿Á¿¡ ÈëÀÌ ¹¯¾î Oge Heulgi Mudeo¡± / Áö¹Î¾Æ Ji Min-a / 01:02
09. °í°¡½ÅÁ¶ ¡°¾îÁ¬¹ãµµ È¥ÀÚ °ö¼Û±×·Á Eojetbamdo Honja Gobsonggeuryeo ¡± / ÀÌ°ÇÇü Yi Geon-hyeong / 01:41
10. °í°¡½ÅÁ¶ ¡°¾î¿ì¿Í ±á ´µ¾Ð½Å°í Eowuwa Gwi Nyiapsingo¡± / äÁÖº´ Chae Ju-byeong / 01:18
11. °í°¡½ÅÁ¶ ¡°¸»ÀÌ ³î¶ó°Å´Ã Mari Nollageoneul¡± / ¹Î¼ö¹Î Min Su-min / 01:33
12. °í°¡½ÅÁ¶ ¡°Ã»Ãµ ±¸¸§ ¹Û¿¡ Cheongcheon Gureum Bagge¡± / ±èÀ¯¶ó Kim Yu-ra / 01:29
13. °í°¡½ÅÁ¶ ¡°¹éÃʸ¦ ´Ù ½É¾îµµ Baekchoreul Da Simeodo¡± / ±èÀ±Áö Kim Yun-ji / 00:46
14. °í°¡½ÅÁ¶ ¡°°Å¹®°í ¼ú ²È¾Æ³õ°í Geomungo Sul Ggojanoko¡± / À庸¶÷ Jang Bo-ram / 01:26
15. °í°¡½ÅÁ¶ ¡°¿À¿ì°¡ Owuga¡± ±è¹ÎÁ¤ Kim Min-jeong / 01:23
16. °í°¡½ÅÁ¶ ¡°´Ô±×·Á ¾òÀº º´À» Nimgeuryeo Eodeun Byeongeul¡± / ¾ÈÁ¤¾Æ An Jeong-a / 01:22
17. °í°¡½ÅÁ¶ ¡°¸¸¼ö»ê ¸¸¼öºÀ¿¡ Mansusan Mansubonge¡± / ÇÏÀ±ÁÖ Ha Yun-joo / 01:52
18. °í°¡½ÅÁ¶ ¡°¾îºÎ»ç½Ã»ç Áß °¡À» The Autumn¡± of ¡°Eobusasisa¡± / ³²¼ºÀüü male chorus / 01:46
19. °í°¡½ÅÁ¶ ¡°¹Ù¶÷µµ ºÎ³ª¸¶³ª Baramdo Buna Mana¡± / ÀüüÇÕâ mixed chorus / 02:08
20. °í°¡½ÅÁ¶ ¡°¾îºÎ»ç½Ã»ç Áß °Ü¿ï The Winter¡± of ¡°Eobusasisa¡± / ÀüüÇÕâ mixed chorus / 01:55
¹ÝÁÖÀÚ_°¡¾ß±Ý : Áø³ªÁ¤£ü°Å¹®°í : ¼Õ¼ö¿¬£ü´ë±Ý : ¹Ú°æ¹Î£üÇǸ® : ±èÅ°æ£üÇØ±Ý : ¹ÚÁöÇý£üÀå°í : ±è¿õ½Ä
¡á Àλ縻
¡°¸¶À½¿¡ ¿À·¡ ´ãÀ» °í°¡½ÅÁ¶¡±
°¡¾ÇÀÇ ½Ã¿øÀº ¹®ÇåÀ» ÅëÇؼµµ ¹àÇôÁö°í ÀÖÁö¸¸ °í·Á½Ã´ëºÎÅÍ Á¶¼±Á¶¸¦ Áö³ª´Â µ¿¾È ¸¹Àº º¯È¸¦ °ÅµìÇØ¿Ô½À´Ï´Ù. ±× ³»¸é¿¡´Â ¿ì¸®¼±Á¶µéÀÇ »îÀÇ ¸ð½ÀÀÌ ÀÀÁýµÇ¾î ÀÖÀ½À» ¾Ë ¼ö ÀÖ½À´Ï´Ù. ±×·¯³ª ¾ÈŸ±î¿î ÀÏÀº¡¸°¡°î¿ø·ù¡¹¸¦ ³¡À¸·Î °¡°îÀÇ ¹ßÀüÀº ÇѰ踦 µå·¯³»°í ÀÖ´Ù´Â °ÍÀÔ´Ï´Ù. ÀÏÁ¦Ä§·«°ú ´õºÒ¾î ¼±¸¹®ÈÀÇ ¹«ºÐº°ÇÑ µµÀÔÀ¸·Î ¿ì¸®ÀÇ °íÀ¯¹®È´Â ¼û ½¯ ÀÚ¸®¸¶Àú »©¾Ñ±â°í Á¦ÀÚ¸®¸¦ ÁöÅÊÇϱâÁ¶Â÷ Èûµé°Ô µÇ¾ú½À´Ï´Ù.
¿ì¸®ÀÇ ¿À·£ ÀüÅë°ú ¿ª»ç¸¦ °¡Áø °¡°î¸¶Àú °ÅÀÇ Áß´Ü»óÅ¿¡ ¸Ó¹°·¯¾ß¸¸ Çß´ø °ÍÀÌ »ç½ÇÀÔ´Ï´Ù. ÅÂdzÀÌ ÈÛ¾µ°í °£ ÀÚ¸®¸¶³É ³» °Í¿¡ ´ëÇÑ ÀÚ±à½ÉÀ» ÀÒ¾î¹ö¸®°í ¼±¸¹®È¿¡ ħÀüµÇ¾î ¾Æ»ç Á÷Àü¿¡ ÀÖ¾ú´Ù°í ¸»ÇÒ ¼ö ÀÖÀ» °Í °°½À´Ï´Ù. ÀÌ¿Í °°Àº °Ýº¯ÀÇ ½Ã´ë¸¦ Áö³ª Á×Çå ±è±â¼ö ¼±»ý²²¼ °í½ÃÁ¶¿¡ ¼±À²À» ¾ñ¾î »õ·Î¿î °îµéÀÌ ³ª¿À°Ô µÇ¾úÀ¸´Ï °¡¹³¿¡ ¹°À» ¸¸³ µí ¹Ý°©±â ±×Áö¾ø½À´Ï´Ù.
1967³â¿¡ ¡¸°í°¡½ÅÁ¶¡¹¿¡ 77°îÀ» ½Æ´Âµ¥ À̾î 1976³â ¡¸¼Ó°í°¡½ÅÁ¶¡¹¿¡´Â 78°î µî, ¹«·Á 155°îÀ̳ª µÇ´Â âÀÛ¼º¾Ç°îÀÌ ºûÀ» º¸°Ô µÇ¾ú½À´Ï´Ù. ÀÌÈÄ ¡¸³ôÀºÇϴá¹À̶õ »ö´Ù¸¥ À̸§À» ºÙ¿© ´Ù½Ã °¡¾ÇÁýÀÌ ³ª¿À°Ô µÇ´Ï ±× ¼ýÀÚ¸¸µµ ¹«·Á 99°îÀÇ ÁÖ¿Á°°Àº °îµéÀÌ ±â·ÏµÇ¾î ÀÖ½À´Ï´Ù.
¿ì¸® ³ë·¡¿¡ ´ëÇÑ ¾ÖƶÇÑ »ç¶û°ú ¿¸ÁÀÌ ±× ¸¹Àº °îµéÀ» ÀÌ ¼¼»ó¿¡ ºûÀ» º¸°Ô ÇÑ °è±â°¡ µÇ¾ú´Ù°í »ý°¢ÇÕ´Ï´Ù. ±×·¯³ª ±â¾Ç°î¿¡ ºñÇÏ¿© ¿¬ÁÖ ±âȸ°¡ Àû°í, ´õ±¸³ª ÀÌ·¯ÇÑ °¡¾ÇÁýÀÌ Á¸ÀçÇÑ´Ù´Â °ÍÁ¶Â÷ ¸ð¸£°í ÀÖ´Â °æ¿ì°¡ ŹݻçÀÌ´Ï ¾ÈŸ±î¿î ÀÏÀÌ ¾Æ´Ò ¼ö ¾ø½À´Ï´Ù.
ÀúÈñ ¿ùÇϹ®ÈÀç´Ü¿¡¼´Â Çѱ¹ Á¤¡¤ °¡¾Ç¿¬±¸¿øÀ» ÅëÇØ 2006³â°ú 2007³â¿¡ °ÉÃÄ, ÀÚÄ©ÇÏ´Ù°¡´Â ±â¾ï¿¡¼Á¶Â÷ ¸Ö¾îÁ®°¥ °îµéÀ» ¼±Á¤ÇÏ¿© ¹«´ë¿¡ ¿Ã·Á³õ°Ô µÇ¾úÀ¸´Ï ±×³ª¸¶ ´ÙÇàÀÌ ¾Æ´Ò ¼ö ¾ø½À´Ï´Ù. ±Ý³â¿¡µµ ÀÌ·¯ÇÑ »ç¾÷Àº Áö¼ÓµÇ¾î ¶Ç´Ù½Ã ¿©·¯ºÐ ¾Õ¿¡ ¼±À» ºÆ°Ô µÇ¾ú½À´Ï´Ù. ±×·¯³ª ¿¬ÀÌ¾î »ï³â ¹«´ë¿¡ ¿Ã·Á³õÀº °îÀº, ¼±»ý²²¼ ³²°Ü³õÀ¸½Å °î¿¡ ºñÇÑ´Ù¸é ½ÊºÐÀÇ Àϵµ µÇÁö ¾ÊÀ¸´Ï ¹Ì·¡¸¦ ÇâÇÑ Ã¹ ¹ßÀÚ¿í¿¡ ºÒ°úÇÏ´Ù´Â »ý°¢À» Çغ¾´Ï´Ù.
ºñ´Ü ³ë·¡¸¦ Àü°øÇÏ´Â »ç¶÷»Ó¸¸ ¾Æ´Ï¶ó ¿ì¸® ¸ðµÎ°¡ ½±°Ô Á¢ÇÏ°í ½±°Ô ºÎ¸¦ ¼ö ÀÖµµ·Ï ÇÏ´Â µ¥¿¡ °ü½ÉÀ» ±â¿ï¿©¾ß ÇÒ °ÍÀ¸·Î »ý°¢ÇÕ´Ï´Ù. ÇÑ°îÀÌ¶óµµ ´õ °³¹ßÇÏ¿© °¡¾Ç¹ßÀüÀÇ °è±â°¡ µÇ¾úÀ¸¸é ÇÏ´Â ¹Ù·¥À» °¡Á®º¾´Ï´Ù.
²÷ÀÓ¾ø´Â °ü½ÉÀ» °¡Á®ÁÖ½Ã°í ±ÍÇÑ°ÉÀ½ ÀÖÀ¸½Ã±æ ºÎŹµå¸³´Ï´Ù.
2008³â 11¿ù 6ÀÏ
Àç´Ü¹ýÀÎ ¿ùÇϹ®ÈÀç´Ü ÀÌ»çÀå
°æºÏ´ëÇб³ ¿¹¼ú´ëÇÐ ¸í¿¹±³¼ö
±è °æ ¹è
¡á »ç¼³
°í°¡½ÅÁ¶
01. ºÀȲ°î
¹Ý°©µµ´Ù ¹Ý°©µµ´Ù È«»ó¹ÌÀÎ ¹Ý°©µµ´Ù
ÆÈÁظ¶ °¡´Â ÇàÂ÷ ¿äÁö¿Õ¸ð ¹Ý°©µµ´Ù
µû¸£´À³Ä µû¸£´À³Ä ÇʺÎÇʺΠµû¸£´À³Ä
ÀÌÁ¤ÀÇ Çʸ¶ÇàÂ÷ È«ºÒ±â°¡ µû¸£´À³Ä
»ç¸¶»ó¿© ºÀ±¸È²°î Ź¹®±ºÀÌ µû¸£´À³Ä
»óÁ¤¾ð¾à ¾ø°Í¸¶´Â ÈÃ˾ð¾à ³¡À̾ø´Ù
´ÙÁ¤Åä´Ù ´ÙÁ¤Åä´Ù ¿ù¿ë¼º¸ð ´ÙÁ¤Åä´Ù
Áø±ÃµµÈ ¸¸¹ßÇѵ¥ ŽȺÀÁ¢ ´ÙÁ¤ÇÏ´Ù
¼¼·ùÃádz °¡´Â³ªºñ ȯ¿ìȲ¾Þ ´ÙÁ¤ÇÏ´Ù
¿ë¹®»ê ¿Àµ¿ºñ¾î ´Ü±ÝÀ» ¸¸µç ¶æÀº
ºÀ±¸È²°î Èñ·ÕÇÏ°í ¿ø¾Ó±Ý½½ ±¸ÇÔÀÌ´Ï
¿äÁ¶¼÷³à ³ª½ÅÈÄ¿¡ ±ºÀÚÈ£±¸ À̾ƴѰ¡
¿ÁÆмºÀÌ ÀïÀïÇÏ´Ï ¿ÁÆоó°ñ º¸¸®·Î´Ù
¸Å¾ß¼ö½É ¹«½¿Àϲ¿ Á¶È÷Á¶È÷ ¸¶Áî·Á¿î
02. ÁöÀú±Í´Â Àú°¡¸¶±Í
ÁöÀú±Í´Â Àú°¡¸¶±Í ¾Ï¼ö¸¦ ¾îÀ̾˸ç
Áö³ª´Â Àú±¸¸§¿¡ ºñ¿Ãµ¿¸»µ¿ ¾îÀ̾˸®
¾Æ¸¶µµ ¼¼»çÀÎÁ¤µµ ´Ù ÀÌ·±°¡ Çϳë¶ó
03. ¾îºÎ»ç½Ã»ç Áß º½
¾Õ³»È÷ ¾È°³°È°í µÞ¸Þ¿¡ ÇغñÃ×´Ù
¹è¶°¶ó ¹è¶°¶ó
¹ã¹°Àº ¹«·¯Áö°í ³·¹°Àº ¹Ð¾î¿Â´Ù
Áö±¹ÃÑ Áö±¹ÃÑ Áö±¹ÃÑ ¾î»ç¿Í
°ÃÌ¿¡ ¿Â°® ÇɲÉÀÌ ¸ÕºûÀÌ ´õ¿í ÁÁ¾Æ¶ó
³¯ÀÌ ´õ¿ÂÀñ°¡ ¹°¿ì¿¡ °í±â¶¹´Ù
´åµé¾î¶ó ´åµé¾î¶ó
°¥¸Þ±â µÑ¾¿¼Â¾¿ ¿À¶ô°¡¶ô Çϳ°í¾ß
Áö±¹ÃÑ Áö±¹ÃÑ Áö±¹ÃÑ ¾î»ç¿Í
¾ÆÈñ¾ß ³«´ë´Â Áã¾ú³ë¶ó ŹÁÖº´Àº ½Ç¾ú³ë¶ó
04. ÀûÅ丶 »ìÁö°Ô ¸Ô¿©
ÀûÅ丶 »ìÁö°Ô ¸Ô¿© µÎ¸¸°¿¡ ½Ë°Ü¼¼°í
¿ëõ°Ë µå´Â Ä®À» ¼±µí »©¿© µÎ·¯¸Þ°í
ÀåºÎÀÇ ÀԽžç¸íÀ» ½ÃÇèÇÒ±î Çϳë¶ó
05. ³²»ê¸Þ ¾îµå¸Þ¸¸
³²»ê¸Þ ¾îµå¸Þ¸¸ °íÇлç ÃÊ´çÁö¾î
²ÉµÎ°í ´ÞµÎ°í ¹ÙÀ§µÎ°í ¹°µÎ³ª´Ï
¼úÁ¶Â÷µÎ´Â ¾çÇÏ¿©¾ß ³ª¸¦ ¿À¶óÇÏ°Å´Ï
¿¾»ç¶û ÀÌÁ¦»ç¶û ¾îÁ¦ ±³Å ¿À´Ã ±³Å·δÙ
»ý°¢ÇÏ´Ï ²ÞÀÌ¿À ÁøÀûÀ̶ó
ù¸¶À½ °¡½ÃÁö¿Ê ¾Æ´Ï¸é µµ¶ó¼³¹ý ÀÖ³ª´Ï
06. ÁÖÀÎÀÌ ¼úºÎÀ¸´Ï
ÁÖÀÎÀÌ ¼úºÎÀ¸´Ï °´À¸¶õ ³ë·¡Çϼî
ÇÑÀܼú ÇÑ°îÁ¶½Ä »õµµ·Ï Áñ±â´Ù°¡
»õ°Åµç »õ¼ú »õ³ë·¡·Î À̾î³î·Á Çϳë¶ó
07. ¾îºÎ»ç½Ã»ç Áß ¿©¸§
±¸Áðºñ ¸ÓÁ®°¡°í ³Á¹°ÀÌ ¸¼¾Æ¿Â´Ù
¹è¶°¶ó ¹è¶°¶ó
³«´ëÁÙ µÑ·¯¸Þ´Ï ±íÀº ÈïÀ» ¸ø±ÝÇ泪
Áö±¹ÃÑ Áö±¹ÃÑ Áö±¹ÃÑ ¾î»ç¿Í
¿¬°Ã¸ÀåÀº ´µ¶ó¼ ±×·Á³½°í
¿¬ÀÙ¿¡ ¹ä½ÎÁÖ°í ¹ÝÂùÀ»³ ÀÛ¸¸¸¶¶ó
´åµé¾î¶ó ´åµé¾î¶ó
û¾à¸³Àº ½áÀÖ³ë¶ó ³ì»çÀÇ °¡Á®¿À³Ä
Áö±¹ÃÑ Áö±¹ÃÑ Áö±¹ÃÑ ¾î»ç¿Í
¾î¶»´Ù ¹«½ÉÇÑ ¹é±¸´Â °£°÷¸¶´Ù ÁÀ³´Ù
08. ¿Á¿¡ ÈëÀÌ ¹¯¾î
¿Á¿¡ ÈëÀÌ ¹¯¾î ±æ°¡¿¡ ¹ö·ÈÀ¸´Ï
¿À´ÂÀÌ °¡´ÂÀÌ ÈëÀ̶ó Çϴ°í¾ß
µÎ¾î¶ó ¾ËÀÌ ÀÖÀ»Áö´Ï ÈëÀεíÀÌ ÀְŶó
09. ¾îÁ¦¹ãµµ È¥ÀÚ °ö¼Û±×·Á
¾îÁ¦¹ãµµ È¥ÀÚ °ö¼Û±×·Á »õ¿ìÀáÀÚ°í
Áö³¹ãµµ È¥ÀÚ °ö¼Û±×·Á »õ¿ìÀáÀä³×
¾îÀγðÀÇ ÆÈÀÚ°¡ ÁÖ¾ßÀå»ó¿¡ °ö¼Û±×·Á »õ¿ìÀḸÀÚ³ë
¿À´ÃÀº ±×¸®´ø´Ô ¸¸³ª ¹ßÀ» Æì¹ö¸®°í
ÂùÂù ÈÖ°¨¾Æ Áú±î Çϳë¶ó
10. ¿À¿ì°¡
´õ¿ì¸é ²ÉÀÌ Ç¶°í Ãß¿ì¸é ÀÙÁö°Å´Ã
¼Ö¾Æ ³Ê´Â ¾îÀÌ ´«¼¸®¸¦ ¸ð¸£´Â´Ù
±¸Ãµ¿¡ »Ñ¸®°ðÀº ÁÙÀ» ±×·ÎÇÏ¿© ¾Æ³ë¶ó
³ª¹«µµ ¾Æ´Ñ°ÍÀÌ Ç®µµ¾Æ´Ñ°ÍÀÌ
°ð±â´Â ´µ½Ã±â¸ç ¼ÓÀº ¾îÀÌ ºñ¾ù´Â´Ù
Àú·¸°í »ç½Ã¿¡ Ǫ¸£´Ï ±×¸¦ Á¶¾ÆÇϳë¶ó
11. ¾î¿ì¿Í ±á ´µ¾Ð½Å°í
¾î¿ì¿Í ±á ´µ¾Ð½Å°í
°Ç³Ê ºÒ´çÀÇ µ¿·É½ÂÀÌ ³»¾Ð´õ´Ï
Ȧ°Å»ç Ȧ·ÎÀڽà ³¹æ¿¡ ¹Ç½ºÀÏÇÏ·ª
¿Í °Ü¿À½Å°í Ȧ°Å»ç ³ë°¨Åä ¹þ¾î°Å³
¸»²ÈÀÌ¿¡ ³»°í±ò °É·Á ¿Ô¾Ð³ªÀÌ´Ù
12. ¸»ÀÌ ³î¶ó°Å´Ã
¸»ÀÌ ³î¶ó°Å´Ã ÇõÀâ°í ±Á¾îº¸´Ï
±Ý¼öû»êÀÌ ¹°¼Ó¿¡ Àá°å¿¡¶ó
Àú¸»¾Æ ³î¶óÁö¸¶¶ó ±×¸¦ º¸·ÁÇϳë¶ó
13. ûõ ±¸¸§¹Û¿¡
ûõ ±¸¸§¹Û¿¡ ³ôÀÌ ¶á ÇÐÀÌ·¯´Ï
Àΰ£ÀÌ ÁÁ´õ³Ä ¹«»ç¹«¶ó ³ª·Á¿Â´Ù
ÀåÁöÄ¡´Ù ¶³¾îÁöµµ·Ï Áö³ª°¥ÁÙ ¸ôÀ¸³´Ù
14. ¹éÃʸ¦ ´Ù ½É¾îµµ
¹éÃʸ¦ ´Ù ½É¾îµµ ´ë´Â ¾Æ´Ï ½ÉÀ¸¸®¶ó
Á£´ë´Â ¿ï°í »ì´ë´Â °¡°í ±×¸®´À´Ï º×´ë·Î´Ù
±¸Æ®³ª ¿ï°í°¡°í ±×¸®´Â´ë¸¦ ½É¾î ¹«½¿Çϸ®¿À
15. °Å¹®°í ¼ú ²È¾Æ³õ°í
°Å¹®°í ¼ú ²È¾Æ³õ°í È£Á£ÀÌ ³·ÀáµçÁ¦
½Ã¹® °ßÆ󼺿¡ ¹Ý°¡¿Â ¹þ ¿Àµµ°í¾ß
¾ÆÈñ¾ß Á¡½Éµµ ÇÏ·Á´Ï¿Í ¿Ü»óŹÁÖ ³»¿©¶ó
16. ´Ô±×·Á ¾òÀº º´À»
´Ô±×·Á ¾òÀº º´À» ¾àÀ¸·Î °íÄ¥¼Õ°¡
ÇѼûÀÌ¾ß ´«¹°ÀÌ¾ß ¿À¸Å¿¡ ¸ÎÇû¿¡¶ó
ÀϽÅÀÌ Á×Áö¸øÇÑÀüÀº ¸øÀØÀ»±î Çϳë¶ó
17. ¸¸¼ö»ê ¸¸¼öºÀ¿¡
¸¸¼ö»ê ¸¸¼öºÀ¿¡ ¸¸¼öÁ¤ÀÌ ÀÖ´õÀÌ´Ù
±×¹°·Î ºúÀº ¼úÀÌ ¸¸³âÁÖ¶óÇÏ´õÀÌ´Ù
Áø½Ç·Î ÀÌ ÀÜ°÷ ÀâÀ¸½Ã¸é
¸¸¼ö¹«°ÇÏ¿À¸®´Ù
18. ¾îºÎ»ç½Ã»ç Áß °¡À»
¹°¿Ü¿¡ ÁÁÀºÀÏÀÌ ¾îºÎ»ý¾Ö ¾Æ´Ï·Á³Ä
¹è¶°¶ó ¹è¶°¶ó
¾î¿ËÀ» ¹¯Áö¸¶¶ó ±×¸²¿¡µµ ±×·È´õ¶ó
Áö±¹ÃÑ Áö±¹ÃÑ Áö±¹ÃÑ ¾î»ç¿Í
»ç½Ã¿¡ ÈïÀÎÁï ÇÑ°¡Áö³ª ÃßÈïÀÌ ÁÁ¾Æ¶ó
¼ö±¹¿¡ °¡À»ºñµå´Ï °í±â¸¶´Ù »ìÁ®ÀÖ´Ù
´åµé¾î¶ó ´åµé¾î¶ó
¸¸°æâÆÄ¿¡ ½½Å©Àå ³î´Ò¸é¼
Áö±¹ÃÑ Áö±¹ÃÑ Áö±¹ÃÑ ¾î»ç¿Í
Àμ¼¸¦ µ¹¾Æº¸´Ï ¸Óµµ·Ï ´õ¿í ÁÁ¾Æ¶ó
19. ¹Ù¶÷µµ ºÎ³ª¸¶³ª
¹Ù¶÷µµ ºÎ³ª¸¶³ª ´«ºñµµ ¿À³ª°³³ª
´Ô¾Æ´Ï ¿Í°è½Ã¸é ¾îÂî·Á³ë ÇϷø¶´Â
¿ì¸®´Ô ¿À½ÅÈÄÀÌ´Ï ºÎ³ª¿À³ª ³»¾Ë·ª
¹Ù¶÷ ºÎ¸£¼î¼Å ºñ¿Ã¹Ù¶÷ ºÎ¸£¼î¼Å
°¡¶ûºñ ±×Ä¡°í ±½Àººñ µå¸£¼î¼Å
ÇѱæÀÌ ¹Ù´ÙÈ÷µÇ¾ß ´Ô¸ø°¡°Ô Çϼî¼Å
20. ¾îºÎ»ç½Ã»ç Áß °Ü¿ï
±¸¸§ÀÌ °ÈÀº ÈÄ¿¡ ÇÞºûÀÌ µÎ²®°Å´Ù
¹è¶°¶ó ¹è¶°¶ó
õÁöÆó»öÇ쵂 ¹Ù´Ù´Â ÀDZ¸ÇÏ´Ù
Áö±¹ÃÑ Áö±¹ÃÑ Áö±¹ÃÑ ¾î»ç¿Í
°¡¾ø°í °¡¾øÀº ¹°°áÀÌ ±í¾ú³µí ÇÏ¿©¶ó
ÁÖ´ëµµ ´Ù»ç¸®°í ¹î¹äÀ» ¹Ú¾Ò´À³Ä
´åµé¾î¶ó ´åµé¾î¶ó
¼Ò»óµ¿Á¤Àº ±×¿ïÀÌ ¾ð´ÙÇÑ´Ù
Áö±¹ÃÑ Áö±¹ÃÑ Áö±¹ÃÑ ¾î»ç¿Í
¾Æ¸¶µµ À̶§¾îÁ¶¾ß À̸¸ÇÑ´ë ÀÖÀ¸·ª
¡á Ã⿬ÀÚ ÇÁ·ÎÇÊ
³ë·¡Áöµµ_ ¹Ú¹®±Ô
Çѱ¹ïáÊ°¤ýäÅ¿¬±¸¿ø ¿øÀå
¼¿ï´ë, ´Ü±¹´ë, ÇÑ¿¹Á¾ °»ç
Á߿乫Çü¹®ÈÀç Á¦30È£ °¡°î À̼öÀÚ
Á¤³ó¾Çȸ ȸ¿ø
Àü)±¹¸³±¹¾ÇÁßÇб³ ±³°¨
KBS±¹¾Ç´ë»ó °¡¾à»ó (¡¯06)
ÁöÈÖ_ ¹Ú»óÇö
Çѱ¹¿¹¼úÁ¾ÇÕÇб³ ¿¹¼ú»ç Á¹¾÷
Çѱ¹¿¹¼úÁ¾ÇÕÇб³ Àü¹®»ç Á¹¾÷
Æú¶õµå Å©¶óÄÚÇÁ ±¹¸³À½¾Ç¿ø ¼öÇÐ
Çö) ¿µ»ê¿¹¼ú´Ü »óÀÓÁöÈÖÀÚ
Ȳ¼÷°æ
Á߿乫Çü¹®ÈÀç Á¦30È£ ¿©Ã¢°¡°î À̼öÀÚ
¼Ò¸®¾Ó»óºí ¡®°¡Ç⡯µ¿ÀÎ
¿ùÇÏÀüÅ빮ȿø ȸ¿ø, ¿©Ã¢°¡°îº¸Á¸È¸ ȸ¿ø
°æºÏ´ë, Ã߰迹¼ú´ëÇÐ °»ç
±è¿µ±Ù
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
¼ö¿ø´ëÇб³ ±¹¾Ç°ú Á¹¾÷
Á¦22ȸ µ¿¾Æ±¹¾ÇÄáÄí¸£ ÀϹݺÎ
Á¤°¡ºÎ¹® ±Ý»ó(¡¯06)
ÀÌ°ÇÇü
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
Çѱ¹¿¹¼úÁ¾ÇÕÇб³ ÀüÅ뿹¼ú¿ø 2³â ÀçÇÐ
Á¦9ȸ Àü±¹ÃÊÁß°í ±¹¾Ç°æ¿¬´ëȸÁ¤°¡ºÎ¹® 1À§(¡¯06)
ÀÌÈñÀç
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
ºÎ»ê´ëÇб³ ±¹¾ÇÇаú Á¹¾÷
Á¦24ȸ µ¿¾Æ±¹¾ÇÄáÄð ÀϹݺÎ
Á¤°¡ºÎ¹® ±Ý»ó(¡¯08)
äÁÖº´
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
¿ëÀδëÇб³ ±¹¾Ç°ú Á¹¾÷
Á¦23ȸ µ¿¾Æ±¹¾ÇÄáÄð ÀϹݺÎ
Á¤°¡ºÎ¹® ±Ý»ó(¡¯07)
±è¹ÎÁ¤
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î À̼öÀÚ
¼¿ï´ëÇб³ Çѱ¹À½¾ÇÇÐ ¹Ú»ç ¼ö·á
ÇѾç´ë, »ó¸í´ë, ¼þ½Ç´ë Ãâ°
±èÀ¯¶ó
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
¼ö¿ø´ëÇб³ ±¹¾Ç°ú Á¹¾÷
Á¦16ȸ KBS±¹¾Ç´ë°æ¿¬ Â÷»ó(¡¯06)
±èÀ±Áö
ÇѾç´ëÇб³ ±¹¾Ç°ú 1³â ÀçÇÐ
¹Î¼ö¹Î
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î À̼öÀÚ
ÇѾç´ëÇб³ ±¹¾Ç°ú 4³â ÀçÇÐ
Á¦20ȸ µ¿¾Æ±¹¾ÇÄáÄð ÀϹݺÎ
Á¤°¡ºÎ¹® ±Ý»ó(¡¯04)
¾ÈÁ¤¾Æ
¼¿ï´ëÇб³ 1Çгâ ÀçÇÐÁß
07³â ³°èÀü±¹±¹¾Ç°æ¿¬´ëȸ ÇлýºÎ
¼º¾ÇºÎ¹® 1µî
Á¦1ȸ ´ëÇѹα¹ ´ëÇб¹¾ÇÁ¦ ±Ý»ó
À̾Ƹ§
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
¼¿ï´ëÇб³ ±¹¾Ç°ú 4³â ÀçÇÐ
Á¦20ȸ µ¿¾Æ±¹¾ÇÄáÄðÇлýºÎ Á¤°¡ºÎ¹® ±Ý»ó(¡¯04)
ÀÌÀ±Áø
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
¼¿ï´ëÇб³ ±¹¾Ç°ú 2³â ÀçÇÐ
Á¦6ȸ Àü±¹Á¤°¡°æâ´ëȸ ´ë»ó(¡¯07)
À庸¶÷
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
ÇѾç´ëÇб³ ±¹¾Ç°ú 2³â ÀçÇÐ
Á¦24ȸ µ¿¾Æ±¹¾ÇÄáÄð ÀϹݺÎ
Á¤°¡ºÎ¹® Àº»ó(¡¯08)
Áö¹Î¾Æ
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
ÇѾç´ëÇб³ ±¹¾Ç°ú 3³â ÀçÇÐ
Á¦33ȸ Àü±¹³°è±¹¾Ç°æ¿¬´ëȸ
´ëÇкΠÀå·Á»ó(¡¯07)
ÇÏÀ±ÁÖ
Á߿乫Çü¹®ÈÀç Á¦ 30È£ °¡°î Àü¼öÀÚ
ÇѾç´ëÇб³ ±¹¾Ç°ú 4³â ÀçÇÐ
Á¦27ȸ ¿Â³ª¶ó ±¹¾Ç°æ¿¬´ëȸ
Á¤°¡ºÎ¹® ±Ý»ó(¡¯07)
¡á ¹ÝÁÖÀÚ ÇÁ·ÎÇÊ
Áø³ªÁ¤ (°¡¾ß±Ý)
¼¿ï´ëÇб³ Á¹¾÷ µ¿ ´ëÇпø ¼ö·á
Çö) ±¹¸³±¹¾ÇÇб³ °»ç
¼Õ¼ö¿¬ (°Å¹®°í)
¼¿ï´ëÇб³ Á¹¾÷
ÇѾç´ëÇб³ ±³À°´ëÇпø Á¹¾÷
Çö) ±¹¸³±¹¾ÇÇб³ °»ç
¹Ú°æ¹Î (´ë±Ý)
Çѱ¹¿¹¼úÁ¾ÇÕÇб³ Á¹¾÷
Çö) ±¹¸³±¹¾Ç°üÇö¾Ç´Ü ´Ü¿ø
±èÅ°æ (ÇǸ®)
ÇÑ¿¹Á¾ ¿¹¼ú»ç Á¹¾÷ ¹× µ¿´ëÇпø ÀçÇÐ
Á߿乫Çü¹®ÈÀç Á¦ 46È£ ÇǸ®Á¤¾Ç ¹× ´ëÃëŸ Àü¼öÀÚ
Á߿乫Çü¹®ÈÀç Á¦17È£ ºÀ»êÅ»Ã㠾ǻç Àü¼öÀÚ
Çö) »ýȲ¿¬±¸È¸ ´Ü¿ø, ¶ôÀ½±¹¾Ç´Ü ´Ü¿ø
¹ÚÁöÇý (ÇرÝ)
Ã߰迹¼ú´ëÇб³ ±¹¾Ç°ú Á¹¾÷
½Ç³»¾Ç´Ü <Åè¹æ>´Ü¿ø
±è¿õ½Ä (Àå°í)
À½¾ÇÁý´Ü ¡®Çª¸®¡¯ ¡®CMEK¡¯µ¿ÀÎ
ÇÑ¿¹Á¾, ÇѾç´ë, ÀÌÈ¿©´ë °»ç
The 20th Wolha Cultural Foundation Regular Performance
Gogasinjo ¡°Chun-Ha-Chu-Dong 3¡±
°í°¡½ÅÁ¶ ͯʰãæðà - ÃáÇÏÃßµ¿ õðù¾õÕÔÏ 3
- Compositions of Kim Gi-soo (1917-1986, Chukheon) -
¡á PROGRAMME
01. Gogasinjo ¡°Bonghwanggog ºÀȲ°î¡±mixed chorus
02. Gogasinjo ¡°Jijeogwineun jeo gamagwi ÁöÀú±Í´Â Àú °¡¸¶±Í¡± mixed chorus
03. Gogasinjo ¡°The Spring¡± of ¡°Eobusasisa ¾îºÎ»ç½Ã»ç Áß º½¡± Yi Yun-jin
04. Gogasinjo ¡°Jeoktoma Saljige Meogyeo ÀûÅ丶 »ìÁö°Ô ¸Ô¿©¡± Yi Hui-jae
05. Gogasinjo ¡°Namsanme Eodeumeman ³²»ê¸Þ ¾îµå¸Þ¸¸¡± Yi A-rum
06. Gogasinjo ¡°Juini Sul Bueuni ÁÖÀÎÀÌ ¼úºÎÀ¸´Ï¡± Kim Yeong-geun
07. Gogasinjo ¡°The Summer¡± of ¡°Eobusasisa ¾îºÎ»ç½Ã»ç Áß ¿©¸§¡± female chorus
08. Gogasinjo ¡°Oge Heulgi Mudeo ¿Á¿¡ ÈëÀÌ ¹¯¾î¡± Ji Min-a
09. Gogasinjo ¡°Eojetbamdo Honja Gobsonggeuryeo ¾îÁ¬¹ãµµ È¥ÀÚ °ö¼Û ±×·Á¡± Yi Geon-hyeong
10. Gogasinjo ¡°Eowuwa Gwi Nyiapsingo ¾î¿ì¿Í ±á ´µ¾Ð½Å°í¡± Chae Ju-byeong
11. Gogasinjo ¡°Mari Nollageoneul ¸»ÀÌ ³î¶ó°Å´Ã¡± Min Su-min
12. Gogasinjo ¡°Cheongcheon Gureum Bagge ûõ ±¸¸§ ¹Û¿¡¡± Kim Yu-ra
13. Gogasinjo ¡°Baekchoreul Da Simeodo ¹éÃʸ¦ ´Ù ½É¾îµµ¡± Kim Yun-ji
14. Gogasinjo ¡°Geomungo Sul Ggojanoko °Å¹®°í ¼ú ²È¾Æ³õ°í¡± Jang Bo-ram
15. Gogasinjo ¡°Owuga ¿À¿ì°¡¡± Kim Min-jeong
16. Gogasinjo ¡°Nimgeuryeo Eodeun Byeongeul ´Ô±×·Á ¾òÀº º´À»¡± An Jeong-a
17. Gogasinjo ¡°Mansusan Mansubonge ¸¸¼ö»ê ¸¸¼öºÀ¿¡¡± Ha Yun-joo
18. Gogasinjo ¡°The Autumn¡± of ¡°Eobusasisa ¾îºÎ»ç½Ã»ç Áß °¡À»¡± male chorus
19. Gogasinjo ¡°Baramdo Buna Mana ¹Ù¶÷µµ ºÎ³ª¸¶³ª¡± mixed chorus
20. Gogasinjo ¡°The Winter¡± of ¡°Eobusasisa ¾îºÎ»ç½Ã»ç Áß °Ü¿ï¡± mixed chorus
gayageum: Jin Na-jeong/ geomungo: Son Su-yeon/ daegeum: Park Gyeong-min
piri: Kim Tae-gyeong/ haegeum: Park Ji-hye/ janggo: Kim Ung-sik
Date of recording: at 7.30 pm, on Thursday 6 November 2008
Recording venue: Wumyeondang, Gungnipgugakwon
¡á WELCOMING MESSAGE
¡®Gogasinjo that embodies in my heart long¡¯
Gaak °¡¾ÇÊ°äÅ (Korean classical songs) has apparently been changed from Goryeo dynasty (982-1392) to Joseon one (1392-1910), as its origin proved in some manuscripts. It reflects the inner world of Korean people¡¯s lives. Unfortunately today the classical song shows its limitations on further developments after the publication of Gagogwolnyu °¡°î¿ø·ùÊ°ÍØê¹×µ (anthology of Korean classical songs published in 1876). This is caused by the fact that foreign cultures have constantly been introduced into Korea, particularly under the Japanese rule (1910-1945). Then western cultures have greatly been an effect on Korean cultures, not only in music but a way of Korean lives. This situation led gagog °¡°îÊ°ÍØ (long lyrical song) of gaak to be on the verge of dying in its practice and transmission.
Through such transitional period it was Kim Gi-soo (1917-1986, pen name is Jukheon) who recreated gagog based upon traditional materials of the text, sijo ½ÃÁ¶ãÁðà (classical poems). He composed a total of 155 new songs: 77 pieces of songs putting together in one work entitled in Gogasinjo in 1967 and 78 songs in its second volume in 1976. He then produced another 99 songs compiled in Nopeunhaneul (A High Sky). It seems to me that his aspiration and ardent affection on Korean classical songs led him to come into existence such a gem of songs. However, those fine songs had rare opportunities to be performed compared with other instrumental music. Sadly its existence has not even been known to most people.
For the purposes of preserving and promoting his songs, the Wolha Cultural Foundation (Cor.) decided to display his legacy to the public yearly, and the Institute for Korean JeongGa¡¤Ak (ïáÊ°äÅ, Korean classical songs and music) Research has been performing it regularly since 2006, and they performed three times. So this CD is the outcome of its third regular performance. The Foundation wishes to assist gaak-lovers and people to gain access to singing gaak easily. For its popularisation it is intending to work on the genre in a new way through the medium of education and broadcasting.
We hope that listeners and gaak-lovers enjoy this CD and give us encouragement.
Kim Gyeong-bae
Director of the Wolha Cultural Foundation (Cor.)
Honorary Professor of Arts College, Gyeongbuk University
6 November 2008
¡á THE PROFILE OF THE PERFORMERS
Park Mun-gyu/ vocal instructor
Director of the Institute for Korean JeongGa¡¤Ak (ïáÊ°äÅ, Korean classical songs and music) Research.
Part-time lecturer at Seoul National University, Danguk University & the Korean National University of Arts.
Yisuja (graduate) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Member of Jeongnongakhoe.
Former vice-president of the Gungnip Gugak Middle School.
Awarded the Gaak prize for the KBS Gugak Grand Prix in 2006
Park Sang-hyeon/ conductor
Graduated from the Korean National University of Arts specialised in both History of Arts & Art Expert.
Studied at Krakof National Academy in Poland
Currently regular conductor of the Yeongsan Arts Company
Hwang Suk-gyeong
Yisuja (graduate) for Yeochang Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Member of the Sori Ensemble, ¡®Gahyang¡¯
Member of the Wolha Traditional Cultural Centre & Society for Preserving Yeochang Gagog
Part-time lecturer at Universities of Gyeongbuk & Chugye Yesul.
Kim Yeong-geun
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Graduated from Suwon University majored in Korean Traditional Music.
Awarded the Golden prize for the Jeongga Adult Part at the 22nd Donga Gugak Competition in 2006.
Yi Geon-hyeong
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Currently second-year student at Academy of Traditional Arts at the Korean National University of Arts.
Awarded the frist prize for the Jeongga Part at the 9th All School Grades Gugak Contest in 2006.
Yi Hui-jae
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Graduated from Busan University majored in Korean Traditional Music.
Awarded the Golden Prize for the Jeongga Adult Part at the 24th Donga Gugak Competition in 2008.
Chae Ju-byeong
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Graduated from Yongin University majored in Korean Traditional Music.
Awarded the Golden Prize for the Jeongga Adult Part at the 23rd Donga Gugak Competition in 2007.
Kim Min-jeong
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Completed the Doctoral Course for Korean Musicology at Seoul National University.
Part-time lecturer at the Universities of Hanyang, Sangmyong & Sungsil.
Kim Yu-ra
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Graduated from Suwon University majored in Korean Traditional Music.
Awarded the Second prize at the KBS Grand Gugak Contest in 2006.
Kim Yun-ji
First-year student of Korean Traditional Music at Hanyang University.
Min Su-min
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Fourth-year student of Korean Traditional Music at Hanyang University.
Awarded the Golden prize for the Jeongga Adult Part at the 20th Donga Gugak Competition in 2004.
An Jeong-a
First-year student at Seoul National University.
Awarded the First prize for the Vocal Student Part at the Nangye All Gugak Contest in 2007.
Awarded the Golden prize at the University Gugak Festival of Korea.
Yi A-reum
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Fourth-year student of Korean Traditional Music at Seoul National University.
Awarded the Golden Prize for the Jeongga Student Part at the 20th Donga Gugak Competition in 2004.
Yi Yun-jin
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Second-year student of Korean Traditional Music at Seoul National University.
Awarded the Grand Prix at the 6th National Jeongga Gyeongchang Contest in 2007.
Jang Bo-ram
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Second-year student of Korean Traditional Music at Hanyang University.
Awarded the Silver prize for the Jeongga Adult Part at the 24th Donga Gugak Competition in 2008.
Ji Min-a
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Third-year student of Korean Traditional Music at Hanyang University.
Awarded the Subsidy prize for the College Part at the 33rd Nangye All Gugak Contest in 2007.
Ha Yun-joo
Jeonsuja (inherited) for Gagog, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 30.
Fourth-year student of Korean Traditional Music at Hanyang University.
Awarded the Golden prize for the Jeongga Part at the 27th National Gugak Competition in 2007.
¡á THE PROFILE OF THE ACCOMPANISTS
Jin Na-jeong/ gayageum
Completed an MA course and gained the BA in Music at Seoul National University.
Currently part-time instructor at Gungnip Gugak School.
Son Su-yeon/ geomungo
Graduated from Seoul National University & Educational Graduate School at Hanyang University.
Currently part-time instructor at Gungnip Gugak School.
Park Geyong-min/ daegeum
Graduated from the Korean National University of Arts.
Currently member of Gungnip Gugak Orchestra.
Kim Tae-gyeong/ piri
Graduated from the Korean National University of Arts majored in Arts History & reading the MA Course at the same University.
Jeonsuja (inherited) for Piri Jeongak & Daechwita, Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 46.
Jeonsuja (inherited) for Musician of Bongsan Talchum Jungyomuhyeongmunajae (Important Intangible Cultural Heritage) no. 17.
Currently member of the Institute for the Seanghwang Research & Rageum Gugak Ensemble.
Park Ji-hye/ haegeum
Graduated from Chugye Arts University majored in Korean Traditional Music.
Member of Ensemble ¡®Tombang¡¯.
Kim Ung-sik/ janggo
Member of music association, ¡®Puri¡¯ & ¡®CMEK¡¯.
Currently part-time lecturer at the Korean National University of Arts and Universities of Hanyang & Ehwa Women¡¯s.
===============
¡á THE 20TH REGULAR PERFORMANCE BY THE WOLHA CULTURAL FOUNDATION
Rediscovery of the GOGASINJO
ChunHaChuDong õðù¾õÕÔÏ Spring, Summer, Autumn, Winter
Date of recording: 6 November 2008
Location of recording: Wumyeondang, Gungnipgugakwon
The Kim Gi-soo¡¯s Anthology of Classical Songs
¡®Gogasinjo (Daemaru 77)¡¯
PREFACE
¡°Gogasinjo is a collection of the songs that was produced in a new and canonic manner. This song collection aimed to be used by learners who are studying in singing and vocal music. Its texts or lyrics consist of poems derived from gagog (classical song cycle with poem accompanied by ensemble) and sijo (a lyric song style accompanied by janggu/drum) which these classical songs used to be sung on the accompaniment of instruments and enjoyed by our ancestors. The titles of the songs I selected in this collection derived from some poems of relatively sound and esoteric contents from those classical poetry, and I composed their melodies to suit their contents. This aims to provide vocalists for widening and enhancing their choices of learning and training songs and for appreciating the original meanings of those song contents.¡±
Celebrating dangi (Korean Calender) 4300 year
Edited by Daemaru
|