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±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´Ü ¥³ - ¹Î¿äÀ̾߱â

THE GWANGJU GAYAGEUM ORCHESTRA CD IV

THE GAYAGEUM COLLECTION FOR THE FOLK SONG THEMES

 

1. 25Çö°¡¾ß±Ý ÇùÁÖ°î ¹î³ë·¡(ÃÊ¿¬) / ÀÛ°î:ȲÀÇÁ¾ / Æí°î:°ûÀ翵   12:12

    25Çö°¡¾ß±Ý Solo:¼º¾Ö¼ø

   ¥°:ÀüÈñ¸², ¥±:ÀÌÁ¤¼÷, ¥²:±èÇѾÆ, ¥³:Á¶¼±¿Á

2. ¾Æ¸®¶û º¯ÁÖ°î ¾Æ¸®¶û / ÀÛ°î:ȲÀÇÁ¾   06:36

3. ¾Æ¸®¶û º¯ÁÖ°î ¹Ð¾ç¾Æ¸®¶û / ÀÛ°î:ȲÀÇÁ¾       04:24

    18Çö°¡¾ß±Ý:°­Çý°æ, 25Çö°¡¾ß±Ý:Á¶¼±¿Á

4. 25Çö°¡¾ß±ÝÀ» À§ÇÑ ÇÑ¿À¹é³â ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(ÃÊ¿¬) / ÀÛ°î:±è¼±      12:02

    25Çö °¡¾ß±Ý¥°:ÀÌÁ¤¼÷ È«À±Áø, ¥±:±èÇÑ¾Æ °­Áö¹Î, ¥²:Á¶¼±¿Á È«ÇýÁÖ

5. 25Çö°¡¾ß±ÝÀ» À§ÇÑ ÁßÁÖ°î Áøµµ¾Æ¸®¶û(ÃÊ¿¬) / ÀÛ°î:±è¹Ì¿µ      10:07

    25Çö°¡¾ß±Ý¥°:ÀüÈñ¸² °­Áö¹Î, ¥±:À̺οµ È«ÇýÁÖ

6. 25Çö°¡¾ß±ÝÀ» À§ÇÑ 3ÁßÁÖ Katyusha(ÃÊ¿¬) / ÀÛ°î:±è»ï°ï 07:09

    25Çö°¡¾ß±Ý¥°:¼Û¿µ¶õ, ¥±:±Ç´ÙÇý, ¥²:ÀÌÁ¤¼÷

7. 25Çö°¡¾ß±ÝÀ» À§ÇÑ 3ÁßÁÖ À̾»ç³ª(ÃÊ¿¬) / ÀÛ°î:ÃÖÀç·û      10:07

    25Çö°¡¾ß±Ý¥°:ÀÌ¿µ¾Æ, ¥±:±èÇѾÆ, ¥²:¼ºÁöÀº

8. »çö°¡(½Å¹Î¿ä)      05:49

    °¡¾ß±Ýº´Ã¢:Çϼ±¿µ, Á¤ÀÚ°æ  Àå°í:¹Ú½Ã¾ç


°î ¸ñ ÇØ ¼³


1. 25Çö°¡¾ß±Ý ÇùÁÖ°î ¹î³ë·¡(ÃÊ¿¬)

ÀÛ°î:ȲÀÇÁ¾, Æí°î:°ûÀ翵


¹î³ë·¡´Â ±Â°Å¸® Àå´ÜÀÇ Èï°Ü¿î °æ»óµµ ¹Î¿äÀÌ´Ù. ¿ø·¡ÀÇ °îÀº Ç÷԰ú 25Çö °¡¾ß±ÝÀÇ 2ÁßÁÖ·Î ¿¬ÁֵǾúÁö¸¸, ±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´Ü Á¦16ȸ Á¤±â¿¬ÁÖȸ¸¦ À§ÇØ 25Çö°¡¾ß±ÝÀÇ ÇùÁÖ°î Çü½ÄÀ¸·Î »õ·Ó°Ô À§Ã˵Ǿú´Ù. Á¦1¾ÇÀåÀº ÆĵµÀÇ ¹°°áÀ» ¿¬»ó½ÃÅ°´Â µµÀԺηΠ½ÃÀÛÇÏ¿© ±Â°Å¸® Àå´ÜÀ¸·Î À̾îÁø´Ù. ±Â°Å¸® Àå´Ü¿¡¼­ ´ëÈ­¸¦ ³ª´©´Â µí ºÐÀ§±â¸¦ °íÁ¶½ÃŲ ÈÄ ÀÚÁø¸ð¸® Àå´ÜÀ¸·Î ¿¬°áµÇ°í, ¸¶Áö¸·Àº ºü¸¥ 4¹ÚÀÚ·Î °æÄèÇÏ°Ô ³¡³­´Ù. Á¦2¾ÇÀåÀº ´À¸° Á߸𸮠Àå´ÜÀÇ °¡¾ß±Ý solo·Î ½ÃÀÛÇÏ¿© ´Ü¸ð¸® Àå´ÜÀ¸·Î º¯È­¸¦ ÁØ µÚ ±Â°Å¸® Àå´ÜÀ¸·Î À̾îÁø´Ù. 


2. 3. ¾Æ¸®¶û º¯ÁÖ°î ¾Æ¸®¶û

 ¹Ð¾ç¾Æ¸®¶û

 ÀÛ°î:ȲÀÇÁ¾


¼¼¸¶Ä¡ Àå´Ü¿¡ ½Ç·ÁÀÖ´Â ¾Æ¸®¶û°ú ¹Ð¾ç¾Æ¸®¶ûÀÇ °¡¶ôÀ» 18Çö°ú 25Çö °¡¾ß±Ý 2ÁßÁÖ·Î º¯ÁÖÇÑ °îÀ¸·Î, 12Çö °¡¾ß±Ý¿¡ ÀÇÇØ Ç¥ÇöµÇ´Â ¼Ò¹ÚÇÏ°í Á¤°¨ ÀÖ´Â ¿¬ÁÖ ÀÚ¼¼¿¡ È­·ÁÇÑ È­¼º°ú dzºÎÇÑ À½ÇâÀ» ´õÇÔÀ¸·Î½á »ö´Ù¸¥ ¸ÚÀ» ´À³¢°Ô ÇØ ÁØ´Ù. Á¦1¾ÇÀåÀº ¾Æ¸®¶û ÁÖÁ¦¼±À²ÀÌ Á¦1°¡¾ß±Ý¿¡ ÀÇÇØ Á¦½ÃµÈ ´ÙÀ½ ¿©·¯ ÇüÅ·Πº¯ÁֵǴٰ¡ ¾ù¸ð¸®¿Í ÀÚÁø¸ð¸®·Î °íÁ¶µÈ´Ù. Á¦2¾ÇÀåÀº È­·ÁÇÑ ºÐ»êÈ­À½ÀÇ µµÀԺηΠ½ÃÀÛµÈ ÈÄ Á¡Á¡ ºü¸£°Ô º¯ÁֵǸç, ºü¸¥ ¼¼¸¶Ä¡Àå´Ü ´ÙÀ½¿¡ À̾îÁö´Â ´Ü¸ð¸®·Î ÀüÁ¶µÇ¾î ³¡³­´Ù.

 

4. 25Çö°¡¾ß±ÝÀ» À§ÇÑ ÇÑ¿À¹é³â ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î(ÃÊ¿¬)

ÀÛ°î:±è¼± 


°­¿øµµ ¹Î¿ä¿¡ ¼ÓÇÏ´Â ÀÌ °îÀÇ Æ¯Â¡Àº ź½ÄÁ¶³ª ¾Ö¿øÁ¶°¡ ¸¹°í, ½Ã±è»õ°¡ ±¸¼ºÁö¸ç, ¼Ó±íÀº ¸ÀÀ» ³½´Ù. ¡®ÇÑ¿À¹é³â¡¯Àº ¡®¾Æ¸®¶û¡¯ °èÅë ¹Î¿äÀÇ º¯ÇüÀ¸·Î ÀÌ °íÀå ƯÀ¯ÀÇ ¾Ö¼ö°¡ Àß ³ªÅ¸³ª ÀÖ´Ù. ÀÌ °îÀº ´À¸° Á߸𸮠Àå´Ü¿¡ ¸ÂÃß¾î ºÎ¸£°í, ¹Ì¡¤¶ó¡¤µµ Áß½ÉÀÇ ¸Þ³ª¸®Á¶ °¡¶ôÀÌ´Ù. »ç¼³Àº ÈÄ·ÅÀÌ µþ·Á Àִ ªÀº ÀåÀýÇü½Ä(íþï½û¡ãÒ)À¸·Î ¡°... ¾Æ¹«·Å ±×·¸Áö ±×·¸°í ¸»°í, ÇÑ¿À¹é³â »ìÀڴµ¥ À¢ ¼ºÈ­¿ä¡±¶ó´Â ÈÄ·ÅÀÌ ¸Å¿ì ¾Ö»óÀûÀ̸ç ÇÑ¿À¹é³âÀ̶ó´Â °î¸íÀº ÈÄ·Å¿¡¼­ À¯·¡ÇÑ °ÍÀÌ´Ù. ÀÌ À½¹Ý¿¡¼­´Â 25Çö°¡¾ß±ÝÀÇ 3ÁßÁÖ·Î Æí°îµÇ¾î dz¼ºÇÑ ´À³¦À» ÁØ´Ù.

 

5. 25Çö°¡¾ß±ÝÀ» À§ÇÑ ÁßÁÖ°î Áøµµ¾Æ¸®¶û(ÃÊ¿¬)

ÀÛ°î:±è¹Ì¿µ


¡®Áøµµ¾Æ¸®¶û¡¯Àº Àü¶óµµ Áö¿ª¿¡¼­ °¡Àå Àß ¾Ë·ÁÁ® ÀÖ°í, Àü¶óµµ Áö¿ª »ç¶÷À̶ó¸é ´©±¸³ª ÇÑ ¼ÒÀýÀº µû¶ó ºÎ¸¦ ¼ö ÀÖ´Â ¾Æ¸®¶ûÀÌ´Ù. ÀÌ °îÀº Áøµµ¾Æ¸®¶ûÀÇ Èï°Ü¿ì¸é¼­µµ ±¸½½Ç °¡¶ôÀ» °¡¾ß±Ý ¼±À²·Î Ç¥ÇöÇÑ °îÀ¸·Î Á¦1ÀåÀº 3/4¹ÚÀÚÀÇ µµÀԺηΠ½ÃÀÛÇÏ¿© ¼¼¸¶Ä¡ Àå´ÜÀ¸·Î À̾îÁö°í, ¼¼¸¶Ä¡ Àå´Ü¿¡¼­´Â ¸Þ±â°í ¹Þ´Â Çü½ÄÀ¸·Î Èï°ã°Ô ÁøÇàµÈ´Ù. Á¦2ÀåÀº 3/4¹ÚÀÚÀÇ ¹àÀº ºÐÀ§±â·Î ½ÃÀÛÇÏ¿© Solo¿Í ÁÖ°í ¹ÞÀ¸¸ç, ¾ù¸ð¸® Àå´ÜÀ¸·Î °î¿¡ º¯È­¸¦ Áָ鼭 °íÁ¶½ÃŲ µÚ ÁÖÁ¦¼±À²À» ´À¸®°Ô ¿¬»ó½ÃÅ°¸ç ³¡À» ¸Î´Â´Ù.


6. 25Çö °¡¾ß±ÝÀ» À§ÇÑ 3ÁßÁÖ Katyusha(ÃÊ¿¬)

ÀÛ°î:±è»ï°ï


À¯¸íÇÑ ·¯½Ã¾Æ ¹Î¿äÀÇ ÇϳªÀÎ Ä«Ãò»þ´Â ¡®·¯½Ã¾ÆÀûÀÎ ³óÃÌ¡¯À̶ó´Â ¶æÀ¸·Î ¡®»ç°ú²É ¹è²É ¸¸¹ßÇÏ°í, ±¸¸§Àº °­¹°Ã³·³ Èê·¯³»¸®³×...¡¯ÀÌ·± ³»¿ëÀ» ´ã°í ÀÖ´Ù. ÀÌ ³ë·¡´Â 2Â÷´ëÀü ¶§ ¹«±âÀ̸§À¸·Îµµ ºÒ·ÁÁ³À¸¸ç ±º°¡·Îµµ ¾²¿´¾ú´Ù. ·¯½Ã¾Æ º´»ç ´ëºÎºÐÀÌ ³óÃÌÃâ½ÅÀÎ ¸¸Å­ ¡®Á¶±¹ ·¯½Ã¾Æ¿Í °íÇâ ³óÃÌÀ» »ý°¢Çϸç ÁöÄѳ»ÀÚ!¡¯ ¶ó´Â ¶æµµ Æ÷ÇÔÇÏ°í ÀÖ´Ù. 1979³â ·Î¹öÆ® µå´Ï·Î ÁÖ¿¬ÀÇ ¿µÈ­ ¡°µð¾îÇåÅÍ(Deer Hunter)OST¿¡µµ »ðÀԵǾú°í, ÀÌ À½¹Ý¿¡¼­´Â 25Çö°¡¾ß±ÝÀÇ 3ÁßÁַΠǥÇöÇÏ¿´´Ù.


7. 25Çö °¡¾ß±ÝÀ» À§ÇÑ 3ÁßÁÖ À̾»ç³ª(ÃÊ¿¬)

ÀÛ°î:ÃÖÀç·û


¿ø·¡´Â 12Çö °¡¾ß±ÝÀ» À§ÇÑ ÁßÁÖ°îÀ¸·Î 1993³â ±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´ÜÀÇ À§ÃË ÀÛÇ°À̾úÀ¸³ª  2004³â Á¦16ȸ Á¤±â¿¬ÁÖȸ¸¦ À§ÇØ 25Çö °¡¾ß±Ý ÁßÁÖ°îÀ¸·Î »õ·Ó°Ô Æí°îÇÑ °ÍÀÌ´Ù. ¹Ù´Ù ³»À½ÀÌ ¹°¾À dz±â´Â Á¦ÁÖµµÀÇ ¹Î¿äÀÎ ÀÌ °îÀº Àüü 3ºÎºÐÀ¸·Î µÇ¾î ÀÖ´Ù. ÇÁ·Ñ·Î±×¿¡ ÀÌ¾î ³ªÅ¸³ª´Â ù ºÎºÐ¿¡´Â Èï°Ü¿î ±Â°Å¸® Àå´ÜÀ¸·Î ±¸¼ºµÈ ¡®¿Àµ¹¶Ç±â¡¯°¡, µÎ ¹ø° ºÎºÐ¿¡¼­´Â ¡®À̾ßÈ« Ÿ·É¡¯ÀÌ ÀÚÀ¯¸®µë°ú ¼¼¸¶Ä¡ Àå´ÜÀ¸·Î Àü°³µÇ¸ç, ¼Â° ºÎºÐ¿¡¼­´Â ÀÚÁø¸ð¸® Àå´Ü¿¡ ÀÇÇÑ ¡®ÀÌ¿©µµ »ç³ª¡¯°¡ °æÄèÇÏ°Ô ¿¬ÁֵȴÙ. ¿¡ÇÊ·Î±× ºÎºÐ¿¡¼­´Â ¼¼ °îÀÌ ÇÔ²² ¿¬ÁÖµÇ¾î °îÀ» ¿©¹Ì°Ô µÈ´Ù.


8. »çö°¡(½Å¹Î¿ä)


»çö°¡´Â ¾Æ¸§´Ù¿î ¿ì¸®°­»êÀÇ »ç°èÀýÀ» ½Ã°¢ÀûÀ¸·Î ¹¦»çÇÏ°í, °¢ °èÀý¿¡ ¾Ë¸ÂÀº dz·ù¿Í ¸ÚÀ» ÀÚÁø¸ð¸®, ¾ù¸ð¸® Àå´ÜÀ¸·Î Èï°ã°Ô Ç¥ÇöÇÑ °îÀÌ´Ù.


¿Ô³× ¿Ô¾î º½ÀÌ ¿Ô³× »ïõ¸® ÀÌ°­»ê¿¡ ¿¡Çì¾ßµÚ¾ß

º½ÀÌ ¿Ô³× ¿¡Çì¾ßµÚ¾ß º½ÀÌ ¿Ô³× º½¸ÂÀÌ°¡¼¼

ÇÑ´Þ µÎ´Þ ¼®´Þ Èê·¯ ÇÑÀý±â Áö³ª°¡¸é º½À̷μ¼

º½ÀÌ¿À¸é ÀÌ»êÀú»ê ²É³îÀÌ °¡¼¼ °¡¼¼ °¡¼¼ °¡¼¼ ¾î¼­°¡¼¼ º½¸ÂÀÌ °¡¼¼

¾Õµ¿»ê Áø´Þ·¡´Â ¼ÛÀÌ ¼ÛÀÌ ¹æ²ý ¿ô°í

µÞµ¿»ê ²Ò°í¸®´Â ¾Æ¸§´ä°Ô ³ë·¡ÇÏ°í

¾Æ³«³×µé °¡½¿¼Ó¿¡ »õ º½ÀÌ ¿Ô³×

ÇÑ´Þ µÎ´Þ ¼®´Þ Èê·¯ ÇÑÀý±â Áö³ª°¡¸é ¿©¸§Àϼ¼

¿©¸§¿À¸é ¹°³îÀÌ °¡¼¼ °í±âÀâÀÌ °¡¼¼ °¡¼¼ °¡¼¼ °¡¼¼ ¾î¼­°¡¼¼ °í±âÀâÀÌ °¡¼¼

µµ¶óÁö ²É ¾î¿©»Ú°Ô »ý±ß»ý±ß ¿ôÀ½ ¿ô°í

¹ú³ªºñµµ ÁÁ¾Æ¶ó ÃãÀ» Ãß°í º¸½½ºñ´Â ³ª¸®´Âµ¥ ´Ü²Þ¸¸ ²Ù³×

ÇÑ´Þ µÎ´Þ ¼®´Þ Èê·¯ ÇÑÀý±â Áö³ª°¡¸é °¡À»Àϼ¼

°¡À»¿À¸é ÀÌ»êÀü»ê ´Üdz³îÀÌ °¡¼¼ À¯Á¤ÇÑ Ä£±¸¹þ´Ô ´Üdz³îÀÌ °¡¼¼

ȲÆĸ¸°æ °í¿î¹°°á ³Ñ½Ç³Ñ½Ç ÆĵµÄ£´Ù

´Þ¹àÀº¹ã ¸ñµ¿µé¿¡ ÇǸ®¼Ò¸® ±¸¼ºÁö´Ù

ÇÑ´Þ µÎ´Þ ¼®´Þ Èê·¯ ÇÑÀý±â Áö³ª°¡¸é °Ü¿ïÀϼ¼

¾Æ~ ¾Æ~ ¾Æ~ ¿À~

¼ÛÀÌ ¼ÛÀÌ ¼ÛÀ̸¶´Ù ¹éÈ­Àϼ¼ ¸ðÁø ¹Ù¶÷ ´«¼­¸®¿¡ °Åħ¾ø´Â Àú¼ÛÁ×¾Æ

´«¼ÛÀÌ´Â ÀººûÀε¥ ³Ê´Â ¾îÀÌ Çª¸£´õ³Ä ³Ê´Â ¾îÀÌ Çª¸£´õ³Ä


(°£ÁÖ)


ÃáÇÏÃßµ¿ »ç½ÃÀý ¿ì¸®°­»ê ÁÁÀ»¾¾°í

ÃáÇÏÃßµ¿ »ç½ÃÀý ¿ì¸®°­»ê ÁÁÀ»¾¾°í ¾Æ ~¾Æ~

¾Æ~ ¿À~

 

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1989. 10. 5    5ÀÎ °¡¾ß±Ý ¿¬ÁÖȸ ¹ßÁ·

1990. 5. 2     Á¦1ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ ³²µµ¿¹¼úȸ°ü)

1991. 3. 26    Á¦2ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ ³²µµ¿¹¼úȸ°ü)

1992. 1. 1     ¡°±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´Ü¡±À¸·Î °³¸í

1992. 4. 30    Á¦3ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ ³²µµ¿¹¼úȸ°ü)

1992. 5. 1     ÀüÁÖ ÃÊû°ø¿¬ (ÀüÁÖ ¼Ò±ØÀå ¿¹·ç)

1993. 9. 9     ±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´Ü°ú Àεµ ÀüÅëÀ½¾ÇÀÇ ¸¸³² (±¤ÁÖ ¿¹À½È¦)

1993. 12. 20   Á¦4ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ ³²µµ¿¹¼úȸ°ü)

1994. 3. 15    ¡°È­¿ä±¹¾Ç¹«´ë¡±Ã⿬ (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

1994. 11. 13   Á¦5ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

1995. 11. 13   Á¦6ȸ ±¤ÁÖÀ½¾ÇÁ¦ ¡°±¹¾ÇÀÇ ¹ã¡±Ã⿬(±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

1995. 12. 13   Á¦6ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

1996. 3. 28    Á¦7ȸ Á¤±â¿¬ÁÖȸ (ÀüÁÖ ¿ìÁø¹®È­°ø°£)

1996. 4. 26    È²º´±â ÃÊû °¡¾ß±Ý¿¬ÁÖȸ (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

1997. 5. 9     Á¦8ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ ±ÝÈ£¹®È­È¸°ü)

1997. 12. 1    È¿»ê(°­ÅÂÈ«)±¹¾ÇÁ¦ Ã⿬ (ºÎ»ê ¹®È­È¸°ü)

1998. 7. 20    ±¤ÁÖ KBSÃÊû ¿¬ÁÖ³ìÈ­ (±¤ÁÖ KBS °ø°³È¦)

1999. 9. 1     Á¦9ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

1999. 9. 29    ¡°¿ì¸®¼Ò¸® ¿ì¸®°¡¶ô26¡±ÃÊû °ø¿¬ (ÀüÁÖ ¿ìÁø¹®È­°ø°£)

1999. 10. 3    ¡°³²µµ¼Ò¸® »ó¼³°ø¿¬¡±ÃÊû °ø¿¬¡´°¡À»°ú ÇöÀÇ ¸¸³²¡µ (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

2000. 9. 6     Á¦10ȸ Á¤±â¿¬ÁÖȸ¡´Ã¢´Ü 10Áֳ⠱â³ä¡µ (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

2000. 9. 29    Á¦69ȸ ±¤Áֽø³¹«¿ë´Ü Á¤±â°ø¿¬ ¡°°¡¾ß±Ý¡¤´í½º½ºÆ÷Ã÷ ±×¸®°í ¹ß·¹¡± (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ´ë±ØÀå)

2000. 11. 29   Á¦7ȸ Àü±¹ ±¹¾ÇÇÕÁÖ´Ü ÃàÁ¦(¸¶»ê MBCȦ)

2000. 12. 14   Á¦20ȸ ¼º¾Ö¼ø °¡¾ß±Ý µ¶ÁÖȸ Ã⿬ (¼­¿ï ±¹¸³±¹¾Ç¿ø ¿ì¸é´ç)

2001. 3. 15    ¡°°æºÏ´ë¡¤¿ï»ê´ë ±³·ùÇлý ȯ¿µÀÇ ¹ã¡± Ã⿬ (Àü³²´ë ¿¹¼ú´ëÇÐ ¿¬ÁÖȦ)

2001. 4. 8     ½ÅÃá ±¹¾Ç´ë°ø¿¬ Ã⿬ (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

2001. 9. 11    Á¦11ȸ Á¤±â¿¬ÁÖȸ (Àü³²´ë ¿¹¼ú´ëÇÐ ¿¬ÁÖȦ)

2002. 3. 14    Á¦139ȸ ±¹¸³±¹¾Ç¿ø ¸ñ¿ä»ó¼³ ¡°ÀþÀº°¨¼º ¿­¸°°ø°£¡± °ø¿¬ (¼­¿ï ±¹¸³±¹¾Ç¿ø ¿ì¸é´ç)

2002. 9. 10    Á¦12ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)

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THE GWANGJU GAYAGEUM ORCHESTRA CD IV

THE GAYAGEUM COLLECTION FOR THE FOLK SONG THEMES


The Programme



01. Baennore ¹î³ë·¡ for the 25 stringed Gayageum Concerto (First Performance)

        composer: Hwang Eui-jong, arranger: Gwak Jae-yeong

        25 stringed gayageum/ solo: Seong Ae-sun, I: Jeon Heui-lim, II: Yi Jeong-suk, II Kim Han-a, IV: Jo Seon-ok


02. 03. The Arirang Variations ¾Æ¸®¶û, ¹Ð¾ç¾Æ¸®¶û - Arirang, Miryang-arirang

        composer: Hwang Eui-jong

        18 stringed gayageum: Gang Hye-gyeong, 25 stringed gayageum: Jo Seon-ok


04. The Variations of the Theme of Hanobaengnyeon for the 25 stringed Gayageum (First Performance)

        composer: Kim Seon

        25 stringed gayageum/ I: Yi Jeong-suk & Hong Yun-jin, II: Kim Han-a & Gang Ji-min, III: Jo Seon-ok & Hong Hye-ju


05. Jindo-arirang Áøµµ¾Æ¸®¶û for the 25 stringed Gayageum Duet (First Performance)

        composer: Kim Mi-yeong

        25 stringed gayageum/ I: Jeon Heui-lim & Gang Ji-min, II: Yi Bu-yeong & Hong Hye-ju


06. Katyusha Ä«Ãò»þ for the 25 stringed Gayageum Trio (First Performance)

        composer: Kim Sam-gon

        25 stringed gayageum/ I: Song Young-ran, II: Kwon Da-hye, III: Yi Jeong-suk


07. Yieodosana À̾»ç³ª for the 25 stringed Gayageum Trio (First Performance)

        composer: Choi Jae-ryun

        25 stringed gayageum/ I: Yi Yeong-a, II: Kim Han-a, III: Seong Ji-eun


08. Sacheolga »çö°¡ (New folks song)

        gayageum byeongchang: Ha Seon-yeong & Jeong Ja-gyeong, janggo: Pak Si-yang

 

NOTES FOR THE PROGRAMME


1. Baennore ¹î³ë·¡ for the 25 stringed Gayageum Concerto (First Performance)

composer: Hwang Eui-jong, arranger: Gwak Jae-yeong


'Baennore' is a folk song originated from Gyeongsang provinces, and it consists of a gutgeori jangdan (rhythmic cycles) that gives an exciting mood. It was played as an instrumental version as a duet on the flute and the 25 stringed gayageum commissioned by the Gwangju Gayageum Ensemble for the 16th regular concert in 2004. This version is adapted as an ensemble performance for the 25 stringed gayageum.


The first movement starts with an introduction part that reminiscences wave-motions and then enters the gutgeori jangdan. It elevates the mood as if a conversation exchanges within the jangdan, then changes to the jajinmori jangdan. The end of this movement ends with four-beat metres with a light-hearted in a rapid tempo. The second movement starts with a jungmori jangdan on a solo gayageum in a slow tempo. It is developed into some variations within the danmori jangdan, and then returns to the original gutgeory jangdan.


2. The Arirang Variations ¾Æ¸®¶û, ¹Ð¾ç¾Æ¸®¶û - Arirang, Miryang-arirang

composer: Hwang Eui-jong


The folk song 'Arirang', one of the most popular and representative songs in Korea, has many regional repertories and variations, and one could understand its origin of each 'Arirang' from its names which are prefixed 'Arirang' with the particular regions, like Miryang-arirang from miryang area, Jindo-arirang from Jindo, Jeolla province. This piece of music is adapted to the variations of the stock melodies of Arirang and Miryang-arirang respectively whose jangdans are comprised of semachi to suit the duet performance of the 18 stringed and 25 stringed gayageums. It gives a different taste to the original melodies by adding a rich sound and a colourful harmony. It is executed by the expression of sentiment and simplicity regarding playing techniques of the 12 stringed gayageum.


The first movement presents the thematic melody of Arirang rendered by the 1st gayageum, and then is followed by a number of the variations. This section reaches its climax to the jangdans of eonmori and janjinmori which provide syncopated and driving rhythms. The second movement starts off the prelude featuring with the colourful broken chords. It is getting faster with varied sections and then finishes with the danmori jangdan shortly after the transposition followed by the semachi jangdan with a rapid tempo.


3. The Variations of the Theme of HanobaengnyeonÇÑ¿À¹é³â for the 25 stringed Gayageum (First Performance)

composer: Kim Seon


The characteristic of this folk song from Gangwon provinces possesses much the lamenting style or appealing one in mood, and it gives tasteful form rendered in sigimsae (the way of putting ornaments and vibrations) that expresses a profound feeling. Hanobaennyeon is a variation of the type of Arirang and embodies a typical sorrow feeling of this area.


This song is rendered on the accompaniment of the jungmori jangdan that is relatively slow in tempo and consists of a menari mode, or melody whose scale is built on three tones - mi, ra and do. Saseol (text) is constituted by a long type of phrasing which is carried by the refrain as such "... amuryeom geureochi geureotko malgo, hanobaengnyeon saljaneunde wen seonghwayo (means "... certainly... it [life] is so and so, of course, it is! Why bother with my asking that I want to live with you for a long time...)". This refrain give a feeling of very sadness and the title of the song - Hanobaengnyeon - derived from this refrain. In this CD it was arranged as trio that gives a rich feeling.


4. Jindo-arirang Áøµµ¾Æ¸®¶û for the 25 stringed Gayageum Duet (First Performance)

composer: Kim Mi-yeong


Jindo-arirang has been mostly well-known in the Jeolla province, and it is one of the most popular songs that anyone enables to sing its melody in that area. It is adapted to the gayageum melody expressing both a joyously atmosphere and a sad mood.


The first movement starts with a triplet metre as an introduction and then changes to the semachi jangdan. Within the jangdan it is developed into the conversational form that provides a full of fun. The second one also starts with a triplet metre and is executed in a bright mood, and the conversational style is following between the individual players. Its method gives a new atmosphere that highlights the music within the eonmori jangdan and then ends with its original melody in a slow tempo.


5. Katyusha Ä«Ãò»þ for the 25 stringed Gayageum Trio (First Performance)

composer: Kim Sam-gon


Katyusha is one of the most well known Russian folk songs, and the title refers to 'Russian villages' whose lyric starts with "Apple flowers and pear flowers are blossoming, Clouds are flowing down like streams..." This song was used to sing as a name of the military weapon as well as the military song during the World War II. As most Russian soldiers came from villages, its meaning contains "Let's guard our country remembering our Russia and our hometown - farming villages!" This tune had been used in an original track (OST) in the film - The Deer Hunter that Robert De Niro appeared in 1979. This CD is an adapted version of the trio.


6. Yieodosana À̾»ç³ª for the 25 stringed Gayageum Trio (First Performance)

composer: Choi Jae-ryun


This piece of music was originally composed for the 12 stringed gayageum ensemble commissioned by the Gwangju Gayageum Ensemble in 1993, and it was made to rearrangement for the ensemble version for the 25 stringed gayageum for the 16 regular performance in 2004.


It derives from a folk song from the Jeju island and consists of three parts that gives off a sea-salt smell as a whole. The first section followed by the prologue is called 'Odolddogi' that is the well-known tune in the region and comprises a gaily gutgeori jangdan; the second part in a tune of 'Yiyahong taryeong' develops into a free rhythm and a semachi jangdan; the third one, 'Yiyeodo sana' with the jajinmori jangdan is rendered with great fun. In the epilogue part, the main tunes of these three parts are played together toward the conclusion.


7. Sacheolga »çö°¡ (New folks song)

gayageum byeongchang: Ha Seon-yeong & Jeong Ja-gyeong, janggo: Pak Si-yang


Sacheolga depicts visually the four seasons of the beautiful landscapes of Korea, and in each season, its application to the adequate jangdans of jajinmori and eonmori are expressed with taste and pungnyu (literary means 'pung'=wind; 'nyu'=flowing, enjoying landscape and arts) and give excitement. It also well features a flying time and a transient life expressed in the melody of the gayageum.


The lyric of the music is as follows:


The spring has come, it has come in the landscape of the country

[refrain] Eheya dwiya... The spring has come

Eheya dwiya... The spring has come, let's greet it.

When some months flied and a season passed

The spring will come, and when the spring comes,

Let's go to mountains and to see flowers

Let's go and let us go, let's go to greet the spring

Azaleas in the front hills smile in bunches

Nightingales in the back hills sing beautifully

The new spring has come in the heart of women.


When months flied and the season passed

It is summer, and when it comes, let's go to fishing

Let's go and let us go, let's go to fishing

Bellflowers smile pretty

Butterflies also please to dance

As drizzle goes down, I dream a sweet dream


When months flied and the season passed

It is autumn, and when it comes,

let's go to see the glorious tints of its autumn foliage.

My dear friend with warm-hearted!

Let's go the majestic tints of the autumn mountains.


Rough waves and boundless, and gentle waves stretching over a ocean.

At night with a bright moon a piri sound of a shepard is tasty.

When months flied and the season passed

It will be winter, Ah... ah.... ah... oh...

In every bunch there is a white flower

Oh, pine and bamboo that are ruthless in a severe wind and snow forest!

As a snowflake is a silver colour, why you are green at all

Why are you green at all? [interlude]


Spring, summer, autumn and winter as four seasons

What a nice of our landscapes!

Spring, summer, autumn and winter as four seasons

What a nice of our landscapes!

Ah... ah... ah... oh...


PROFILE OF THE GWANGJU GAYAGEUM ENSEMBLE


5 October 1989 The first gayageum performance started with five players

2 May 1990    The 1st Regular Concert (at the Namdo Yesul Hall)

26 March      1991 The 2nd Regular Concert (at the Namdo Yesul Hall)

1 January      1992 Renamed it as The Gwangju Gayageum Ensemble

30 April        1992 The 3rd Regular Concert (at the Namdo Yesul Hall)

1 May 1992    Invited performance in Jeonju (at the Theater Hall "Yeru")

9 September 1993      The Gwangju Gayageum Orchestra and Indian Classical Music Meet (at the Yeeum Hall, Gwangju)

20 December 1993     The 4th Regular Concert (at the Namdo Yesul Hall)

15 March 1994 Appears in "Tuesday Gugak Stage" (at the Small Hall, Gwangju Culture & Art Centre)

13 November 1994     The 5th Regular Concert (at the Small Hall, Gwangju Culture & Art Centre)

13 November 1995     Joins in the 6th Gwangju Music Festival "A Night of Traditional Music" (at the Small Hall, Gwangju Culture & Art Centre)

13 December 1995     The 6th Regular Concert (at the Small Hall, Gwangju Culture & Art Centre)

28 March 1996 The 7th Regular Concert (at the Wujin Cultural Space, Jeonju)

26 April 1996  joins in the Hwang Byeong-gi Gayageum Invitation Concert (at the Small Hall, Gwangju Culture & Art Centre)

9 May 1997     The 8th Regular Concert (at the Geumho Cultural Centre)

1 December 1997      Joins in the Gang Tae-hong(Hyosan) Gugak Festival (at the Busan Cultural Centre)

20 July 1998   Recording session invited by the Gwangju KBS (at the KBS Open Hall)

1 September 1999      The 9th Regular Concert (at the Small Hall, Gwangju Culture & Art Centre)

29 September 1999     Invited performance for "Korean traditional song and music 26" (at the Wujin Cultural Space, Jeonju)

3 October 1999        Invited performance for "Namdosori Regular Concert" - "The Autumn and string instruments meet" (at the Small Hall, Gwangju Culture & Art Centre)

6 September 2000      The 10 Regular Concert for the 10th anniversary celebration of the Gwangju Gayageum Orchestra (at the Small Hall, Gwangju Culture & Art Centre)

29 September 2000     Joins in the 69th Regular Performance for the Gwangju Sirip Dance Company "Gayageum, dancing sports & ballet" (at the Small Hall, Gwangju Culture & Art Centre)

29 November 2000     Joins in the 7th All Nation Gugak Ensemble Festival (at the Masan MBC Hall)

14 December 2000     Joins in the 20th Seong Ae-sun Gayageum Recital (at the Gungnipgugakwon Wumyeondang)

15 March 2001  Joins in "A Night of welcoming the student interchange between Gyeongbuk and Ulsan Universities" (at the Concert Hall, Art College of Jeonnam University)

8 April 2001   Joins in the Great Concert for Shinchun Gugak (at the Small Hall, Gwangju Culture & Art Centre)

11 September 2001     The 11th Regular Concert (at the Concert Hall, Art College of Jeonnam University)

14 March 2002  Joins in the Gungnipgugkawon Regular Thursday's Performance "Youthful sensitivity & open space" (at the Gungnipgugakwon Wumyeondang)



10 September 2002     The 12th Regular Concert (at the Small Hall, Gwangju Culture & Art Centre)

12 October 2002       Invited Concert in Haenam (at the Haenam Culture and Art Centre)

23 November 2002     Release the CD for the 10th Gwangju Gayageum Orchestra anniversary

27 November 2002     Concert under the stage work support for the 13th Regular Concert in 2002 (at the Small Hall, Gwangju Culture & Art Centre)

27-28 Dec. 2002      Invited concert in Jeonju (at the Jeonju Traditional Cultural Centre)

23 March 2003  The 14th Regular Concert (at the Small Hall, Gwangju Culture & Art Centre)

12-13 April 2003      Invited concert in Jeonju (at the Jeonju Traditional Cultural Centre)

28 May 2003  Invited concert for the Namdo Regular Concert (at the Small Hall, Gwangju Culture & Art Centre)

9 July 2003    Invited concert for the Namwon Gungnipminsok Gugakwon (at Gungnipminsok Gugakwon)

20 September 2003     Release the second CD for the Gwangju Gayageum Orchestra

28 September 2003     Concert under the stage work support for the 15th Regular Concert in 2003 (at the Small Hall, Gwangju Culture & Art Centre)

27 December 2003     Joins in the Jeonju MBC "A night of the old year out" (at the Jeonju MBC Hall)

13 March 2004  Concert under the stage work support for the 16th Regular Concert in 2004 (at the Small Hall, Gwangju Culture & Art Centre)

27 March 2004  Invited concert for the Entrance Ceremony of the Science Education Centre for Genius, Jeonnam University (at the Yongbong Hall, Jeonnam University)

24 April 2004  Invited concert for the Bitgoeul Gugak Training Centre (at the Bitgoeul Gugak Training Centre)

4 May 2004    Performing the whole cycle of the Choi Ok-sam ryu Gayageum Sanjo invited for the Jangheung Culture & Art Centre opening ceremony (at the Concert Hall of Jangheung Culture & Art Centre)

29 May 2004  Joins in the 2004 National Life Sports Ceremony "Simin Hanmadang" (at the Gwangju World-cup Stadium Event Hall)

7 September 2004      Releasing the third CD by the Gwangju Gayageum Ensemble

12 September 2004     The 17th Regular Concert "In Memory of the 10th Anniversary for Hamdong Jeong-wol" (at the Small Hall, Gwangju Culture & Art Centre)

15 September 2004     Joins in the 12th "Im Bang-ul Gugak Festival" Eve celebration (at the Small Hall, Gwangju Culture & Art Centre)

6 October 2004        Invited performance for the 2004 Gugak Festival "Jongheingmujin Wuriumak" (at the Mary Hall, Seogang University)

6 December 2004      Invited performance for the Daegue Munhwa Yesul Conference (at the Main Hall, Gyeongbuk University, Daegu)

26 December 2004     Awarded for the KBS Gugak Grand Prix (for the ensemble part)

17 March 2005  Invited performance for the 18th Regular Concert of Bitgoeul Gugak Jeonsugwan (Bitgoeul Gugak Jeonsugwan, Gwangju)

20 March 2005  Joins in the 2005 National Life Sports Ceremony " (at the Gwangyang Special Stage)

29 June 2005  Appeared in the Jeonju MBC Programme "Eolssu"

2 September 2005      The 19th Regular Concert "A Night for the Gayageum Concerto" (at the Concert Hall, Jeonnam University)

24 September 2005     Joined in the 2005 Gugak Festival (Main Hall, Jeonnam University)

6 November 2005      The 100th Anniversary of the Choi Ok-sam's birth (Concert Hall, Jeonnam University)

6 April 2006   Invited performance for the 11th International Seminar of Special Education for the Gifted in Mathematics (Concert Hall, Jeonnam University)

15 May 2006  Invited performance for the 20th Regular Concert of Bitgoeul Gugak Jeonsugwan entitled as "Sanjo... Folk Song, and Film Music" (Bitgoeul Gugak Jeonsugwan, Gwangju)

13 September 2006     The 21st Regular Concert, 'Regular Stages for Namdo Sori' (Small Theatre, Munhwa Yesul Hall, Gwangju)

7 October 2006        Joined in the Gwangju MBC 'Heuimang Daesang' (Open Hall, Gwangju MBC)

5 November 2006      'The whole cycle of the Choi Ok-sam ryu Gayageum Sanjo' - The Society of the Choi Ok-sam ryu Gayageum Sanjo Preservation (Concert Hall, Jeonnam University)


MEMBERS OF THE GWANGJU GAYAGEUM ENSEMBLE


Seong Ae-sun  Leader, Professor of Art College, Jeonnam University, Gained diploma for the Choi Ok-sam Gayageum Sanjo, Muhyeongmunhwajae no. 23

Yi Yeong-a Prime      player, leader of Jeonnam Dorip Gugakdan

Kim gyeong-heui       Second leader of Gwangju Sirip Gukgeukdan

Jeong Hyeon-suk       Part-time lecturer of Jeju Tourist College & Honam Theology College

Kim Mi-gyeong        Ex-part time lecturer of Gwangju Senior Art School

Jeong Yun-hae  Regular member of Jeonnam Dorip Gugak Gwanhyeonakdan

Song Yeong-nan        Regular leader of Gwagnju Sirip Gugak Gwanhyeonakdan Choi Jin Part-time lecturer of Chung'ang and Ehwa Women's University

Yi Yun-jeong   Part-time lecturer of Jeonnam University

Gwon Da-hye  Regular member of Gwangju Sirip Gugak Gwanhyeonakdan

Yi Seon-heui   Ex-part time lecturer of Jeonnam University

Jeong Hyeon-jeong     Regular member of Yeosu Sirip Gugakdan

Choi Yeong-ju  Graduate from Jeonnam Graduation University

Gang hye-gyeong      Part-time lecturer of both Gwnagju & Jeonju Educational Colleges & Jeonnam University

Jeon Heui-rim  Part-time lecturer Gwangju Gineung University, Supia Girls' Middle School & Jung'ang Girls' Middle School

Yi Ji-seon     Graduated from the postgraduate course at Jeonnam University, lecturer at Sangmo Elementary School

Jo Seon-ok    Regular member of Jeonju Sirip Gugakdan, part-time lecturer of Chodang University

Ha Seon-yeong        Part-time lecturer of Won'gwang, Wuseok, Gwangju Educational Universities, Gwangju Senior Art School & Jeonju Senior Art School, Hanguk Jeontongmunhwa Senior School

Yi Jeong-suk   Regular member of Gwangju Sirip Gugak Gwanhyeonakdan, instructor of Bitgoeul Gugakjeonsugwan

Kim Eun-jeong  leader of Suyeon Gayageum Ensemble, Part-time lecturer of Ulsan Senior Art School & Gyeongbuk Senior Art School

Chu Jeong-hyeon       Teacher of Unnam Senior School

Yi Bu-yeong   Graduated from the Postgraduate Course at Jeonnam University, instructor of Chungbuk Arts Senior School and Jeonju Arts Senior School

Hong Yun-jin  Studying for the Postgraduate Course at Jeonnam University, member of the Changjak Gugakdan "Dodeuri"

Kim Mi-jeong  Teaching Korean music in Yeosu

Kim Han-a     Manager, member of Gwangju Sirip Gugak Gwanhyeonakdan

Yu Chang-o    Graduated from the Postgraduate Course at Hanyang University

Seong Ji-eun   Teaching Korean music in Yeosu, member of the Changjak Gugakdan "Dodeuri"

Gang Ji-min   Graduated from the Postgraduate Course at Jeonnam University, teaching Korean music in Suncheon

Jeong Ja-gyeong       Gained the MA at Jeonnam University

Hong Hye-ju   Graduated from the Postgraduate Course at Jeonnam University

Pak Min-gyeong       Studying at Gugak Educational Postgraduate, Yong'in University

Yi Bo-mi      Studying the MA Course at Jeonnam University

Yim Su-heui   Studying at Educational Postgraduate, Joseon University


The profile of composers and arrangers


Hwang Eui-jong

Professor of Korean Traditional Music of Arts College, Busan University 


Choi Jae-ryun

Professor of Korean Traditional Music of Arts College, Jeonnam University


Kim Sa-gon

Professor of Music of Arts College, Seohae University 


Kim Mi-yeong

Professor of Korean Traditional Arts, Myeongsin University


Kim Seon

Resident composer and conductor of the Namwon Gugak Sirip Company 


Gwak Jae-yeong

Member of the Seoul Gugak Orchestra


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