ȸ¿ø°¡ÀÔ ºñ¹Ð¹øȣã±â

 ¡¤ Å¾¿¹¼ú±âȹÀ½¹Ý/TOPCD
 ¡¤ ÃßõÀ½¹Ý/Á¤Ã¢°ü½Ã¸®Áî
 ¡¤ °ü·ÃÀ½¹Ý
 ¡¤ °íÀ½¹Ý/SP LP MC CD

   °í°´¹®ÀÇ
   Å¾ À̾߱⠹æ
   ÀÚ·á½Ç
±¹¾ÇÀ½¹Ý¹Ú¹°°ü
±¹¸³±¹¾Ç¿ø
±¹¾Ç¹æ¼Û
ÇѼҸ®±¹¾Ç¿ø
Ȩ > ž¿¹¼ú±âȹÀ½¹Ý/TOPCD
  ž¿¹¼ú±âȹÀ½¹Ý/TOPCD | ÃßõÀ½¹Ý/Á¤Ã¢°ü½Ã¸®Áî | °ü·ÃÀ½¹Ý | °íÀ½¹Ý/SP LP MC CD
 


 
[ÀÌÀü] ÇÑ°©µæ·ùÀÇ ¸Ú ¾ç½Â°æ °Å¹®°í»êÁ¶ Àü ¹ÙÅÁ °ø¿¬½ÇȲ á´ò±ëå    [´ÙÀ½] ±èÈñÁ¤ÀÇ °¡¾ß±Ý »ö±ò

µé¾îº¸±â


¼ÛÈ­ÀÚ °¡¾ß±Ý II
 ¤ý ¾ÆƼ½ºÆ®: ¼ÛÈ­ÀÚ
 ¤ý À½¹Ý»ç : ¿¹¼ú±âȹ ž
 ¤ý À½¹Ý¹øÈ£: TOPCD-079
 ¤ý ¹ß¸ÅÀÏ: Manufactured by HWAEUM. 2004.7. Seoul, Korea
 ¤ý ³ìÀ½: 2004.6.23 ÈƽºÆ©µð¿À, 2004.5.25 ±¹¸³±¹¾Ç¿ø ¿ì¸é´ç °ø¿¬½ÇȲ
 ¤ý µð·ºÅÍ: ¾çÁ¤È¯ (À½Á¦1442È£)/ ¨Ü&¨Ï: Yang Jeong-hwan, www.gugakcd.com
 ¤ý ºñ°í:
 ¤ý ÆǸŰ¡°Ý : ¿ø
 ¤ý ¼ö ·® : °³
¹Ù·Î ±¸¸Å Àå¹Ù±¸´Ï¿¡ ´ã±â »óÇ°º¸°ü Ãßõ¸ÞÀÏ


  »óÇ°¼³¸í»ç¿ëÈıâ | »óÇ°¹®ÀÇ | ¹è¼Û/±³È¯/¹ÝÇ° | °ü·Ã»óÇ° 
¡Ü ÀÌ À½¹Ý¿¡ ¼ö·ÏµÈ ³»¿ëÀÇ ÀüºÎ ¶Ç´Â ÀϺθ¦ ¹«´Ü º¹»ç¡¤º¹Á¦ »ç¿ëÇÏ´Â °ÍÀº ¹ý·ü·Î ±ÝÁöµÇ¾î ÀÖ½À´Ï´Ù.
TOPCD-079
 
¼ÛÈ­ÀÚ °¡¾ß±Ý II SONG HWA-JA GAYAGEUM II
1. ¹Ù¶÷¡¤°­ 11:55 Baram and Gang (¡°The Wind and the River")
ÀÛ°î / ÀÌÁØÈ£ composed by Yi Jun-ho
2. ¼¼¼®(á¬à´)ÀÇ Á¤°æ(ï×ÌØ) <À§ÃË ÀÛÇ°> 14:03 Seseogui Jeonggyeong (¡°The Scenery of the Elaborate Stone") - the first performance in 2004
ÀÛ°î / ¹é¼º±â, À屸 / Á¶¿ë¾È composed by Baik Seong-gi, janggu: Jo Yong-an + ±èº´È£×µ °¡¾ß±Ý»êÁ¶ The Kim Byeong-ho Ryu gayageum Sanjo À屸 / ±èû¸¸ janggu: Kim Cheong-man
3. Áø¾çÁ¶ Jinyangjo 16:44
4. Á߸𸮠Jungmori 05:16
5. ÁßÁ߸𸮠Jungjungmori 01:15
6. ¾ù¸ð¸® Eotmori 01:07
7. ÀÚÁø¸ð¸® Jajinmori 03:37
8. Èָ𸮠Hwimori 02:32
9. ´Ü¸ð¸® Danmori 02:56
¡Ü °î ¸ñ ÇØ ¼³
1. ¹Ù¶÷¡¤°­
´Ü¼±À²ÀûÀÎ ¼º°Ý¿¡¼­ ¹þ¾î³ª ¿ì¸® À½¾Ç¿¡¼­ ÀϹÝÀûÀ¸·Î ¾²¿©ÁöÁö ¾ÊÀº È­¼º¿Í °ÁîÀûÀÎ ¿ä¼Ò¸¦ È¥ÇÕÇÔÀ¸·Î½á À½»öÀ» ´Ù¸£°Ô È°¿ëÇÏ¿´´Ù. Å׸¶¿Í ¸á·Îµð¸¦ ÁÖ°í¹Þ´Â Çü½Ä, ±×¸®°í È­¼ºÀ» ÀÌ¿ëÇÑ ºü¸¥ Å×Å©´ÐÀ» ¸¶Ä¡ ¼ødzÀ» Ç×ÇØÇÏµí ¼±À²°ú ¸®µëÀÌ ¾î¿ì·¯Áø ÀÛÇ°ÀÌ´Ù.
2. ¼¼¼®(á¬à´)ÀÇ Á¤°æ(ï×ÌØ)
Áö¸®»ê 10°æ¿¡ ¼ÓÇÏ´Â ¼¼¼® öÂßÀº ¸Å³â 5¿ù¸»¿¡¼­ 6¿ùÃÊ¿¡ °ÉÃÄ ¼ö½Ê¸¸ ÆòÀÇ ±¤´ëÇÑ ¼¼¼®°í¿ø Àϴ븦 ¿¬ºÐÈ«ºûÀ¸·Î °ö°Ô ¹°µéÀδÙ. ¸·¹ÙÁö º½³¯¿¡ Á¢¾îµç ½Ã±â ¼ö½Ê¸¸ ±×·ç¸¦ Çì¾Æ¸®´Â öÂßÀº °áÄÚ »Ë³»°Å³ª È£»ç½º·´Áö ¾Ê°Ô ½Ã¾ß¸¦ °¡µæ ¸Þ¿ì°í ²æµéÀº ÇÑ°¡·ÎÀÌ ¸ñûÀ» µ¸±¸¾î, °í¿ø ƯÀ¯ÀÇ Á¤°æÀÌ ³¶¸¸ÀûÀÌ°í ¸ñ°¡ÀûÀÌ´Ù. ½ÃÀÎ ±è¼®(ÑÑà±)Àº ¡°¼¼¼® °è°î °¡µæÈ÷ ÇǾî Àִ öÂß²É, ±× »çÀÌ»çÀÌ·Î ¿ï°í ÀÖ´Â »µ²Ú»õ ¼Ò¸®, ÈÆdzÀÌ ²É »çÀÌ·Î Áö³¯ ¶§¸¶´Ù ²ÉµéÀÇ È¯»óÀûÀÌ°í È­»çÇÑ Èçµé¸², ±×°ÍÀº ³²ÂÊ ³ª¶ó ´«¸Å °í¿î ó³àµéÀÇ ¿Ï¼÷ÇÑ ²ÞÀÇ ÀÜÄ¡¡±¶ó°í ÀÌ°÷ÀÇ Ã¶ÂßÀ» ³ë·¡Çϱ⵵ Çß´Ù. ÀÌ °îÀº ¸ðµÎ 6ÀåÀ¸·Î µÇ¾î °¢±â ¼­·Î ´Ù¸¥ Àå´Ü°ú ºÐÀ§±â·Î ¼¼¼®(á¬à´)ÀÇ Á¤°æ(ï×ÌØ)À» ¹¦»çÇØ º¸¾Ò´Ù.
3~9. ±èº´È£×µ °¡¾ß±Ý»êÁ¶
±èº´È£·ù °¡¾ß±Ý »êÁ¶´Â ³óÇö°ú »õ±è»õ ±×¸®°í Àå´Ü¿¡ À־ ÂüÀ¸·Î µ¶Æ¯ÇÑ Á¡ÀÌ ¸¹Àº »êÁ¶ÀÌ´Ù. ³óÇö¿¡ À־´Â 3µµ¡¤4µµÀÇ ±íÀº À½ÆøÀ» ¿ä±¸ÇÏ°í ÀÖÀ¸¸ç °ã´Ù·çÄ¡±â ±â¹ý°ú ¿©À½ 󸮿¡¼­ ÀÌ·ç¾îÁö´Â ¹ÌºÐÀ½ÀÇ À½»öÀº »ö´Ù¸¥ ¸ÚÀ» ²ø¾î³»°í ÀÖ´Ù. Àå´Ü¿¡ À־´Â Áø¾çÁ¶ÀÇ 2ºÐ¹Ú(Çì¹Ì¿Ã¶ó) Á߸ð¸®ÀÇ 3ºÐ¹Ú(À×¾î°ÉÀÌ)°¡ ¸Å¿ì ƯÀÌÇÏ¸ç »êÁ¶¿¡ À־´Â º¸±â µå¹® ¾ù¸ð¸®¸¦ °®°í ÀÖ¾î Àå´ÜÀÇ º¯È­°¡ ±èº´È£·ù¸¸ÀÇ Æ¯Â¡À» °®°Ô ÇÑ´Ù. ¶ÇÇÑ ÀüÇüÀûÀÎ ÆǼҸ® ¸®µëÀ¸·Î ¸¸µé¾îÁ® ÀÖ¾î ±× ¸ÀÀ» Á¦´ë·Î Ç¥ÇöÇϱâ´Â ¸¹Àº ÈƷðú °ø·ÂÀÌ ¿ä±¸µÇ´Â »êÁ¶(ߤðà)·Î Áø¾çÁ¶, Á߸ð¸®, ÁßÁ߸ð¸®, ¾ù¸ð¸®, ÀÚÁø¸ð¸®, ÈÖ¸ð¸®, ´Ü¸ð¸®·Î ±¸¼ºµÇ¾î ÀÖ´Ù.
¡Ü ¿¬ÁÖÀÚ ÇÁ·ÎÇÊ
¼ÛÈ­ÀÚ / °¡¾ß±Ý
- ±¹¸³±¹¾Ç°íµîÇб³ Á¹¾÷(1977)
- Ã߰迹¼ú´ëÇб³ Á¹¾÷(1982)
- ÇѾç´ëÇб³ ´ëÇпø Á¹¾÷(1986)
- Àü±¹ °íµîÇб³ ±¹¾Ç°æ¿¬´ëȸ 1µî»ó ¼ö»ó(1975 ¼öµµ¿©»ç´ë ÁÖÃÖ)
- Ã߰迹´ë ±¹¾Ç°ú Á¤±â¿¬ÁÖȸ °¡¾ß±Ýµ¶ÁÖ Ã⿬(1980)
- Àü±¹±¹¾Ç°æ¿¬´ëȸ 2µî»ó ¼ö»ó(1982 ±¹¸³±¹¾Ç¿ø ÁÖÃÖ)
- Àü±¹±¹¾Ç°ú ½ÅÀÎÀ½¾Çȸ Ã⿬(1982)
- Á¦7ȸ ¼ÛÈ­ÀÚ °¡¾ß±Ýµ¶ÁÖȸ
- ¿ì¸¤ÀÇ ´Þ ±â³ä °¡¾ß±Ý»êÁ¶ÀÇ ¹ã Ã⿬(±¹¸³¹Î¼Ó±¹¾Ç¿ø)
- KBS±¹¾Ç°üÇö¾Ç´Ü Çù¿¬(1989³â ³²¿øKBS°ø°³È¦)
- ³²¿ø½Ã¸³±¹¾Ç¿ø ±Ù¹«(1983-1990)
- ºÎ»ê´ëÇб³ Ãâ°­(1994-1997)
- ÀüÁÖ±³À°´ëÇб³ Ãâ°­(1987-1999)
- ³²¿ø¹Î¼Ó±¹¾ÇÁøÈïȸ ÀÌ»ç, ±¹¾ÇÇùȸ ÀÌ»ç, ³²¿ø½Ã¸³±¹¾Ç¿ø ÀÚ¹®À§¿ø
- Àü±¹±¹¾Ç°æ¿¬´ëȸ ¹®È­Ã¼À°ºÎÀå°ü»ó ¼ö»ó(1996)
- Çѱ¹À½¾Ç¹ßÀü¿¬±¸¿ø â´Üȸ¿ø ¹× CDÀ½¹Ý ³ìÀ½(1995-1997)
- Àü±¹°¡¾ß±Ý°æ¿¬´ëȸ ´ëÅë·É»ó ¼ö»ó(¿ì¸¤Á¦, 1999)
- ¼ÛÈ­ÀÚ°¡¾ß±Ý CD Ãâ¹Ý(1999)
- ÀüÁֽø³¿¹¼ú´Ü Çù¿¬ 3ȸ(2000, 2001, 2003)
- 2003 ÇÑ¡¤³×¡¤¿µ ¹®È­±³·ù Çѱ¹ÀÇ Â÷¿Í ¾î¿ï¸² ¼øȸ°ø¿¬
- KBS³²¿ø¹æ¼Û±¹ ¶óµð¿Àdz·ù¸¶À» ÁøÇà(1990~ÇöÀç)
- ¿ì¼®´ë, ¿µ³²´ë, ³²¿øÁ¤º¸±¹¾Ç°í Ãâ°­
- »ç»ç / ¹ÚÁ¤·Ê ±èÁ¤¼÷ ÃÖÃæ¿õ À±¹Ì¿ë ÀÌÈ¿ºÐ °­¹®µæ ±èÇؼ÷ ¾ç¿¬¼· ±èÁ×ÆÄ
ÀÌÁØÈ£ / ÀÛ°î
- °æ±âµµ¸³±¹¾Ç´Ü ¿¹¼ú°¨µ¶
- ±¹¾Ç½Ç³»¾Ç´Ü ½½±âµÕ ´ëÇ¥
¹é¼º±â / ÀÛ°î
- ÀüÁÖ ¿ì¼®´ëÇб³ ±¹¾Ç°ú ±³¼ö
±èû¸¸ / À屸
- Á߿乫Çü¹®È­Àç Á¦5È£ ÆǼҸ® °í¹ý º¸À¯ÀÚ
- ¼ö¿ø´ë Çѱ¹À½¾Ç°ú °âÀÓ±³¼ö
- (»ç) »õ¿ïÀüÅ럾ÇÁøÈïȸ ÀÌ»çÀå
- ±¹¸³±¹¾Ç¿ø ¹Î¼Ó´Ü ÁöµµÀ§¿ø
Á¶¿ë¾È / À屸
- 1996 Àü±¹°í¼ö´ëȸ ´ëÅë·É»ó ¼ö»ó
- Çö, ÀüºÏµµ¸³±¹¾Ç°üÇö¾Ç´Ü ºÎ´ÜÀå
- »õŸ¾Ç ¿ï¸²È¸ ¡®Ãµ»ç¼Ò¸®¡¯ ´ëÇ¥
- ¸ñ¿ø´ë, ¿ì¼®´ë, ÀüÅ빮ȭ°í Ãâ°­
¡Ü NOTES FOR THE PROGRAMME
1. Baram and Gang ¹Ù¶÷¡¤°­ (¡°The Wind and the River)
The composer made the best of a timbre differently in this piece of music by deviating from a monodic trait, and then synchronising it with a harmony and jazz elements that have largely not been used in Korean music. This music is a work that is well synthesised with the melody and the rhythm, as if it sails with the wind, adding to the form of alternating between the themes and the melodies, and the rapid technique that the harmony is used.
2. Seseogui Jeonggyeong ¼¼¼®(á¬à´)ÀÇ Á¤°æ(ï×ÌØ)
(¡°The Pathetic Scene of the Elaborate Stone)
The Seseok Cheoljjuk (royal azalea) is regarded as one of the best ten sceneries of the Jiri Mountains. It tinges the scene with a light pink colour surrounding a huge of the Seseok Plateau across several million? acres in blossoming around at the end of May to the early of June annually. The royal azaleas that count a number of million? roots on the verge of the late Spring time do not take pride in their splendor. They are filled in a full of sight, and pheasants are making sounds in peace. This particular scene of the plateau looks romantic and pastoral. Kim Seok, the poet, sang the rose azalea of this area as follows:
The royal azaleas which fully blossomed in the Seseok glens,
The sound of cuckoos who are crying between the rose azaleas
Whenever a mild wind passes in between the flowers,
They look fantastic and their swaying looks splendid,
And this is a feast of a mature dream for maidens
who have beautiful eyes coming from the country of the South.
This consists of a total of six sections and portrays with different jangdans (rhythmic cycle) and different atmospheres of the scenery of the Seseok.
3~9. The Kim Byeong-ho Ryu Gayageum Sanjo
The Kim Byeong-ho Ryu Gayageum Sanjo is a master piece of music that truly has many aspects of its uniqueness in relation to its nonghyeon (various hand movements and vibrations), sigimsae (ornamentations) and jangdan. In nonghyeon, it is required to execute a deep amplitude of the 3rd and 4th intervals. The timbre of microtones leads its sound to a peculiar flavour that is achieved by the geopdaruchigi (double plucking) technique and the skillfulness of rendering yeouem (echoing effect).
In terms of jangdan, the duple beat division (like a hemiola) in jinyangjo (the slowest) and the triple beat division (called ?ngeogeori) in jungmori are framed in an unusual way, and eotmori whose jangdan is rare in its use of other sanjo musics gives Kim Byeong-ho ryu a unique status in terms of a device of varying the jangdan. Furthermore his version is made up with a typical pansori (epic song with one vocalist and a drum player) deoneum, and this feature demands players for a considerable period of training and efforts in order to express its taste of the music.
It? jangdan consists of a variety of rhythms and speeds in order from the slowest to the fastest: jinyangjo - jungmori - jungjungmori - eotmori - jajinmori - hwimori and danmori.
¡Ü PROFILE OF THE PERFORMERS
Song Hwa-ja (gayageum)
She studied the gayageum at Gungnipgugak Senior School(1974-1977). In 1975 she won the first prize at the competition of All Senior School for Korean Traditional Music. Then she studied the subject as a B.M. at Chugye Arts College (1978-1982). At the college she appeared in the concert sponsored by the college ensemble as a solo gayageum player. In 1982 she won the Second Prize at the Competition for All Korean Music and made her debut with others. Since then she won several prizes at the competitions. She received the M.A. degree at Hanyang University (1986). She made several public appearances joining in various ensembles such as for the Night of Gayageum Sanjo for memory of Wureuk, the first composer for a gayageum sponsored by Gungnip Minsok Gugakwon. She joined in the KBS Gugak Orchestra, at the Namwon KBS Open Hall in 1989 as a soloist. She has so far had her own recitals seven times.
Then she moved her base to Namwon, famous for Nam-do (southern province) music. She took part in the Jeonju City Art Company for three times in 2000, 2001 and 2003. In 2003, she made a tour under the title of ?orean Music with Korean Tea as a cultural exchange between Korea, Netherlands and Britain. She has been charge of running ?ungnyu Mauel at the KBS Namwon Radio Service since 1990. She was a member of Namwon City Ensemble for Korean Music (1983-1990) as well as a teacher at Busan University (1994-77) and Jeonju Educational University (1987-1999). Currently she is a Committee Member of Korean Traditional Music and an Executive of Namwon Folk Music Promotion and a Councillor of Namwon City Gugakwon.
She released several CDs at Research Institute for Korean Traditional Music (1995-1997) and gayageum solo performance in 1999. She also teaches at several universities such as Wuseok, Yeongnam and Namwon Jeongbo Gugak Senior School. She studied the gayageum with a number of teachers such as Park Jeong-nye, Kim Jeong-suk, Choi Chung-ung, Yung Mi-yong, Yi Hyo-bun, Kang Mun-duek, Kim Hae-suk, Yang Yeon-seop and Kim Juk-pa.

Kim Cheong-man (janggu)
He is the art holder of the drum style for pansori designated for ?he Important Intangible Cultural Asset No. 5. He is currently an additional professor at Suwon University. He teaches the drum to the members of folk musicians at Gungnipgugakwon. He is also a member of Committee of Korean Traditional Art Promotion. Jo Yong-an (janggu)
He won the President Prize at the All Drum Competition in 1996. He is currently a vice leader for Jeonbuk Dorip Gugak Orchestra. He is also running Saetaak Ulimhoi - ?heongji Sori. He is teaching the instrument at Mogwon and Wuseok Universities as well as Jeontongmunhwa Senior School.

  »ç¿ëÈıâ
À§ »óÇ°À» »ç¿ëÇغ¸¼Ì´Ù¸é »ç¿ë¼Ò°¨À» ½á ÁÖ¼¼¿ä!  

  »óÇ°¹®ÀÇ 
À§ »óÇ°¿¡ ´ëÇÑ ±Ã±ÝÇÑ »çÇ×ÀÌ ÀÖÀ¸½Å ºÐÀº Áú¹®ÇØ ÁÖ¼¼¿ä!  

  ¹è¼Û/±³È¯/¹ÝÇ° 

  °ü·Ã»óÇ°
¼ÛÈ­ÀÚ °¡¾ß±Ý -½ÇȲ-
 µé¾îº¸±â
13,000¿ø
     

 
 
ȸ»ç¼Ò°³ | ¼­ºñ½º ÀÌ¿ë¾à°ü | °³ÀÎÁ¤º¸ º¸È£Á¤Ã¥
10118 °æ±âµµ ±èÆ÷½Ã ½Â°¡·Î 89, 102-301(dz¹«µ¿, À帪¸¶À»»ï¼º½¦¸£ºô)
ÀüÈ­: 031-984-5825. 010-3758-5845 / Æѽº: ¸ÞÀÏÁÖ¼Ò: topcd21@hanmail.net
»ç¾÷ÀÚµî·Ï¹øÈ£: 114-04-50660 ´ëÇ¥ ¾çȯÁ¤ / Åë½ÅÆǸž÷½Å°í: Á¦2006-234È£
¿î¿µÀÚ: ž¿¹¼ú±âȹ (topcd@dreamwiz.com) °³ÀÎÁ¤º¸°ü¸®Ã¥ÀÓÀÚ: ¾çÁ¤È¯(ȯÁ¤)

Copyright © 2005 ž¿¹¼ú±âȹ. All Rights Reserved.