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ÃÖ¹®Áø °¡¾ß±Ý Á¤¾Ç III À̸® ÇâÁ¦ ÁÙdz·ù
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TOPCD-062
 
ÃÖ¹®Áø °¡¾ß±Ý Á¤¾Ç III À̸® ÇâÁ¦ ÁÙdz·ù(Á߿乫Çü¹®È­Àç Á¦83-³ªÈ£)
CHOI MOON-JIN GAYAGEUM JEONG'AK III Iri Hyangje Julpungnyu - the whole cycle of Iri Hyangje Julpungnyu -
¡á º»Ç³·ù- BonPungnyu (the main part of Julpungnyu)
1 ´Ù½º¸§ Daseureum 01:01
2 º»·É»ê Bolryeongsan 14:38
3 Áß·É»ê Jungryeongsan 12:30
4 ¼¼·É»ê Seryeongsan 05:09
5 °¡¶ôÁ¦Áö Garakjeji 02:25
6 »óÇöȯÀÔ Sanghyeonhwanip 02:36
7 ¼¼È¯ÀÔ Sehwanip 07:07
8 ÇÏÇöȯÀÔ Hahyeonhwanip 02:34
9 ¿°ºÒȯÀÔ Yeombulhwanip 04:03
10 Ÿ·É Taryeong 03:00
11 ±º¾Ç Gunak 03:22
 
¡á µÞdz·ù - DwiPungnyu (concluding part)
12 °è¸éȯÀÔ Gyemyeonhwanip 02:34
13 ¾çûȯÀÔ Yangcheonghwanip 01:28
14 ¿ìÁ¶È¯ÀÔ Wujohwanip 03:26
15 dz·ù±Â°Å¸® Pungnyugutgeori 03:02
Total 69:02
¡á °¡¾ß±Ý | ÃÖ¹®Áø Gayageum Choi Moon-jin
¡á Àå ±¸ | ÃÖº´±æ Janggu Choi Byeong-gil
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¡á Hyangje Julpungnyu ÇâÁ¦ ÁÙdz·ù
¡®Pungnyu dz·ùù¦×µ (lit. means 'wind' and 'style/type/mode/a way') refers to a general term which denotes another name for Yeongsanhoisang ¿µ»êȸ»ó, one of the represented Korean classical repertories. It has two different versions: (i) Julpungnyu ('jul'= strings made of thread silk) that is also called HyeonakYeongsanhoisang Çö¾Ç¿µ»êȸ»ó consisted largely of stringed instruments such as gayageum (12 stringed plucking zither), geomun'go (6 stringed plucking zither with suldae), haegeum (two-stringed spike fiddle), daegeum (largest horizontal bamboo flute) and sepiri (bamboo oboe) and janggu (hour-glass drum); (ii) Daepungnyu ´ëdz·ù ('dae'= big/great) that is GwanakYeongsanhoisang °ü¾Ç¿µ»êȸ»ó consisted of hyangpiri (native bamboo oboe), daegeum, heageum, janggu and jwago (seated drum).
The word 'pungnyu' has been used for long time in Korea. People were called 'pungnyugek dz·ù°´ù¦×µËÔ' who used to gather and enjoy pungnyu and they were largely scholars whose social status belonged to Yangban ¾ç¹Ý class (nobility) during the Joseon Dynasty (1392-1910). These aristocrats used to assemble in a particular room called 'pungnyubang' where they enjoyed their life with normally composing poems and paintings, and singing Gagog °¡°îÊ°ÍØ (classic lyric song) as well as playing music. In the late Joseon period, local Yulgek À²°´ (professional musicians) were frequently gathered in pungnyubangs and always played the musical piece - Yeongsanhoisang - together. Then naturally enough the term 'pungnyu' became the identification of the name of Yeongsanhoisang and until today pungnyu has been perceived as Yeongsanhoisang.
In particular, HyeonakYeongsanhoisang, that became a general term for pungnyu, has two different ways of transmission: (i) the Pungnyu version which has been transmitted by court musicians at the current GunglipGugakwon (±¹¸³±¹¾Ç¿ø known as the National Centre for Korea Traditional Performing Arts) and (ii) the Pungnyu versions and styles transmitted by each region throughout the country. Due to diverse ways of performing traits with regard to jangdan (Àå´Ü, rhythmic cycle), garak (melodies or modes), setting the pieces of music, this music is subdivided into (i) Aak Pungnyu ¾Æ¾Çdz·ù, Dang¡¯ak (or 'Gugakwon') Pungnyu ´ç¾Çdz·ù, or Gyeongje Pungnyu °æÁ¦Ç³·ù, and so on, that belong to the versions and styles of the GunglipGugakwon and (ii) Hyangje Pungnyu ÇâÁ¦Ç³·ù that indicates various local versions and styles.
In practice, the GunglipGugakwon Pungnyu is largely and actively educated and played in classes for Korean traditional studies in every university, while Hyangje Pungnyu used to play in such many local places as Jeongeup, Iri, Gwangju, Gurye, Mokpo, Busan, Gyeongju, Daegu, Daejeon, and so forth, in the past, but nowadays it has been transmitted in only the areas of Iri and Gurye. In order to continue this musical performance, the government designated this repertory for the both versions of Gurye and Iri as Jungyomuhyeongmunhwajae Á߿乫Çü¹®È­Àç (Important Intangible Cultural Asset) No. 83 Ga and Na hos respectively in 1885. In relation to these performing styles the government also appointed two musicians - Gang Nak-seung who is a gayageum player in Iri, and Kim Mu-gyu who is a geomun'go and danso (notched bamboo flute) in Gurye - as the holders for the art skills.
It is necessary to introduce Gang Nak-seung relating to the Iri version of Julpungnyu. Gang, a holder of Jungyomuhyeongmunhwajae No. 83, Na ho, was born on 12 February 1916 in a village of Yupyeong, Daesori, Bunammyeon, Mujugun in Jeollabukdo, the northern part of Jeolla Province. He was a government officer served in Muju, Namwon, Buan, and so on, and then he has been living Mohyeondong, Iri City (former Iksan City) since 1947. Gang is a versatile performer who plays a number of instruments and singing - a janggu, geomun'go, Sijo (classic poems), Gagog, and so forth, as well as the gayageum. He studied the gayageum music ranging from the Gayageum Pungnyu Janryeongsan to Gunak with a wife of the well known player - Jang Tae-ho at the age of 26, and then continued to learn the music of Bolryeongsan to Gutgeory from Jin Yang-su in Iri at the age of 33. After that he studied the music by himself for 5 to 6 years. In 1958 he joined the Iri Pungnyu Club which was formed as the Iri Yullimgye by some local musicians - Chae Gyu-hwa, Jin Yang-su, Hwang Sang-gyu, Jin Jong-ha, Gang Nak-seung, Geong Gil-seon, Yi Bo-han, etc. In 1968 the Iri Yullimgye was accepted as the establishment for the Iri Jeongakwon À̸®Á¤¾Ç¿ø ('jeong'ak'=classical music) and it has been played in public for 4-5 years under the title of the Iri Jeongakhoi. In 1985 this ensemble for the Iri Pungnyu was appointed as Jungyomuhyeongmunhwajae, and then in 1987 it was authenticated as the Preservation of the Iri Hyangje Julpungnyu by the Ministry of Culture and Tourist.
The Iri Pungnyu is comprised of 15 pieces of music - Daseureum, Bolryeongsan, Jungryeongsan, Seryeongsan, Garakjeji, Sanghyeonhwanip, Sehwanip, Hahyeonhwanip, Yeombulhwanip, Taryeong and Gunak in the Bonpungnyu, and Gyemyeonhwanip, Yangcheonghwanip, Wujohwanip and Pungnyu Gutgeori in the Dwipungnyu.

Choi Moon-jin (gayageum)
He learned the gayageum at Gunglip Gugak Senior School, which is affiliated by GunglipGugakwon (the National Centre for Korea Traditional Performing Arts) and sub-institute for training professional musicians for Korean traditional music. Then he specialised in the gayageum as a B.M. at Seoul National University, as well as an M.A. degree for Music Education at Gyeonghee University. During this time, he has widen his musical experiences as a solo performer in absorbing a variety of repertoire performing more than 12 times including a recital at Seattle Asian Art Museum, as well as joining several ensembles and orchestras such as Gyeongbuk Dorip Gugak Orchestra, Daegu Sirip Gugak Orchestra and a number of times with the KBS GugakGwanhyeon Orchestra. He also performed music in abroad such as Japan, The USSR, China, and so forth. He published a musical notation of Sanjo (representative instrumental piece of music for solo which demands highly musical skills) of the Gang Tae-hong ryu ("school/style/version") and recently released his own CD containing Pyeongjohoisang ÆòÁ¶È¸»ó (also Junggwangjigog Áß±¤Áö°î) which is another version of Yeongsanhoisang in 2001.
He was a member of GunglipGugakwon Ensemble and also taught the gayageum at Gunglip Gugak Senior School. At the same time he taught at several colleges including Gyeongbuk University, Dongguk University, Daegu Arts College. He also was the Visiting Artist at University of Washington. He finished the course of Hyangjejulpungnyu which is designated as Muhyeongmunhwajae No. 83- Na ho. He was taught the gayageum by several masters, Kim Yeong-yun, Choi Chung-ung, Gwon Hyeok-tae, Kim Chun-ji, Kim Jeong-ja, Hamdong Jeongwol, Gang Nak-seung and Sin Myeong-suk.
He is currently a professor in Music Department at Yeongnam University. As a member of Cultural Preservation Institution in Daegu City, Gyeongsangbukdo, he is a leader of Daegu Geum ÐÖ Ensemble. He is responsible for managing the Daegu Cultural Arts Hall, A Society of Preservation for Gang Tae-hong Ryu Sanjo which becomes a Cultural Asset No. 8 in Busan City. He is a lifetime member of the Society of Korean History and of Korean Traditional Music, as well as a member of International Council Traditional Music.Choi Byeong-gil (janggu)
Having studied music at Daegu Arts College and then at Yeongnam University for a MA course, Choi Byeong-gil has a diploma in the janggu music which was designated for Jungyomuhyeongmunhwajae No 83 - Ga ho. He played music as a member of Daegu Sirip Gugak Orchestra, and is currently teaching music at Daegu Arts College, Gyeongbuk University and Busan University.

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