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들어보기	강영근 피리 신세계  ㆍ 아티스트 : 강영근  ㆍ 음반사 : 예술기획 탑  ㆍ 음반번호 : TOPCD-058  ㆍ 발매일 : Manufactured by JIGU. 2003.3. Seoul, Korea  ㆍ 녹음 : 2003.1 유니버샬 스튜디오  ㆍ 디렉터 : 양정환 (음제1442호)/ ⓟ&ⓒ: Yang Jeong-hwan, www.gugakcd.com  ㆍ 비고 : Cover Design / Musong  ㆍ 판매가격 : 원  ㆍ 수 량 : 개

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TOPCD-058   강영근 피리 신세계 New Art World of Kang Young-geun's Piri ■ 피리 독주곡 <산길> 13:31 The piri solo: San'gil (산길, lit. "paths of mountains") 작곡 김요섭 composer: Kim Yo-seop 장구 길석근 janggu: Gil Seok-geun 신디사이저 김주혜 syndithiser: Kim Ju-hye   ■ 피리와 거문고 이중주 <유년의 여름> 14:27 Duet for piri and geomun'go: Yunyeoui Yeoreum (lit. "A summer of the youth") 작곡 윤화중 composer: Yun Hwa-jung 거문고 신혜영 geomun'go: Shin Hye-yeong 장구 길석근 janggu: Gil Seok-geun   ■ 독주곡 42번 <풀피리> 14:21 The solo piece, No. 42 played by pulpiri (piri made of grass) 작곡 이성천 composer: Yi Seong-cheon 장구 길석근 janggu: Gil Seok-geun   ■ 피리와 북을 위한 소품(2002) <어머니> 17:20 A little piece for piri and drum: Eomeoni (“The yearning toward mother") 작곡 주영자 composer: Ju Yeong-ja 북 신혜영 drum: Shin Hye-yeong   ■ 피리와 가야금 이중주 <등대> 13:01 Duet for piri and gayageum: Deungdae (a lighthouse) 작곡 이준호 composer: Yi Jun-ho 가야금 김희정 gayageum: Kim Heui-jeong ■ 악곡해설 1. 피리 독주곡 <산길> 이 곡은 산길을 걸으면서 받은 정감을 표현한 피리독주곡이다. 동기를 전개한 주제부를 중모리, 중중모리, 엇모리, 자진모리, 단모리(동살푸리)등 여러 가지 장단으로 변주하였으며, 곡 중간에 전조를 함으로써 변화를 주었다. 2. 피리와 거문고를 위한 이중주 <유년의 여름> 첫 악장에서는 어렸을 때 낮잠을 자다가 깨어난 여름의 어느 날 멀리서 들리던 닭울음 소리, 중바위 위로 뭉게뭉게 피어오르는 흰구름이 주던 고즈넉함과 선선함을 평화로운 선율에 담았다. 두 번째 악장에서는 첫 악장의 주제와 “ 두껍아 두껍아 헌집 줄게 새집 다오”라는 두꺼비 동요의 선율을 엇모리에 얹었다. 그리고 마지막 악장에는 밖에서 놀다가 해질녘에 집으로 돌아올때의 흥겹고도 약간은 쓸쓸한 기분을 1악장의 주제를 변주하여 흥청거리는 타령장단에 얹었다. 3.독주곡42번 <풀피리> 이 곡은 1994년에 본인이 서울대 대학원 졸업연주를 위해 위촉한 곡이다. 추억은 아름답다. 도시에 살지 않았던 내가 농촌에 가면 흙냄새와 풀냄새 그리고 목동의 풀피리 가락이 가슴을 적신다. 추억이 아름답다. 1곡: 소치는 아이의 노래 아이와 소는 닮았다. 순하디 순한 눈망울을 굴리며 노래하고 풀을 뜯는다. 2곡: 시냇가에서 맑은 물이 흐른다. 파란 핏줄을 가진 고기가 떼지어 노닌다. 아이가 발을 담그면 시냇물은 돌면서 흐른다. 3곡: 풀피리 소리 풀잎을 꺾어 불던 풀피리 소리 소치는 아이는 언제나 이렇게 노래했다. 4곡: 송아지 꽁지에 매달린 음치 찌르레기 여름 햇살이 머리위를 지날 때 송아지 꽁지에는 찌르레기가 매달렸지. 찌르레기 노래는 듣기좋은 음치 그래서 풀피리 소리와 어울렸다. 4. 피리와 북을 위한 소품(2002) <어머니> 이곡은 어머니에 대한 그리움을 표현한 곡이다. 한국 장단을 기반으로 하였고 “청”음으로 시작하여 c d e, c d f 등의 Third, Fourth modus Acoustic Space를 발전시킨 5부분으로 구성된 단악장 곡이다. 피리와 북에서 표현할 수 있는 다양한 음색으로 진양 장단에서 어머니를 동경하며 멀리서 들리는 파도와 갈매기 소리, 소라이야기를 꿈꾸는 꿈의 부분과 휘모리 장단에서 어릴 적의 놀이를, 중모리에서 어머니의 자장가를, 자진모리에서 희망 가득찬 축제를 표현하였다. 5. 피리와 가야금 이중주 <등대> 항해를 하면서 목적지를 잃고 표류할 때 깜박이는 등대불에서 한가닥의 희망을 찾듯이 우리의 삶에서도 등대와 같은 마음들이 우리의 인생항로에 따뜻한 위안이 되었으면 하는 바램이다. 이 작은 곡으로 인해 다양하고 새로운 피리창작곡이 많은 작곡가들에 의해 만들어지는 계기가 되길 바라고, 내가 평소 좋아하는 영근이형이 피리계의 한 등대가 되길 바라는 마음으로 쓴 곡이다. 처음에는 느리게 시작하여 점점 다양한 리듬의 조화속에서 피리와 가야금이 선율을 주고 받으며 서로를 위로하고 격려하듯 진행해 나간다. 마치 연주자와 작곡자의 마음처럼... ■ 연주자 프로필 강영근 | 피리 ·서울대 및 동대학원 졸업 ·국립국악원 연주원 ·KBS국악관현악단 수석 ·개인독주회 5회(1991, 1999, 2000, 2002.4, 2002.9) ·KBS국악관현악단협연, 해외공연(미국, 일본, 유럽 등) 다수 ·경기청소년국악단 단장 및 상임지휘 ·단국대·청주대·추계예대·이화여대·서울대 강사 ·사사 : 이석재 김태섭 정재국 서한범 현 무형문화재 제46호 피리정악 및 대취타 이수자 한소리국악원 지도위원 한국창작음악연구회 회원 한국청소년국악관현악단 자문위원 21세기 피리음악연구회 부회장 한국전통음악학회 이사 한국정악원 이사 한국국악교육학회 이사 이화여자대학교 음악대학 한국음악과 교수 저서 피리창작곡집 (1999, 도서출판 무송) ■ 작곡자 김요섭 / 서울대 및 한양대 대학원 졸업, 대한민국 작곡상 합주부문 우수상 수상(1993) 현 국악고등학교 교사 윤화중 / 추계예대 및 서울대 대학원 졸업, KBS국악관현악단 연주원 현 전북대 예술대학 한국음악학과 교수 이성천 / 서울대 교수, 국립국악원장 현 예술원 회원 주영자 / 현 이화여대 음대 작곡과 교수 이준호 / 현 실내악단 <슬기둥> 대표, 추계예대 국악과 겸임교수 경기도립국악단 예술감독 및 상임지휘자 ■ 연주자 신혜영 | 거문고·북 서울대 및 이화여대 대학원 졸업 현 금화악회 회장, 춘천교육대학교 교수 길석근 | 장구 추계예대 및 용인대 대학원 졸업 현 국립국악원 정악연주단 단원, 추계예대·용인대 강사 김희정 | 가야금 이화여대 및 중앙대 대학원 졸업, 현 국립국악관현악단 연주원 김주혜 | 신디사이저 이화여대 졸업, 현 이화여대 음대 대학원 재학(작곡전공) ■ Brief Notes for the repertoire 1 The piri solo: San'gil (산길, lit. "paths of mountains") This piece for the piri is to express emotion/sentiment/nostalgia that derives from a walking of paths of the mountains. It is varied into a number of jangdan (장단, lit. "long and short" in a rhythmic cycle) such as jungmori, jungjungmori, jajinmori, danmori (or dongsalpuri), and so on, which develops the motive into the thematic sections. A change of mood is given to the interval of each movement by using the transitions (2000). 2 Duet for piri and geomun'go: Yunyeoui Yeoreum (유년의 여름, lit. "A summer of the youth") The first section portrays the melodies about a sound and visual image of nature that has come out of my own experience of the youth. They are as follows: sounds of cock's cry from a long distance when I heard it from awakening from my midday nap in a summer time; the impression of a fresh breath and peaceful scene from which given by white clouds rising up one after another from the above of rocks. The second section is a development of the theme of the first section, and it is arranged melodies of the nursery rhyme called 'Duggeobi (두꺼비, a toad)': "Toad, toad! Won't you give me a new house, then I will give you an old one?" The last one forms a taryeong jangdan (타령장단, 6/8 time) which added with elated, but lonely mood when I return home from playing outside at sunset. (by Yun Hwa-jung) 3 The solo piece, No. 42 played by pulpiri (piri made of grass) This tune was composed for my post-graduate performance for a degree exam in 1994. "Memory is beautiful I Who had never lived in a city Whenever visiting a rustic place Smell of soil and leaves or trees And pulpiri melodies of a shepherd Wet my heart with tears That memory makes me to cherish. The first piece A song of a cattle boy The boy and the cow resemble: Rolling their very gentle eyeballs They together sing and graze. The second piece At the stream A clean water is flowing Fishes with blue veins play in flocks When the boy puts his feet in the water The stream flows with rolling around. The third piece A sound of pulpiri A sound of pulpiri deriving from which being played A piri is made of picked grasses The cattle boy always sang like that (with pulpiri). The fourth piece A tone-deafened (untuned) Jjireuregi (찌르레기, a starling) which was hung the tail of a calf When a sunlight of the summer is passing above my hair The starling hang the tail of the calf Song of the starling is a tuneful tone-deafness So it matched the sound of pulpiri. 4 A little piece for piri and drum: Eomeoni (어머니, “The yearning toward mother") - first performance in 2002 This tune expresses a longing for a mother. It is based on the jangdan, which is a Korean rhythmic pattern, and is a single piece of music consisting of five sections. It starts with the note of "cheong (청, a basic pitch)", and is gradually developing into a series of notes of c d e, c d f, etc. that is called 'Third, Fourth Modus Acoustic Space'. This piece has a number of themes which derives from a variety of timbre of the piri and the drum. Sounds of waves and seagulls from a distance while mother is longed expressed in a rhythm of jinyang ; part of dreaming about a story of conch; playes, when I was young, in the rhythm of hwimori (the fastest tempo in jangdan); lullaby sung by my mother involved in the jungmori jangdan; ceremony of full of hope in the jajinmori rhythm. 5 Duet for piri and gayageum: Deungdae (등대 = a lighthouse) - first performance As we seek our single hope from a flickering lighthouse when drifting and losing our destiny during our voyage, it is hoped that minds like in the lighthouse in our lives become a warm consolidation in voyage of our life. I also hope that many composers would recreate the piri to various and new kinds of music, and that piri players whom I like, will be persons of a lighthouse in the piri world. It starts with slow tempo and then gradually proceeds the harmony between the piri which gives a variety of rhythms and the gayageum which provides melodies to each other, with giving and taking one another, consolidating and encouraging to each other, as if it looks like the harmony between a performer and a composer. . . ■ Profile of the performers Kang Yeong-geun: the piri He obtained both BA and MA in Korean music at Seoul National University, and joined in a performance group in Gunglip Gugakwon (The Notional Centre for Korean Traditional Performing Arts). He is currently a leader of the KBS Gugak Orchestra (orchestra for Korean traditional music). He had not only joined in the KBS Gugak Orchestra but had his solo performance three times in 1991, 1992 and 2000. He also toured abroad in the North America and European a number of times with the orchestra. He had taught the piri and its music at such universities as Tanguk, Cheongju, Chugye Arts, Ehwa Women's and Seoul National. He obtained a diploma for Piri Jeong'ak (피리정악, Korean classical repertoire for the piri) which was designated as Muhyeongmunhwajae No. 46 (무형문화재, The Intangible Cultural Asset) as well as Daechwita (대취타). He is responsible for two positions as team worker for Gyeonggi Cheongsonyeon Gugakdan (경기청소년 국악단, Korean music ensemble for ! the youth in the Gyeonggi province) and Committee for Hanguk Gugak Gyoyuk Hakhoi (한국국악 교육학회, Society for Traditional Music Education). He is currently a professor of Korean music at Ehwa Women's University. ■ Profile of the composers Kim Yo-seop studied Korean music at Seoul National and Hanyang Universities. He awarded a prize in the composition part of the Dong'a Competition in 1974 and won an Excellent Prize in Ensemble part of the Korea's Composition in 1993. He is a teacher at Gugak Senior School. Yun Hwa-jung graduated from Chugye Yesul College and Seoul National University. He was a former member of the KBS Gugak Orchestra and now is a professor of Korean traditional music at Art College of Jeonbuk University. Yi Seong-cheon was a professor of Seoul National University and was Director of Gunglip Gugakwon. He is currently a member of the academy of Arts. Ju Yeong-ja is a professor for Composition of Ehwa Women's University. Yi Jun-ho studied Korean music at Chugye Yesul College and Yong'in University. He is now a leader of the ensemble performance - Seulgidung. He teaches music at Chugye Yesul College and is both Art Director and Regular Conductor of Gyeonggi Dorip Gugakdan (Orchestra for Korean traditional music of municipal of the Gyeonggi province). ■ Participated musicians: Shin Hye-yeong plays the geomun'go and drum. She teaches music as part-time at Ehwa Women's University, Hanguk Yesuljonghap College and Suwon University. Gil Seok-geun plays the janggu and a member of Gunglip Gugakwon Jeongak Ensemble. He is teaching at Chugye Yesul and Yong'in Universities. Kim Heui-jeong plays the gayageum and is currently a member of Gunglip Gugak Orchestra. She studied Korean music at Ehwa Women's and Chung'ang Universities. Kim Ju-hye contributes to this CD for a syndithiser and is a graduate student specialising in composition at Ehwa Women's University. cultural ambassador' across the world. In this performance, the taepyeongso 태평소 (conical oboe) that are used to be involved in a performance of Pungmulnori is joined in this Samulnori group. The instrument is one of the central instruments for the performance of Samulnori. In this CD, this repertory plays a principal role highlightening the Lee Jong-dae's musical display that reflects in his unique melodies of areas of Gyeonggi. The piece is constituted Neunghyegarak 능계가락, Cheonsubara 천수바라, Heoteungarak 헛튼가락, Jajinmori 자진모리, Hwimori 휘모리 of Gutgeori 굿거리 jangdan. ■ Profile of Lee Jong-dae (piri) After studying at Seoul Gugak (means "Korean traditional music") Arts Senior School, and Chugye Arts College, he became the leader at the Seoul Sirip (Municipal) Gugak Orchestra between 1968 - 1995. He has a brilliant musical career as a professional musician both at home and abroad. At home, he performed music with numerous orchestras such as Seoul Sirip Gugak Orchestra, the KBS Gugak Orchestra, Daejeon, Daegu and Busan Sirip Gugak Orchestras and Nangye Gugak Orchestra, and so on. He made his piri solo recital at the stage for 'Gugak Myeong'in (master musicians)' of the KBS FM in 1994, and made a CD of the Piri Concerto for the theme of Menarijo and Piri Sanjo produced by the KBS FM. In 1996 he had a second piri solo recital. He took the diploma in the piri repertory as being designated for Jungyomuhyeongmunhwajae No, 72 중요무형문화재 (Important Intangible Cultural Asset) by the government. He has been playing the piri as a guest musician almost every year across the world since 1975. In abroad, he had performed Korean music at a number of countries in Latin America and Europe in 1975 and at the Ceremony of the Summer Universiad Competition in Yugoslavia in 1987. In America, he performed music at the Los Angeles Festival of Folk Music in 1990 and also played some Korean repertoire hosted by American Society in 1994 as well as performing at Carnegie Hall in New York in 1997. He also attended to play music at the Tokyo Festival for Folk Music in 1995 and played both in ensemble and solo at the World Folk Dance Festival in the Netherlands. He was invited to play music at the International Industrial Exhibition in India in 1998 and in various kinds of other world stages in 1999. He has published his book on the piri in 1998. He is currently associated professor at Arts College of Busan University. ■ Other participated musicians Kim Bang-hyeon (daegeum) is a member of Seoul Sirip Gugak Orchestra. Hong Ok-mi (haegeum) is teaching at Seoul Gugak Arts Senior School. Park Hwan-yeong (janggu) is a leader of Gyeonggi Dorip Gugak Ensemble. Samulnori team: Nam gi-mun is a leader of Folk Music Troupe at Gunglipgugakwon. Choi Byeong-nam is a vice-leader of Folk Music Troupe at Gunglipgugakwon. Lee Hong-gu is a member of Folk Music Troupe at Gunglipgugakwon. Lee Dae-won is a member of Folk Music Troupe at Gunglipgugakwon.

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