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 ¤ý À½¹Ý¹øÈ£: TOPCD-057
 ¤ý ¹ß¸ÅÀÏ: Manufactured by JIGU. 2002.9. Seoul, Korea
 ¤ý ³ìÀ½: 2002.2.11/ 5.24 Çѱ¹À½¹Ý, ´Ù´Ù½ºÆ©µð¿À
 ¤ý µð·ºÅÍ: ¾çÁ¤È¯ (À½Á¦1442È£)/ ¨Ü&¨Ï: Yang Jeong-hwan, www.gugakcd.com
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TOPCD-057
 
±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´Ü Gwangju Gayageum Orchestra
¡á ½Ã°èž - ÀÛ°î / Ȳº´±â 10:36
Sigyetap (½Ã°èž, clock tower), composition / Hwang Byeong-gi ±èÇѾÆ, ±âÀ¯Á¤, ¼ºÁöÀº / Àå°í:±èµ¿Çö Kim Han-a, Ki Yu-jeong, Seong Ji-eun / janggo:Kim Dong-hyeon
¡á °¡¾ß±Ý 3ÁßÁÖ °­°­¼ú·¡ º¯ÁÖ°î - ÀÛ°î / ¹é´ë¿õ 06:56
The Gayageum Trio - Variations of Ganggangsullae, composition / Peik Dae-ung Part¥°:Á¤À±ÇØ / ¥±:Á¶¼±¿Á / ¥²:ÃßÁ¤Çö part I:Jeong Yun-hae / II:Jo Seon-yok / III:Chu Jeong-hyeon
¡á 3ÁßÁÖ¸¦ À§ÇÑ 17Çö ´Ü¸ð¸® - ÀÛ°î / ±è¿µÀç 09:00
A Trio for the 17-stringed Gayageum ¡®Danmori¡¯, composition / Kim Yeong-jae Part¥°:¼Û¿µ¶õ / ¥±:ÀÌÁ¤¼÷ / ¥²:±èÇÑ¾Æ / Àå°í:±èµ¿Çö part I:Song Yeong-ran / II:Yi Jeong-suk / III:Kim Han-a / janggo:Kim Dong-hyeon
¡á ÃÖ¿Á»ï·ù °¡¾ß±Ý»êÁ¶ ¾Ó»óºí - Æí°î / ÃÖÀç·û 14:47
Ensemble for Choi Ok-sam ryu Gayageum Sanjo, arrangement / Choi Jae-ryun Solo:Á¤À±ÇØ / Part¥°:ÀÌÁ¤¼÷ / ¥±:±èÇÑ¾Æ / ¥²:±è¹ÌÁ¤ / ¥³:°­Çý°æ / Àå°í:À±È£¼¼ solo:Jeong Yun-hae / part I:Yi Jeong-suk / II:Kim Han-a / III:Kim Mi-jeong IV:Gang Hye-gyeong / janggo:Yun Ho-se
¡á ¹Ù´Ù - ÀÛ°î / À̼ºÃµ 09:34
Bada (¹Ù´Ù, the Ocean), composition / Yi Seong-cheon Solo:ÃÖÁø / Part¥°:±âÀ¯Á¤, ¼ºÁöÀº / ¥±:ÀÌÁ¤¼÷, ±èÇÑ¾Æ / Àå°í:±èµ¿Çö solo:Choi Jin / part I:Ki Yu-jeong, Seong Ji-eun / II:Yi Jeong-suk, Kim Han-a janggo / Kim Dong-hyeon
¡á 25Çö °¡¾ß±Ý ÇùÁÖ°î '»õ»êÁ¶' - ÀÛ°î / ¹Ú¹üÈÆ 18:24
A Concerto for the 25-stringed Gayageum Sae Sanjo(»õ»êÁ¶, New piece of Sanjo), composition / Park Beom-hun Solo:¼º¾Ö¼ø °¡¾ß±Ý ¼±À²:Á¤Çö¼÷, ÃÖÁø, Á¶¼±¿Á / ´ë¾ÆÀï ¼±À²:ÀÌ¿µ¾Æ, ÀÌÁ¤¼÷ ¾ÆÀï ¼±À²:À̼±Èñ, ÃßÁ¤Çö / °Å¹®°í ¼±À²:±è¹ÌÁ¤ ÇǸ® ¼±À²:°­Çý°æ / ´ë±Ý ¼±À²:ÀüÈñ¸², ÃÖ¿µÁÖ ¼Ò±Ý ¼±À²:±èÇÑ¾Æ / ÇØ±Ý ¼±À²:¼Û¿µ¶õ, ±Ç´ÙÇý ¾ç±Ý ¼±À²:Á¤À±ÇØ / Àå°í:±èµ¿Çö ¸ðµëºÏ:ÃÖ»óÁø solo:Seong Ae-sun gayageum melody:Jeong Hyeon-suk, Choi Jin, Jo Seon-ok dae-ajaeng (large 7 stringed instrument with a bow) melody:Yi Yeong-a, Yi Jeong-suk ajaeng melody:Yi Seon-hi, Chu Jeong-hyeon geomun'go (6 stringed plucked zither) melody:Kim Mi-jeong piri (vertical bamboo oboe) melody:Gang Hye-gyeong daegeum (the largest horizontal flute) melody:Jeon Hui-lim. Choi Yeong-ju sogeum (the smallest bamboo flute) melody:Kim Han-a haegeum (2 stringed spike fiddle) melody:Song Yeong-ran, Gweon Da-hye yanggeum (dulcimer) melody:Jeong Yun-hae janggo:Kim Dong-hyeon modeumbuk (a kind of Korean Drum):Choi Sang-jin
¡á °î¸ñÇؼ³
1. ½Ã°èž - ÀÛ°î/Ȳº´±â
17Çö °¡¾ß±ÝÀ» À§ÇÑ µ¶ÁÖ°îÀ¸·Î Àüü 4ÀåÀ¸·Î ÀÌ·ç¾îÁ® ÀÖ´Ù. ÀÌÁß Áß½ÉÀûÀÎ ÀåÀº Á¦2ÀåÀ¸·Î, ½Ã°èžÀ» »ó¡ÇÏ´Â 4/4¹ÚÀÚÀÇ À̱¹ÀûÀÎ ¼±À²·Î µÇ¾îÀÖ´Ù. óÀ½¿¡´Â ¾à°£ ´À¸° 6/4¹ÚÀÚÀÇ ´ã´ãÇÑ °¡¶ôÀ¸·Î ½ÃÀÛÇÏÁö¸¸ Â÷Ãû µµ¾àÁøÇà°ú Àå½ÄÀ½ÇüÀÌ »ðÀÔµÇ°í ¸®µëÀÌ ¹Ì¹¦ÇÏ°Ô º¯È­µÈ ÈÄ ¾à°£ »¡¶óÁö¸é¼­ Á¦2ÀåÀ» ¿¹ºñÇÏ´Â °æÄèÇÑ ¼±À²·Î ³¡³­´Ù. Á¦3ÀåÀº ÁßÁ߸ð¸®ÀÇ ¹ß¶öÇÑ Ãã°îÀ¸·Î Àü°³µÇ´Âµ¥ ÅÛÆ÷´Â ½Ã°èÀÇ ÅÛÆ÷(1ºÐ=60¹Ú)¿Í ÀÏÄ¡ÇÑ´Ù. Á¦4ÀåÀº ÅÛÆ÷°¡ 2¹è°¡ ºü¸¥ ÅÛÆ÷(1ºÐ=132¹Ú)ÀÇ »ï¿¬À½À¸·Î ÀÏ°üµÇ´Â ȯ»óÀûÀÎ °¡¶ôÀ¸·Î µÇ¾îÀÖ´Ù.
2. °¡¾ß±Ý 3ÁßÁÖ °­°­¼ú·¡ º¯ÁÖ°î - ÀÛ°î/¹é´ë¿õ
°­°­¼ú·¡°¡ ¸ðµç ±¸¼Ó¿¡¼­ ¹þ¾î³ª ÀÚÀ¯¸¦ ¸öÀ¸·Î ´À³¢·Á Çß´ø ¿©Àγ׵éÀÇ Èñ¸ÁÀÌ ´ã°ÜÀÖ´Â °Íó·³ ÀÌ ÀÛÇ°¿¡¼­µµ °­°­¼ú·¡ÀÇ ³îÀÌÁ¤½Å°ú ´Ù¾çÇÏ°Ô º¯È­ÇÏ°í ÀÖ´Â °î¼±ÀÇ À±¹«(ëÌÙñ)¸¦ ´À³¥ ¼ö ÀÖ´Ù. ³²µµÀ½¾Ç ƯÀ¯ÀÇ Á¤¼­°¡ Á¤°¨ÀÖ°Ô ´À²¸Áö¸ç °­°­¼ú·¡ÀÇ ´Ü¼±À²ÀÌ °¡¾ß±Ý 3ÁßÁÖ¸¦ ÅëÇؼ­ ÀÔüÀûÀÎ ¸ð½ÀÀ» ¶ì°í ÀÖ´Ù. ªÀº µµÀԺο¡ À̾ ÀúÀ½°¡¾ß±ÝÀ» ÅëÇØ °­°­¼ú·¡ÀÇ ÁÖ¼¼¼±À²ÀÌ Á¦½ÃµÈ´Ù. ÀÌÈÄ ¹Î¿ä°¡ °¡Áö°í ÀÖ´Â Èķű¸ÀÇ ¹Ýº¹°ú µ¿ÀûÀÎ ¿¢½ºÅ¸½Ã È¿°ú°¡ ±Ø´ëÈ­µÈ´Ù. ÁßÁ߸𸮳ª ¾ù¸ð¸® Àå´ÜÀÇ ¹Ýº¹À» ÅëÇØ ³ªÅ¸³ª´Â ¼±À²ÀÇ À²µ¿¼ºÀ» ÅëÇØ °îÀ» Ç®¾î³ª°¡´Ù°¡ ³¡¿¡ °¡¼­´Â Á߸𸮠Àå´ÜÀÇ ¾ÈÁ¤¼ºÀ» ±×·Á³ª°¡¸é¼­ dzºÎÇÑ °î¼±ÀÇ ¾Æ¸§´Ù¿ò, ¿©¹é°ú ¿©¿îÀÇ ¾ÖƶÇÔÀ» ³²±ä´Ù.
3. 3ÁßÁÖ¸¦ À§ÇÑ 17Çö ´Ü¸ð¸® - ÀÛ°î/±è¿µÀç
ÀÌ°îÀº ¼­ÁÖ¿¡ À̾î Àüü ¨Í¡æ¨Ñ±îÁöÀÇ 5ºÎºÐÀ¸·Î ±¸¼ºµÈ µ¶ÁÖ°îÀ» 3ÁßÁÖ°îÀ¸·Î Æí°îÇÏ¿´´Ù. 17ÇöÀÌ °®´Â Ư¼ºÀ» »ì·Á ¾ç¼ÕÀ» ÀÚÁÖ ¾²°Ô ÇÏ¿´°í °¡²û ³ª¿À´Â º¯Á¶µÈ °è¸éÀº ±âÁ¸ ³óÇöÀ» »ç¿ëÇÑ´Ù. ÀüüÀû Á¶¼ºÀº ÀüÇüÀûÀÎ 5À½À½°èÀ̸ç, °æ°úÀû ¿¡ÇǼҵ带 Áö³ª ³ó¾Ç¸®µëÀ¸·Î ´ëÁ¶¸¦ ÀÌ·é´Ù.
4. ÃÖ¿Á»ï·ù °¡¾ß±Ý»êÁ¶ ¾Ó»óºí - Æí°î/ÃÖÀç·û
ÃÖ¿Á»ï·ù °¡¾ß±Ý»êÁ¶ ¾Ó»óºíÀº ±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´Ü Ã¢´Ü 10Áֳ⠱â³ä Á¤±â¿¬ÁÖȸÀÇ À§ÃËÀÛÇ°À¸·Î ÃÖÀç·û¿¡ ÀÇÇØ Æí°îµÇ¾ú´Ù. È°±âÂ÷°í °æÄèÇÑ Èָ𸮠Àå´ÜÀ¸·Î ±¸¼ºµÈ ¼­ÁÖ·Î ½ÃÀÛÇÏ¿© Áø¾çÁ¶, Á߸ð¸®, ÁßÁ߸ð¸®, ´ÊÀºÀÚÁø¸ð¸®, ÀÚÁø¸ð¸®, Èָ𸮱îÁö ¿¬ÁֵȴÙ. Solo¿Í ÀúÀ½ °¡¾ß±ÝÀ» Æ÷ÇÔÇÑ ´Ù¼¸ ÆÄÆ®·Î ÀÌ·ç¾îÁ® ÀÖÀ¸¸ç, ÀÚÁø¸ð¸® Cadenza¿¡¼­´Â ½Ã°£°ú °ø°£À» ÃÊ¿ùÇÑ µ¿¾ç öÇÐÀÇ ¸Ú½º·¯¿òÀ» ¸¸³£ÇÒ ¼ö ÀÖ´Ù.
5. ¹Ù´Ù - ÀÛ°î/À̼ºÃµ
¿ø°îÀº ÃÑ 6°³ÀÇ ¸ðÀ½°îÀ¸·Î ÀÌ·ç¾îÁø 21Çö °¡¾ß±ÝÀ» À§ÇÑ µ¶ÁÖ°îÀÌ´Ù. À̹ø ¿¬ÁÖ´Â 21Çö °¡¾ß±ÝÀÇ Solo¿Í Á¤¾Ç°¡¾ß±ÝÀÇ ¹ÝÁÖ·Î ¿¬ÁֵǾî¿Â °îÀ» 21Çö °¡¾ß±ÝÀÇ ¹ÝÁÖ·Î ¿¬ÁÖÇϸç, ÃÑ 6°³ÀÇ ¾ÇÀå Áß¿¡¼­ ¡¸¼Ò¶óÀÇ ³ë·¡¡¹,¡¸ÆødzÀÇ ¾ð´ö¡¹,¡¸´Þ°ú µ¢ÄðÀÇ ²Þ¡¹ÀÌ ¿¬ÁֵȴÙ.
(ÀÌ °îÀº ³­ÇØÇÑ ¸®µëºÐ¼®À» ¿ä±¸ÇÏ´Â °îÀ̶ó ÇÒ ¼ö ÀÖ´Ù.)
6. 25Çö °¡¾ß±Ý ÇùÁÖ°î '»õ»êÁ¶' - ÀÛ°î/¹Ú¹üÈÆ
1995³â ÀϺ»ÀÇ 17Çö °í¶Ç µ¶ÁÖ°îÀ¸·Î ÀÛ°îµÇ¾ú´ø °ÍÀ» 22Çö °¡¾ß±Ý ÇùÁÖ°îÀ¸·Î °³ÀÛÇÏ¿© ±¹¸³±¹¾Ç°üÇö¾Ç´Ü â´Ü ¿¬ÁÖȸ¿¡¼­ ÃÊ¿¬ÇÏ¿´´Ù. ÇöÀç´Â 25Çö °¡¾ß±ÝÀ¸·Î ¸¹ÀÌ ¿¬Áֵǰí ÀÖÀ¸¸ç, ±¹¾Ç°üÇö¾Ç Çù¿¬°îÀ¸·Îµµ ³Î¸® »ç¿ëµÇ°í ÀÖ´Ù. À̹ø ¿¬ÁÖ¿¡¼­´Â ±¹¾Ç°üÇö¾Ç¿¡¼­ Æí¼ºµÇ´Â °¢ ÆÄÆ®ÀÇ ¼±À²À» ÀüºÎ °¡¾ß±ÝÀ¸·Î ¿¬ÁÖÇÏ°Ô µÈ´Ù.

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1989. 10. 5 --- 5ÀÎ °¡¾ß±Ý ¿¬ÁÖȸ ¹ßÁ·
1990. 5. 2 --- Á¦1ȸ Á¤±â¿¬ÁÖȸ (³²µµ¿¹¼úȸ°ü)
1991. 3. 26 --- Á¦2ȸ Á¤±â¿¬ÁÖȸ (³²µµ¿¹¼úȸ°ü)
1992. 1. 1 --- ±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´ÜÀ¸·Î °³¸í
1992. 4. 30 --- Á¦3ȸ Á¤±â¿¬ÁÖȸ (³²µµ¿¹¼úȸ°ü)
1992. 5. 1 --- ÀüÁÖ ÃÊû°ø¿¬ (¼Ò±ØÀå ¿¹·ç)
1993. 9. 9 --- ±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´Ü°ú Àεµ ÀüÅëÀ½¾ÇÀÇ ¸¸³² (±¤ÁÖ ¿¹À½È¦)
1993. 12. 20 --- Á¦4ȸ Á¤±â¿¬ÁÖȸ (³²µµ¿¹¼úȸ°ü)
1994. 3. 15 --- "È­¿ä±¹¾Ç¹«´ë"Ã⿬ (±¤ÁÖ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)
1994. 11. 13 --- Á¦5ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)
1995. 11. 13 --- Á¦6ȸ ±¤ÁÖÀ½¾ÇÁ¦ "±¹¾ÇÀÇ ¹ã" Ã⿬ (±¤ÁÖ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)
1995. 12. 13 --- Á¦6ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)
1996. 3. 28 --- Á¦7ȸ Á¤±â¿¬ÁÖȸ (ÀüÁÖ ¿ìÁø¹®È­°ø°£)
1996. 4. 26 --- Ȳº´±â ÃÊû °¡¾ß±Ý¿¬ÁÖȸ (±¤ÁÖ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)
1997. 5. 9 --- Á¦8ȸ Á¤±â¿¬ÁÖȸ (±ÝÈ£¹®È­È¸°ü)
1997. 12. 1 --- È¿»ê(°­ÅÂÈ«)±¹¾ÇÁ¦ Ã⿬ (ºÎ»ê¹®È­È¸°ü)
1998. 7. 20 --- ±¤ÁÖ KBSÃÊû ¿¬ÁÖ³ìÈ­ (KBS°ø°³È¦)
1999. 9. 1 --- Á¦9ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)
1999. 9. 29 --- "¿ì¸®¼Ò¸® ¿ì¸®°¡¶ô26"ÃÊû °ø¿¬ (ÀüÁÖ ¿ìÁø¹®È­°ø°£)
1999. 10. 3 --- "³²µµ¼Ò¸® »ó¼³°ø¿¬"ÃÊû °ø¿¬ ¡´°¡À»°ú ÇöÀÇ ¸¸³²¡µ
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2000. 9. 6 --- Á¦10ȸ Á¤±â¿¬ÁÖȸ(â´Ü 10Áֳ⠱â³ä)
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2000. 9. 29 --- Á¦69ȸ ±¤Áֽø³¹«¿ë´Ü Á¤±â°ø¿¬ "°¡¾ß±Ý¡¤´í½º½ºÆ÷Ã÷ ±×¸®°í ¹ß·¹" (±¤ÁÖ¹®È­¿¹¼úȸ°ü ´ë±ØÀå)
2000. 11. 29 --- Á¦7ȸ Àü±¹ ±¹¾ÇÇÕÁÖ´Ü ÃàÁ¦ (¸¶»ê MBCȦ)
2000. 12. 14 --- Á¦20ȸ ¼º¾Ö¼ø °¡¾ß±Ý µ¶ÁÖȸ Ã⿬ (±¹¸³±¹¾Ç¿ø ¿ì¸é´ç)
2001. 3. 15 ---¡¸°æºÏ´ë¡¤¿ï»ê´ë ±³·ùÇлý ȯ¿µÀÇ ¹ã¡¹ Ã⿬ (Àü³²´ë ¿¬ÁÖȦ)
2001. 4. 8 --- ½ÅÃá ±¹¾Ç´ë°ø¿¬ Ã⿬(±¤ÁÖ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)
2001. 9. 11 --- Á¦11ȸ Á¤±â¿¬ÁÖȸ (Àü³²´ë ¿¬ÁÖȦ)
2002. 3. 14 --- Á¦139ȸ ±¹¸³±¹¾Ç¿ø ¸ñ¿ä»ó¼³ ¡¸ÀþÀº°¨¼º ¿­¸°°ø°£¡¹ °ø¿¬
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2002. 9. 10 --- Á¦12ȸ Á¤±â¿¬ÁÖȸ (±¤ÁÖ¹®È­¿¹¼úȸ°ü ¼Ò±ØÀå)
2002. 10. 12 ---¡¸±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´Ü¡¹ Çس² ÃÊû°ø¿¬ (Çس²¹®È­¿¹¼úȸ°ü)
2002. 11. 27 --- 2002³âµµ ¹«´ë°ø¿¬Áö¿øÀÛÇ° °ø¿¬ (±¤ÁÖ¹®È­¿¹¼úȸ°ü ´ë±ØÀå)
2002. 12. 7 ---¡¸±¤ÁÖ°¡¾ß±Ý¿¬ÁÖ´Ü¡¹ ÀüÁÖ ÃÊû°ø¿¬ (ÀüÁÖÀüÅ뿹¼ú¹®È­È¸°ü)
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¡á Notes for the repertoire
1 Sigyetap (½Ã°èž, clock tower) composition/ Hwang Byeong-gi
This piece of music is composed for a 17-stringed gayageum (originally 12-stringed Korean plucking zither) as solo and consists of four sections. Of these, the second section plays the main theme that symbolises a clock tower and it constitutes an exotic melody formed in 4/4 time. The first section serves as an introductory role to the second one. It starts with a serene atmosphere in a slightly slower tempo of 6/4 time and then ends with a cheerful melody that anticipates the following section. The first section is then builds up gradually added by leaping progressions and decorative figures and following the subtle changes of the rhythm it is getting slightly faster. The third section develops in a lively dance tune consisting of jungjungmori (relatively slow tempo in jangdan that is a rhythmic cycle), and its tempo corresponds to that of the clock which 1 minute equals to 60 beats. The fourth section consists of a fantastic melody which is constantly operating triplets with a fast tempo which 1 minutes equals to 132 beats.
2 The Gayageum Trio - Variations of Ganggangsullae (°­°­¼ú·¡, a circle dance for women) composition/ Peik Dae-ung
The circle dance for women embodies a significant social meaning that women wished to have their hope of freedom with their body derived from all the restraint of their lives. Similarly this piece unravells the circular form of the round dance that is subject to change diversly in the spirit of the game of Ganggangsullae. It embodies the characteristic features of the emotional side of the music of the Southern part of Korea. One of such emotional aspects of music is expressed in a single melody of Ganggangsullae which is revealed in the multi-dimensional appearances in a performance of the three gayageum players. The main melody of this music is represented by a lower part of the ranges of the gayageum followed by a short introductory phrasing. Then recapitulations of the refraining phrases and dynamics that are creating ecstatic efforts in this folk song are maximised. It leaves a grief of beauty, space and echo of an ample curved line, maintaining the stability of jungmori jangdan (relatively slower tempo) in the ending phrasing, after unravelling the tune through the movements of the melodies appeared in repetition of jungjungmori or eotmori jangdan (relatively fast tempo with syncopated and mixed rhythm).
3 A Trio for the 17-stringed Gayageum ?anmori?composition/ Kim Yeong-jae
This piece of music is arranged into a trio performance from the solo piece that is consisted of five sections of a total of ¨Í to ¨Ñ followed by the introduction. It constitutes some techniques of both hands that are frequently employed. It also shows some traits of the 17-stringed gayageum, and a traditional nonghyeon (³óÇöÒ×úá, a various kinds of hand movements or vibrations) technique is employed for a transformed gyemeon (°è¸é, equivalent to the western minor mode/key) which occasionally occurs. In general, its mode consists of the pentatonic scale and forms a contrast with the rhythm of Nong'ak (³ó¾ÇÒÜäÅ, farmers' music), elapsing a passing episode.
4 Ensemble for Choi Ok-sam ryu Gayageum Sanjo arrangement/ Choi Jae-ryun
The ensemble of Choi Ok-sam ryu Gayageum Sanjo is arranged by Choi Jae-ryun as a commissioned work particularly for a regular concert of 10th anniversary of Gwangju Gayageum Company. The introduction begins with a tutti part constituting vigorous and exuberant hwimori jangdan (the fastest tempo in Sanjo music) and then follows such standard tempo as jinyangjo, jungmori, jungjungmori, neujeunjajinmori, jajinmori and hwimori. It consists of five parts, including solo and a lower part of the ranges of the gayageum. In particular, the section of cadenza in jajinmori can be highlighted to be fully enjoyed its flavour of oriental philosophy that transcends time and space.

5 Bada (¹Ù´Ù, the Ocean) composition/ Yi Seong-cheon
Its original piece of music is written for a solo performance consisting of a total of six suits for the 21-stringed gayageum. In this performance, this music is rendered with the 21-stringed gayageum as solo as well as accompaniment which has been performed by the gayageum for Jeong'ak (Á¤¾ÇïáäÅ, classical music). Of these six sections, only the three sections - Soraui Nore (¼Ò¶óÀÇ ³ë·¡, A Song of a Conch), Pokpungui Eondeog (ÆødzÀÇ ¾ð´ö, A Slope of a Storm) and Dalgwa Deongcului Kkum (´Þ°ú µ¢ÄðÀÇ ²Þ, A Dream of the Moon and Ivy) - are performed. This music also needs rhythmic analysis with which may be difficult to be dealt.
6 A Concerto for the 25-stringed Gayageum 'Sae Sanjo' (»õ»êÁ¶, New piece of Sanjo) composition/ Park Beom-hun
This piece was rearranged for the 22-stringed gayageum which was first performed by Gunglip Gugak Orchestra for a celebration of its foundation. Its original piece of music was composed for the 17-stringed koto (Japanese plucking zither) as solo. Nowadays it is widely performing with the 25-stringed gayageum and is also used as concerto for the Gugak Orchestra. In this performance, melodies of each part that usually become the method of arrangement in the Gugak Orchestra is played by all the gayageum.
¡á Profile of Gwangju Gayageum Orchestra
1989 (October 5) starting with "Five Members of Gayageum Concert"
1990 (May 2) the 1st regular concert at Namdo Art Hall
1991 (March 26) the 2nd regular concert at Namdo Art Hall
1992 (January 1) renamed it "Gwangju Gayageum Company"
1992 (April 30) the 3rd regular concert at Namdo Art Hall
1992 (May 1) visiting performance at Yeru Theatre in Jeonju
1993 (September 9) concert named "Gwangju Gayageum Company meets India Classical music" at Gwangju Yeeum Hall
1993 (December 20) the 4th regular concert at Namdo Art Hall
1994 (March 15) appearance in "Tuesday Gugak Stage" at the Small Theatre in Gwangju Culture and Art Hall
1994 (November 13) the 5th regular concert at the Small Theatre in Gwangju Culture and Art Hall
1995 (November 13) the 6th Gwangju Music Festival, "A Night for Korean Traditional Music" at the Small Theatre in Gwangju Culture and Art Hall
1995 (December 13) the 6th regular concert at the Small Theatre in Gwangju Culture and Art Hall
1996 (March 28) the 7th regular concert at Wujin Cultural Space in Jeonju
1996 (April 26) invitation of gayageum recital by Hwang Byeong-gi at the Small Theatre in Gwangju Culture and Art Hall
1997 (May 9) the 8th regular concert at Geumho Cultural Centre
1997 (December 1) appearance in Hyosan (Gang Tae-hong) Korean Traditional Music Festival at Pusan Cultural Centre
1998 (July 20) Recording session invited by the Gwangju KBS Broadcasting at KBS Public Hall
1999 (September 1) the 9th regular concert at the Small Theatre in Gwangju Culture and Art Hall
1999 (September 29) invitation performance for "Wurisori Wurigarak 26 (= sound and melody of Korean people)" at Jeonju Wujin Cultural Space
1999 (October 3) invitation performance for "Namdosori" permanent performance - "Encounter with the Autumn and the Strings" at the Small Theatre in Gwangju Culture and Art Hall
2000 (September 6) the 10th regular concert for celebration of the 10th anniversary of the foundation of Gwangju Gayageum Company
2000 (September 29) the 69th Gwangju Municipal Dance Company regular performance - "Gayageum, Dance-sports and Ballet" at the Main Theatre in Gwangju Culture and Art Hall
2000 (November 29) the 7th National Gugak Ensemble Festival at Masan MBC Hall
2000 (December 14) joining in the 20th Seong Ae-sun gayageum recital at Wumeondang, GunglipGugakwon
2001 (March 15) appearance in "A Welcoming Night for Exchange Students between the universities of Gyeongbuk and Wulsan at the Concert Hall of Jeonnam University
2001 (April 8) appearance in 'Shinchun (performance for debut) Gugak Large Performance' at the Small Theatre in Gwangju Culture and Art Hall
2001 (September 11) the 11th regular concert at the Concert Hall of Jeonnam University
2002 (March 14) performance at the 139th GunglipGugakwon Thursday regular performance at Wumeondang subtitled as "Open Space of the Young Sensitivity"
2002 (September 10) the 12th regular concert at the Small Theatre in Gwangju Culture and Art Hall
2002 (October 12) invitation performance for Culture and Art Hall in Haenam
2002 (November 27) will be performing as Stage Performance supported by the 2002 fund at the Main Theatre in Gwangju Culture and Art Hall
2002 (September 7) invitation performance for Traditional Culture and Art Center in Jeonju

¡á List of Gwangju Gayageum Orchestra
Seong Ae-sun director, professor of Korean Traditional Music of Arts College of Chonnam National University
Lee Young-a leader, regular member of Jeonnam Dorip Gugak Company
Kim Gyeong-hui regular member of Gwangju Sirip National Theatre Company
Jeong Hyeon-suk lecturer of Jeonnam, Yeongnam and Jeju University
Kim Mi-gyeong ex-lecturer of Gwangju Senior Arts School
Jeong Yun-hae regular member of Jeonnam Dorip Gugak Company
Song Yeong-ran regular member of Gwangju Sirip Gugak Orchestra
Choi Jin regular member and lecturer of Chonnam, Chuang'ang, Won'gwang University and Seoul Gugak Senior Arts School
Gweon Da-hye regular member of Gwangju Sirip Gugak Orchestra
Yi Seon-hui lecturer of Chonnam National University and Hanbit Senior School
Jeong Hyeon-jeong regular member of Yeosu Sirip Gugak Orchestra
Choi Yeong-ju graduate student at Chonnam National University
Gang Hye-gyung member of The National Center for Korean Folk Performing Arts
Jeon Hui-lim lecturer of Gwangju Gineung College and Jung'ang Girls school
Cho Sun-ok regular member of Jeonju Sirip Gugak Company
Ha Seon-yeong lecturer of Gwangju Senior Arts School
Yi Jeong-suk graduate student at Tradition and Culture Arts of Sukmyeong Women's University
Chu Jeong-hyeon teacher of Gwangju Arts Senior School
Kim Mi-jeong regular member of Yeosu Sirip Gugak Orchestra
Kim Han-a manager, graduate student at Chonnam National University
Gi Yu-jeong graduate student at Chonnam National University
Seong Ji-eun graduate student at Chonnam National University
Kim Eun-jeong graduate student at Chonnam National University

¡á other performer
Janggo:
Kim Dong-hyeon
Professor of Gwangju Education College and holder of the drum style for Pansori that is designated as Jungyomuhyeongmunhwajae No 5 (Á߿乫Çü¹®È­Àç, Important Intangible Cultural Asset)
Yoon Ho-se
graduate student at The Korean National University of Arts

modeumbuk:
Choi Sang-jin
Holder of the drum style for Pansori that is designated as Jungyomuhyeongmunhwajae No 5 (Á߿乫Çü¹®È­Àç, Important Intangible Cultural Asset)

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