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TOPCD0267
소릿길 소리사랑 - 실황 - 정회석 수궁가 Sugung-ga
¤ CD-1
1. 초입~약정가 대목 9:53
2. 용왕탄식~상소 올리는 대목 14:25
3. 토끼화상~고고천변 10:18
4. 상좌다툼~범 내려오는 대목 17:33
5. 별주부 애원~산신제 올리는 대목 13:14
¤ CD-2
1. 토끼와 상봉~남해수변 대목 21:38
2. 범피중류~별주부 주달 대목 32:08
3. 고국산천~ 초동신세 18:48
■ 소리 / 정회석 Sori / Cheog Hoi-seok
■ 북 / 김청만 Buk / Kim Cheong-man 국립국악원 민속연주단 예술감독 중요무형문화재 제5호 판소리 고법 보유자 후보
■ 정회천 Buk / Cheog Hoi-cheon 전북대학교 예술대학 한국음악과 교수 중요무형문화재 제5호 판소리 고법 전수조교
■ 해설
「강산제 보성소리」는…
조선 후기 8명창 가운데 한 사람인 박유전은 노년에 전남 보성군 강산리에 내려가 살면서 자신이 이룩한 서편제에 동편제의 웅혼하고 담대한 멋을 더해 새로이 강산제를 만들었다. 오늘 ‘수궁가’를 완창할 정회석의 조부이기도 한 송계(宋溪) 정응민이 박유전의 제자인 정재근으로부터 박유전의 ‘심청가’, ‘수궁가’, ‘적벽가’를, 김찬업으로부터 김세종의 ‘춘향가’를 이어받아 새롭게 재창조한 소리가 바로 보성소리이다. 정응민의 높은 음악성과 철학적 기반 위에 재창조된 강산제 판소리, 그 맥을 흐르는 보성소리는 현재 정재근-정응민-정권진-정회석 4대에 걸쳐 전해 내려오고 있다. 여성이 우는 듯한 세성의 한스러운 소리를 통성의 남성적 덜미소리로 강화시켜 섬세함과 웅건함을 조화시킨 것이 보성소리의 특징이라 하겠다.
■ Sugung-ga
The music is one of the five pieces of pansori. It is also called tobyeol-ga, tokki-taryeong or pyeoljubu-taryeong. This story is believed to have stemmed from a tale about a tortoise and a hare, in which the tortoise lures and takes the hare to the underwater palace for the dragon king suffering from an ailment that can be cured only with hare's liver, but the hare succeeds in returning to the forest alive using his wisdom. It sarcastically describes the human society with the animals and gives the lessons of wisdom for living. Poseong-sori
The singing style of Poseong area or Poseong-sori was formed by Cheong Eung-min(pan name: songkye). Cheong learned Simcheong-ga, Sugung-ga and Cheokpyeok-ga of the style of Park Yu-jeon through his disciple, Cheong Jae-keun, and Chunhyang-ga of the style of Kim Se-jong through Kim Chan-eop and recreated the musics on the basis of his musicality and philosophy of music. Now Poseong-sori includes Simcheong-ga, Sugung-ga, Cheokpyeok-ga and Kim Se-jong's style Chunhyang-ga which he transmitted to his disciples at his birth place, Poseong. It is characteristics of the harmony of the delicate and strong sound which comes from the intensification of the sad and feminine sound by the masculine one.
■ Cheong Hoe-seok
Cheong Hoe-seok was born in 1963 in Poseong, Cheollanamdo Province. The great singers of pansori have been born in his family throughout four generations. His father was a master singer, Chong Kwon-jin, who was designated a human cultural treasure for his sugung-ga by the government in 1970.
Cheong Hoe-seok did a variety of musical study. In the Korean Traditional Music Middle and High School, he majored in cheong-ga(aristocratic songs). Then in Seoul National University, he studied taegeum(large transverse bamboo flute). And he got an M.A. in music at the graduate school of Chungang University with a thesis on cheokbyeok-ga focused to Chong Kwon-jin's singing.
He has received various awards. He won the first prize at pansori Contest when he was a teenager. In his early 20s, he was awarded the prize for pansori at Donga Concours in Korean Traditional Music and the first prize for singing at the National Contest of Korean Traditional Music.
He has held a variety of pansori performance; Sugung-ga Concert at the 3rd Generation Pansori Stage Poseong-sori(1992), the 1st Cheong Hoe-seok Pansori Recital(1992), Simchong-ga Concert in Commemoration of Woldang Chong Kwon-jin(1993), Stage Woldang Posong-sori(1993), the Full-length Sugung-ga Presentation at the Regular Performance of the Important Intangible Cultural Asset(1995), Simchong-ga Concert in Commemoration of the Opening of Ye-ak Dang of the National Center for Korean Traditional Performing Arts(1998), Cheong Hoe-seok Chunhyang-ga Concert(1998), etc. He was also active in teaching and performing pansori abroad.
His tanga, ‘kangsangpungwol’ and pansori, ‘sarang-ga’(love song) from chunhyang-ga can be found in a series of CD of Korean traditional music, ‘saenghwal-kukak-taejonjip.’
Being an Initiator of the Important Intangible Cultural Asset, No. 5, pansori, he presently serves for the National Center for Korean Traditional Performing Arts as a member of folk music group. |
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